Tag Archives: The Little Grey Sheep

Melva Knitted by Barbara

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I want to show you the Melva pullover Barbara, from Vienna, knitted in the divine Wollmeise Pure 100% Merino Superwash in the hand dyed shade “Dunkle kirsche” in size Large. Barbara took part in the test knit and helped me correct and improve the pattern. I have been fortunate enough to meet Barbara both times I have been to Vienna. I have seen how she holds her needles, unlike most other knitters, since she was born with only one hand. It is impressive and so is Barbara’s knitting skills, I have come to discover as she has taken part in many of my test knits. Her former Ravelry name, before she began to share the account with her mother, was “one-hand-wonder” and indeed she is! Now, you can find them both as “Klemens1“.

Back in March, Barbara went to the Edinburgh Yarn Festival, and she stopped by at The Little Grey Sheep stand to meet Emma who dyes her own unique British yarns. The yarn comes from Emma & her family’s fine wool flocks exclusively nurtured and bred for their quality fibre. Emma is also wearing Melva, knitted by sample knitter Amanda, in the colour “Out of Africa” in size Large. Thank you so much, Barbara & Emma!

Named after Melva, Celtic for ruler, a straight sweater with fancy cables at the top and the bottom. The intricate cable is fit for a ruler. Ribbing in the side makes the sweater figure-hugging, while the stockinette stitch center panel shows off the stunning hand dyed The Little Grey Sheep, Stein Fine Wool 4ply. The sleeve mirrors the body, but it is worked flat.

The Melva pattern is available in English and in Norwegian on Ravelry and on Loveknitting.

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Melva Pattern Released

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Emma Boyles of The Little Grey Sheep suggested I launch my Melva pattern in time for the Edinburgh Yarn Festival (read: EYF, for us knitters) and I am happy to say that I made it with the help of my test knitters and new technical editor Kristen TenDyke. The Little Grey Sheep will have a stand at the Festival, sell the yarn Stein Fine Wool 4ply in lovely hand dyed shades as well as my Melva pattern. I would have loved to be there, but know I have my own ambassadors there. One of my Austrian test knitters, Barbara will be there wearing her version of Melva, and so will one of my Norwegian sample knitters, Kristin, as well as my new translator (yes, this is very exciting and more news will follow shortly). Emma also commissioned Amanda, aka demonknitter24 on Ravelry, to make her a version of Melva for the festival, so I am hoping for a small line up of Melva. Both English and the Norwegian pattern are available at Ravelry and at Loveknitting. Above you see it gorgeously worn by Emma Ross, with hair & makeup by Sissel Fylling and jewellery by Kaja Gjedebo Design, all brilliantly captured by Eivind Røhne. Below is a photograph of the lovely yarn in the shade Outback taken in our garden last July by my husband.Here is my introduction to the pattern: Named after Melva, Celtic for ruler, a straight sweater with fancy cables at the top and the bottom. The intricate cable is fit for a ruler. Ribbing in the side makes the sweater figure-hugging, while the stockinette stitch center panel shows off the stunning hand dyed Stein Fine Wool 4ply from The Little Grey Sheep. The sleeve mirrors the body, but it is worked flat.

Melva pattern is available in English and in Norwegian (på norsk).

Sizes: XS (S, M, L, XL, 2XL)

Finished measurements:
Bust: 88 (94, 100, 106, 112, 124) cm/34.75 (37, 39.25, 41.75, 44, 48.75)“
Length: 60 (61, 62, 63, 64, 65) cm/23.5 (24, 24.5, 24.75, 25.25, 25.5)”
Sleeve length: 49 (50, 50, 51, 51, 52) cm/19.25 (19.75, 19.75, 20, 20, 20.5)“
Modelled in size XS with 2.5 cm/1” positive ease.

Yarn: The Little Grey Sheep British Stein Fine Wool 4ply (100% wool, 100 g, 330 m/360 yds). Sample is knitted in Outback: 5 (6, 6, 6, 7, 8) skeins;
1536 (1666, 1796, 1926, 2056, 2316) m/1679 (1821, 1964, 2106, 2248, 2423) yds.
https://www.thelittlegreysheep.co.uk/collections/stein-fi…

Needles: 3 mm/US 2.5 circular needle (80 cm/32” and 40 cm/16”).
Adjust needle size as needed to match gauge.

Notions: Stitch markers, stitch holders, cable needle and yarn needle.

Gauge: 26 sts and 34 rows/rnds in st st measures 10 cm/4” square.
Melva cable (12-sts) measures 4 cm/1.5” wide.

Notes: The body is worked in the round to the armhole and then worked back and forth in rows. While the sleeves are worked flat. If your row gauge differs, begin second Melva cable 54 rows (16 cm/6.25”) before final row on back, front and sleeves. If you want to lengthen the bottom half of the body and add a section to the Melva cable, work these additional rows: 4 to 13, then rows 44 to 49.

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Photoshoot at Bøler Church: Melva

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Melva, here worn by the gorgeous Emma Ross, is currently being test knitted so the pattern will be launched at the Edinburgh Yarn Festival (EYF) in March. Em’s hair & makeup is by Sissel Fylling and her fantastic jewellery by Kaja Gjedebo Design. Photographer Eivind Røhne brilliantly captured the scene and made sure the letters “Bø” from “Bøler Kirke” (read: as in “Boo!”) was visible. Named after Melva, Celtic for ruler is this straight sweater with fancy cables at the bottom and the top. Ribbing in the side makes the sweater figure hugging. While the stockinette stitch center panel shows off the stunning hand dyed The Little Grey Sheep, British Stein Fine Wool 4ply. The sleeve mirrors the body, but it is worked flat unlike the body.

Em is wearing size XS with a bust circumference of 88 cm/34.75″ with 2.5 cm/1″ positive ease. I have graded the pattern from size XS to 2XL with a finished bust circumference of 88 to 124 cm/34.75 to 48.75″. I chose to style the pullover with a pair of Prada trousers in a mauve colour, that perfectly matched the nail varnish shade Sissel chose. The shoes, not in any of these photos, are Carla in Wine by Monica Stålvang, just in case you were wondering.

The Little Grey Sheep, British Stein Fine Wool 4ply is made of wool from Emma Boyles’s sheep at Well Manor – a small family farm on the Surrey Hampshire borders in the UK. It is 100% wool with 330 meters/360 yards on each 100 gram skein. I used a 3 mm/US 2.5 needle and got a gauge of 26 stitches and 34 rows in stocking stitch measuring 10 cm/4″ square. I wanted a red shade and Emma suggested the shade named Outback and kindly offered to sponsor the yarn.

The delicate and intricate cable is again from Norah Gaughan’s excellent Knitted Cable Sourcebook. The Melva pattern will be released on Ravelry and a sample of the pullover will be on show at The Little Grey Sheep stand at EYF in March.

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New Design: Melva

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I love the British Stein Fine Wool 4ply hand dyed by Emma Boyles of The Little Grey Sheep and here is my first design in her yarn – a pullover called Melva. I met Emma at the Vienna Wool & Design Festival in April and was dumbstruck by all her magnificent hand dyed colours. Emma gave me a selection to take home to test and I decided to test the Stein Fine Wool 4ply in a red shade first. Emma suggested the shade named Outback and kindly offered to sponsor the yarn. Named after Melva, Celtic for ruler is this straight sweater with with fancy cables at the bottom and the top. Ribbing in the side and make the sweater figure hugging. While the stockinette stitch center shows of the stunning hand dyed The Little Grey Sheep, British Stein Fine Wool 4ply. The sleeve mirrors the body. The pullover is worked in the round to the underarm.

The delicate and intricate cable is again from Norah Gaughan’s excellent Knitted Cable Sourcebook. Instead of placing the cable in the center and repeat it, I chose to place 2 at the bottom and 2 at the top of the body and 1 on the sleeve. I initially planned to work not only the sleeves but also the body flat for a better fit but ended up working only the sleeves flat. Instead of making it fitted I added ribbing to the sides so the pullover will appear casually fitted.

The British Stein Fine Wool 4ply is made of wool from Emma’s sheep at Well Manor – a small family farm on the Surrey Hampshire borders in the UK. It is 100% wool with 330 meters/360 yards on each 100 gram skein. I used a 3 mm/US 2.5 needle and got a gauge of 26 stitches and 34 rows in stocking stitch measuring 10 cm/4″ square. I am wearing size XS with 2 cm/0.75″ negative ease, but I will later show you how fabulous it looked on model Emma Ross with 2.5 cm/1″ positive ease. I have graded the pattern from size XS to 2XL with a finished bust circumference of 88 to 124 cm/34.75 to 48.75″.Michael has photographed me at the outdoor stage next to Ørje Brug, today a museum called Haldenvassdragets Kanalmuseum. We had planned to take photos at the Boat Café, but due to the high waves and the strong wind we used this place instead. Above you can see the stunning hand-dyed shades of the yarn as well as the cable in detail. The English pattern will be test knitted in my Ravelry Group at the beginning of February next year and launched in time for the Edinburgh Yarn Festival in March.

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Report Two: Vienna Wool & Design Festival

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It has taken awhile to mentally land after attending Vienna Wool & Design Festival. I look forward to seeing the official photos taken with all of us teaching present on the stage. In the meantime I can show you one with four of us, taken Sunday afternoon before my last workshop: Italian designer Valentina Cosciani, standing next to me, in front of her American designer – living in the Netherlands – Nancy Marchant and Polish designer Hanna Maciejewska. Photographing are Daniel, Hanna’s husband and my husband with extra cameras. Valentina has her own YouTube Channel and she has made an excellent video from the festival where she walks through the workshop rooms and all the 23 stalls in the market hall. Yes, it is in Italian but it does make you feel like you are there: youtube.com.

I also wanted to share my haul from the festival: Gorgeous mini-skeins and a full skein of British Gotland 4ply in addition to their two magazines called Sticka, all given to me by The Little Grey Sheep so I can play with their yarns. Take a look at the previous blog post to see how I am holding onto the skeins as if my life depended on it. 5 lovely balls of Lalland Lambswool by Di Gilpin, I could not decide which colour I wanted to test and when Sheila – Di’s assistant talked about how to work with two or three strands at a time, my mind exploded. I did not really want to let go of any of the colours and Di let me keep them all to test. My friend, test knitter and organiser Uschi, was so kind and ordered the two German magazines “Neu Strick Mode” for me – they are German versions of the two latest American knit.wear magazines. Uschi also gave me the rest of her Doulton Flock Border Leicester Yarn DK she used to knit my design Helka for me to try out. Suncica gave me a copy of the festival magazine: wool 2 go – a large glossy magazine with 12 patterns in English and German from 9 participating designers, including yours truly. The pink flyer at the back is the floor plan of the market hall.

Susanne, aka shannara13 on Ravelry, assisted at Suncica’s first stand, Wollsalon and showed off her test knitted version of my design Idunn sweater, knitted in String Theory Hand Dyed Yarn Merino DK in a pale grey called Pewter. Thank you, Susanne! I was so happy to meet knitters, test knitters and designers, some I had only meet online before, in person!

On Saturday evening there was a Galla Dinner, so I brought a long silk skirt and a silk top. I claimed a large part of Michael’s suitcase in addition to the one I had already filled with workshop materials and my designs to show off before we left. Michael was hoping that the suitcases would be lighter coming back, but he was wrong. Yes, I did give away a lot of workshop papers but with the extra yarn and magazines, we traveled home with even heavier suitcases. But I digress. Seven of us met in the reception and walked to the Italian Restaurant, Trattoria Martinelli at the Palais Harrach: British designer Anna Maltz led the way – assisted by Michael – for German designer Isabell Kraemer, Nancy Marchant, Hanna & Daniel Maciejewska and me. When I realised I was the only one of the designers who had not brought my knitting, everyone stopped abruptly – knowing the scale of this disaster – and offered to go back. I decided that I could manage without it, but loved the shared feeling & laughter as we walked on. Of course we arrived late, but it was a very pleasant stroll through the streets of Vienna.

At the palace we talked and Suncica introduced the team behind the magazine; graphic designer, stylist and photographer. You can spot the top of my head, behind Isabell Kraemer, talking to Di Gilpin. We had champagne and canapés before we went inside and had another 4 amazing courses. I sat next to Di’s husband and across from Hanna at the end of second table. The six of us at the end of the table had not finished talking at 23.00 when most of the party had left and decided to have a last drink in the bar at the hotel. It was a marvellous evening and late one before I went to bed!

On Monday, our last day in Vienna, we said goodbye to Nancy, had a late breakfast with Hanna & Daniel pluss Isabella and her partner. That was yet another highlight from Vienna and all for this time.  Thank you to everyone I met in Vienna!

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Report One: Vienna Wool & Design Festival

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My first highlight of the Vienna Wool & Design Festival was that I met up with Nancy Marchant at the airport in Vienna on Friday afternoon. She landed half an hour before Michael and I so, Suncica suggested booking a taxi for the three of us, knowing that we would have a lot of luggage with us. It gave me a wonderful chance to get to know the Queen of Brioche Knitting. The festival had already began by the time we arrived; the first set of workshops started in the afternoon. Several of the stands were set-up, ready for the influx of knitters on Saturday, in the Market Hall  (read: the Ballroom) at the Arc Hotel Wimberger. While I was busy looking down at all the yarns on all the 23 stands, Michael looked up and captured the banners with my design Tau, published in the: Vienna Wool & Design Festival Magazine: wool 2 to go 01. Mail order is open from today.

Suncica, one of the two organisers, had three different stands: The first for her current yarnshop: Wollsalon with the wonderful yarns like: Artyarns, Hedgehog Fibres, Lorna’s Laces, Malabrigo and Shibui. The second for her new brands called Pop-Up Store with: The Uncommon Thread, Biscotti Yarns and Doulton Flock. The third for her new yak yarn: Myak. I must admit seeing all those brands made me craving yarn. I am sure that sound familiar to many of you! I was way too busy talking to knitters I had meet in Vienna in 2015, test knitters from my Ravelry group and friends to take photographs, so most of these are taken by my husband!

Uschi, the other organiser, told me that they early figured out that they needed a photo wall, and where better to place it than on the stage. We took advantage of it and asked Susanne, aka shannara13 on Ravelry, to join us. On the Friday we were all wearing the same bluebell shade of blue and all my designs: Uschi, aka Grinsekatz on Ravelry, is wearing Ronette, Susanne is wearing Irina Pullover, both have made adjustments to the pattern to make them their own and  I am wearing Kori.

I was looking forward to seeing Scottish designer Di Gilpin again. I met her first time at the Rowan Yarns’ stand at the Knitting and Stitching Show in London several years ago, while I was still working for Rowan and she was launching her first book with Rowan yarns. Now, she has her own yarn brand: Lalland Lambswool, sell finished garments and designs both for hand knitters and for haute couture. In the photo above you see Sheila, who trains all their sample knitters and assists Di. Her eye for design and especially intricate cable work stand out, just take a look at her website here: digilpin.com. And yes, I have several balls of her yarn to play with now. To be continued.

All the beautiful colours and yarns on the British The Little Grey Sheep stand blew me away. Here I am lost in colours. All you can see of me is the back of my design Helka. I first spoke their shepherdess Susie (you can see her in action in the picture hanging above the mini skeins in the photo below), before I spoke to dyer & manager Emma.

Invited to this festival was also the Polish designer Hanna Maciejewska, aka Hada Knits, who I met up with during the festival. We enjoy each others company a lot! Suncica, aka Sunce5555 on Ravelry, stopped us in our tracks asking for more autographs for the magazines. We obliged, enjoying the lime light for a short period of time.

Hanna’s husband Daniel was walking around with his camera just as Michael was. Another designer who also brought her man was Isabell Kraemer, but due to our workshop schedules I was not able to talk to her until Monday morning when the six of us had a late breakfast. I am very proud of the fact that I did not buy any yarn, but I was given several skeins and balls to play with so I do not feel deprived in any way.

None of my workshops were fully booked and the small groups made them extra enjoyable since it gave us more time to get acquainted! Among the participants I spoke Norwegian to three of them to my surprise; two of them were living in Austria while the third had worked as an au-pair in Norway. The rest of the time, I spoke English and several of the Austrian participants where surprised how quickly they could recall their English vocabulary that not been used for awhile. More photos and stories are coming up next so stay tuned.

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