My first design made for the British magazine “The Knitter”, Fulla Cardigan knitted in Felted Tweed, is published in issue 175. I sent in my design submission back in December 2020 and chose the intoxicating pastels mood board for Spring/Summer 2021 as my inspiration source. The cover design is the Kew Gardens Cardigan by Emma Vining, but my name does appear at the bottom. Below you can read the introduction to my design. Continue reading
Tag Archives: Rowan Felted Tweed
Familien Strikk 2017
The special magazine Familien Strikk is out for sale here in Norway. I am delighted to have 4 patterns included in the magazine and a small photo of the back of the Irina Pullover on the cover. It is a very popular annual magazine, with a large number of patterns: 61 patterns from Norwegian designers, some translated patterns and some from different yarn producers. All my designs: Irina Pullover, Biondo, Embrae and Harding Cardigan were brilliantly photographed by Eivind Røhne, modelled by Silje Andresen/Team Models with hair & makeup by Sissel Fylling and jewellery by Kaja Gjedebo Design at the National Museum – Architecture in November last year. The long stunning skirt worn together with Irina Pullover and Biondo is by Judith Bech Design.Irina Pullover (made for knit.wear Spring/Summer 2016, but the rights have reverted back to me now) Named after the beautiful Russian ballerina Irina Baronova, a fitted pullover with elegant cables swooning across it in panels with garter stitch dividers for shaping. Timeless, knitted in the round from the bottom up to the armholes then flat to soft square neckline and shoulders. The sleeves are also knitted in the round, long to adorn the hands and set-in. A divine sky blue color, and luscious texture was made by combining Rowan Rowan Felted Tweed with Rowan Kidsilk Haze.
Biondo – Italian for blond – scarf is reversible with a twisted stitch as a divider between each of the three cables. The stitch also work as a folding line, hence emphasises the more relaxed alternate side. The scarf is knitted in a divine silk and alpaca mixture for that lovely feel and sheen, Du Store Alpakka Baby Silk.Embrae, a fitted cardigan with a lace collar, is like a flowery embrace. A lacy leaf pattern adorns the sleeves and the back of the cardigan. The lattice at the center of the lace pattern continues on each side of it and covers the collar. The collar can be worn flat or overlapping and pinned together or folded. The colour Iris, in the stunning yarn; Anzula Squishy is perfect for the lace pattern. The English pattern is currently under test knitting in my Ravelry group and will be released as soon as it is over.Harding Cardigan: An allover telescope lattice gives this long, straight cardigan a textural feel. A cabled rib-cord collar adds a modern look to the Harding Cardigan. Wear it open or close it with a shawl pin or belt. The English pattern was first published in Interweave Knits Summer 2016. I suggested the rustic Brooklyn Tweed Shelter and editor Meghan Babin agreed with my choice and suggested the shade Foothills.
The magazine is available at selected news agents and super markets. If you are in Norway you can also order it by SMS just write “Strikk17” in addition to your name & address to 2205 or buy a digital version for iPad, see www.klikk.no. If you live abroad you can order the Norwegian special magazine by e-mailing kari.bachke@egmont.com and then transfer payment into their bank account.
The samples and the professional photographs of all these, except for Biondo, together with Kathe Cardigan, Cablewing Sweater and Patent Poncho, will be exhibited at Strikke 2017 Festival at Hadeland Glassverk from 2. September to 29. October.
Irina Pullover Pattern Released
The time has come to release the Irina Pullover Pattern, since the rights from Interweave has reverted to me. It was first printed in knit.wear Spring/Summer 2016 with stunning photos by Harper Point Photography, see my blogpost. My photoshoot team took the challenge and managed to create wonderful photos of it too, see my blogpost. Model Silje Andresen/Team Models, with hair & makeup by Sissel Fylling and jewellry by Kaja Gjedebo Design, wore the pullover with a long silk skirt with a train by Judith Bech Design, at the National Museum – Architecture and was brilliantly captured by photographer Eivind Røhne. The English pattern is available on Ravelry and shortly on Loveknitting while the Norwegian pattern will be printed at a later date in the magazine Familien. Here is the pattern introduction:
Named after the beautiful Russian ballerina Irina Baronova, a fitted pullover with elegant cables swooning across it in panels with garter stitch dividers for shaping. Timeless, knitted in the round from the bottom up to the armholes then flat to soft square neckline and shoulders. The sleeves are also knitted in the round, long to adorn the hands and set-in. A divine sky blue color, and luscious texture was made by combining Rowan Felted Tweed with Rowan Kidsilk Haze.
Sizes: XS (S, M, L, XL, 2XL)
Finished measurements: Bust & hip circumference: 77 (86.5, 95, 104, 113, 122) cm/30.25 (34, 37.5, 41, 44.5, 48) Length: 53 (54, 55, 56, 57, 58) cm/20.75 (21.25, 21.75, 22, 22,5, 22.75)” Waist circumference: 68 (77, 86.5, 95, 104, 112) cm/26.75 (30.25, 34, 37.5, 41, 44)” Sleeve length: 47.5 (48, 48, 49, 49, 50) cm/18.75 (19, 19, 19.25, 19.25, 19.75)”
Yarn: Rowan Felted Tweed (50% wool, 25% alpaca, 25% viscose, 50 g, 175 m/191 yds). Sample is knitted in Clay 177: 5 (6, 6, 7, 7, 8) skeins; 875 (965, 830 (910, 990, 1080, 1180, 1280) m/907 (995, 1082, 1181, 1290, 1400) yds. http://www.knitrowan.com/yarns/felted-tweed Rowan Kidsilk Haze (70% mohair, 30% silk, 25 g, 210 m/230 yds). Sample is knitted in Heavenly 592: 4 (5, 5, 6, 6, 7) skeins; 830 (910, 990, 1080, 1180, 1280) m/907 (995, 1082, 1181, 1290, 1400) yds. http://www.knitrowan.com/yarns/kidsilk-haze
Note: One strand of each yarn is held together throughout.
Needles: 4 mm/US 6 circular needles (80 cm/32″ and 40 cm/16″). 4 mm/US 6 DPNs. Adjust needle size as needed to match gauge.
Notions: Stitch markers, cable needle, stitch holders, and yarn needle.
Gauge: 18 sts and 30 rnds in garter stitch using 1 strand of each yarn held together measures 10 cm/4″ square after blocking. 24-sts Cable panel using both yarns held together measures 12 cm/4.75″ across after blocking.
Notes: The body is worked in the round to the underarm, then the front and back are worked separately back and forth. The sleeves are worked in the round from the bottom up, with the sleeve cap worked flat.
Photoshoot at Architecture Museum: Irina Pullover
I am thrilled to show you my favourite photos from our shoot at the National Museum – Architecture. Irina Pullover is the design – returned from the magazine knit.wear in the US – worn by the gorgeous Silje Andresen/Team Models with hair & makeup by Sissel Fylling, jewellery by Kaja Gjedebo Design and skirt by Judith Bech Design, all brilliantly captured by Eivind Røhne. The complete outfit seemed to belong there in the cloister next to the Fehn Pavilion, so we had to take several full length photos. It was no surprise that I had difficulties choosing which ones to pick, but did come to a conclusion in the end with the help of experienced editor, now House of Yarn’s Marketing Director, Mary-Ann Astrup.
Named after the beautiful Russian ballerina Irina Baronova, a fitted pullover with elegant cables swooning across it in panels with garter stitch dividers for shaping. Timeless, knitted in the round from the bottom up to the armholes then flat to soft square neckline and shoulders. The sleeves are also knitted in the round, long to adorn the hands and set-in. A divine sky blue color, and luscious texture was made by combining Rowan Felted Tweed with Rowan Kidsilk Haze.
The English pattern was first published in knit.wear Spring/Summer 2016 issue and the magazine is available from Interweave Store (digital & print), individually and also in the The Barre Collection (five barre- and ballet-inspired projects). It will be released on Ravelry and on Loveknitting at the end of March with these new photos. The Norwegian pattern will be printed in the magazine Familien, the date will be confirmed later.
The lovely texture is made by holding Rowan Felted Tweed (50% wool, 25% alpaca, 25% viscose, 50 gram, 175 meter/191 yards) in shade Clay 177, together Rowan Kidsilk Haze (70% mohair, 30% silk, 25 gram, 210 meter/230 yards) in Heavenly 592, with one strand of each yarn. The gauge is 18 stitches and 30 rounds in garter stitch using 1 strand of each yarn together measures 10 cm/4″ square after blocking. The sample sweater is knitted using 4 mm/US 6 needle.
The body is worked in the round to the underarm, then the front and back are worked separately back and forth. The sleeves are worked in the round from the bottom up, with the sleeve cap worked flat. During shaping, if there are not enough stitches to work a complete cable crossing, work the stitches of the partial cable as they appear.
The pullover is available in sizes XS to 2XL with a bust circumference of 77 to 122 cm/30.25 to 48″. Silje is wearing size S: 86.5 cm/34″ with 2″ of positive ease. I tested the pullover with both light blue and black before I tried this wonderful skirt. A perfect match for the pullover, embodying the cloister backdrop.
New Design: Shalana
I am thrilled to show you one of my new designs, Shalana. One of my latest obsessions is moving cables across the body. Here I looked for cable or panel of cables which could be moved from the center to the shoulder. I choose Sand Cables surrounded by double moss in the center framed by a twisted stitch and stockinette in the sides. Rowan Felted Tweed in Avocado begged to be used to give life to the cables. The resulting sweater is fitted with long sleeves decorated with Sand Cables just as the front. Grete Jenssen, aka ma9 on Ravelry, knitted this sample for me with a different gauge than planned, hence I am wearing size Large in these photos. The Norwegian pattern will be published in Norwegian in Familien Strikk at the end of August, while the English pattern will be test knitted before its release on Ravelry. Shalana will be included in my next photo shoot at the end of this month.
Here is my introduction to the pattern: Sand Cables that move from the center towards each shoulder dominate this fitted sweater with a rounded neckband. The center panel of double seed stitch is framed and increases in size with the cable move. On the long sleeves the cables dominate. Named after the most powerful spirit Shalana.
The intended gauge is 24 stitches and 32 rows in stockinette stitch using 3.5 mm/US 4 needle measures 10 cm/4″ square. The 18-stitch Sand Cables Panel measures 7 cm/2.75″ across. This is the result of my swatch. I decided to work all parts flat, to enhance the fit. But you could easily remove the added selvedge stitch and knit the body and the sleeves in the round.
The sand cables move from their center position on the body towards the shoulder by increasing into the center double seed stitch panel and decreasing into the stockinette stitches at the side. The neckband is an I-cord bind off, which is grafted together at the end. I am really happy how well this turned out, despite not being the size I wanted it to be. All the photos above are taken by my husband on a chilly but wonderful day earlier in May just 10 minutes from where we live at Ormøya by the fjord. We have chosen an equally stunning location for our next photo shoot. More news will follow.
My Irina Pullover
I knew I had to submit a design for the Film Noir Ballet theme and re-launch of knit.wear because I adore the grace of ballerinas and because knit.wear is such an outstanding magazine. A body conscious silhouette with set-in sleeve and tailored waist, was just what I had in mind. I obviously wanted to include cables and instantly knew which one I wanted to use for this pullover I had in my mind. The very same ones I used for a set of accessories, I called Talila was not forgotten and would be ideal as a panel on a sweater. In between the panels I decided to use garter stitch and also on the sides I opted for garter stitch. These were made to simplify shaping the garment but also to let the cables be the focus point. What if I move the cable panels towards each other, was one I idea liked and will continue to explore in the time to come. In the end I choose a minimal move. Above you see it worn on my, and yes, I do have an extra long back making the pullover seem cropped, not intentional. The Irina Pullover is available in English as a single pattern, in a digital version and in a printed version of knit.wear Spring/Summer 2016.
The sleeves have the same cable panel as the body. The remainder of the sleeve is knitted in garter stitch. Here is my introduction to the pullover: Named after the beautiful Russian ballerina Irina Baronova, this fitted pullover has elegant cables swooning across it in panels with garter stitch dividers for shaping. Timeless, knitted in the round from the bottom up to the armholes then flat to soft square neckline and shoulders. The sleeves are also knitted in the round, long to adorn the hands and set-in. A divine sky blue color, and luscious texture was made by combining Rowan Felted Tweed with Rowan Kidsilk Haze. I initially suggested Rowan Fine Lace an alpaca mixture which makes the cables flatter. Editor Meghan Babin suggested the well known combination instead making the cables pop and giving the pullover a fuzzy appearance. She also choose a lighter blue tone giving it a more delicate look. By holding the two yarns together and using a 4 mm/US 6 needle the cables stand out.
I knitted this myself, while sample knitter Grete Jenssen was busy knitting Helka, last October. Both the body and the sleeves are worked in the round up to the underarm and then worked back and forth to the end. It is an enjoyable knit. I love how it has been photographed on a ballerina and the styling of the theme in knit.wear. I look forward to sharing more of my design ideas, as my new ones come off the needles.
knit.wear with My Design
Interweave’s magazine knit.wear Spring/Summer-2016 is now released digitally and I have design in this for the first time! The magazine is a re-premiere issue, as it has taken back its old name, instead of using knit.purl. I am delighted to have my design submission accepted in this fashion forward magazine. The theme I choose was initially called Film Noir Ballet but has been changed to Odile & Odette in the magazine. Editor Meghan Babin described it as follows: “1940’s drama and intrigue. Pulp fiction ingenues. Urban spaces. Body-conscious silhouettes and singular design elements. The set-in sleeve and tailored waist give way to low-backs and floaty fabrics, styled with tights and ballet flats and the unexpected leather jacket. Explode one element of a vintage sweater and go over the top—an outrageous intarsia flower on a cream mohair pullover; a plunging back; an exaggerated puffed sleeve cap, a profusion of bobbles. Subversive, beautiful, refined.” My submission with the working title Baranova Pullover was given its first name Irina Pullover. I am thrilled that the series, including my pullover, was photographed on a ballerina by Harper Point Photography.
Named after the beautiful Russian ballerina Irina Baronova, is this fitted pullover with elegant cables swooning across it in panels with garter stitch dividers for shaping. Timeless, knitted in the round from the bottom up to the armholes then flat to soft square neckline and shoulders. The sleeves are also knitted in the round, long to adorn the hands and set-in. A divine sky blue color, and luscious texture was made by combining Rowan Felted Tweed with Rowan Fine Lace.
Meghan suggested using Rowan Kidsilk Haze instead of Rowan Fine Lace and choose an ever more delicate color combination than I did. In Kidsilk Haze she choose a light blue called Heavenly which is held together with Rowan Felted Tweed in a whitish tweed with light blue flecks. They make the cables even more visible and make then pop. Using 1 strand of each yarn, I choose to use a 4 mm/US 6 size needle and got a gauge of 18 stitches and 30 rounds in garter stitch measuring 10 cm/4″ square. You might recognize the cables I choose, as they are the same I used for the accessories; cowl, wrist warmers and clutch called Talila. I discovered after designing Talila that I was not finished with those yet.
I decided to use garter stitch as the background and make the cables into panels so that I could shape in between them. The sleeves were given a narrower panel than the one on the body. This body of this pullover is worked in the round to the underarm, then the front and back are worked separately back and forth. The sleeves are worked in the round from the bottom up, with the sleeve cap worked flat. Decreases and increases are worked on each side of the body to create a fitted shape. I have graded the pattern in sizes XS to 2XL.
Here is a detail of the square neckline that is knitted double, folded and sewn in place at the wrong side. I am delighted to be in the design company of my tech editor Corrina Fergusson, Carol Feller and Sarah Wilson who has designed the amazing huge Anna Cowl on the cover, just to mention a few. The digital version of the magazine is available to download from the Interweavestore.com and while the print version can be ordered here: knitwear-springsummer-2016. The pattern will be available in Norwegian after the rights return to me in a year, and new photographs will be taken. It will be a challenge to make them as brilliant as these.
Made By Me Magazine 2/2014
Our Jugend Love series is released. This has been a magnificent co-operation between Makeløs/Remarkable Re-design stylist Kristin Elise Halkjelsvik and myself together with shoe designer Monica Stålvang and jewelry designer Siri Berrefjord for the Norwegian crafts magazine Made By Me. Editor Mary-Ann Astrup skillfully selected the rest of the team essential for the photo shoot at the Bjørnulfgården in Fredrikstad: Brilliant Photographer Eivind Røhne, stunning Model Pia Cecilie/Team Models and talented Make-up & Hair Stylist Janne Skarpeid Hermansen. In addition Kristin had asked her beautiful daughter Elise and handsome friend Adrian Bjørk to model some of her re-design pieces. Kristin’s preference of the Jugend period, especially its elaborate hand-made textiles, was the starting point, and fitted well with the intricate stitch patterns I favor. Truly remarkable is the way she drapes an embroidered table cloth into a skirt or dress or poncho, and accessorize it with contrasting fabrics preferably in bright clear colors. I had two designs I had already started that fitted well into this series: Icelandic Jacket and Cable Round Sweater, in addition I created two new ones: Lattice Back Jacket and Lyre Bolero. The article introduction actually begins four pages earlier with an interview of Kristin covering four pages, and then in these pages; four of her re-designed outfits.
Curtains, bell pulls, or a series of table clothes like these to the left; where one is made for the piano keys and the other for the piano itself. The latter one is skilfully used as a skirt. We occupied the stair case all day – thankfully it was not too busy – and were fortunate enough to borrow the keeper’s office as a changing and storage room to fill with Kristin’s suitcases and bags.
My Cable Round Sweater has interlocking cables framed by a rib in the side. The ribbing makes the straight sweater pull in and appear fitted. With a crew neck and a double stockinette band, I felt it need a long cowl you can wear twice around your neck. It is knitted in Norsk Pelsull/Norwegian Pelt wool by Hifa in a divine melange light denim color using a 3.5 mm/US 4. Styled with a masculine white shirt and trousers with a studded jugend motif. As a contrast an orange chiffon scarf, and stunning cuff links by Siri Berrefjord were added to the outfit. The to-die-for Carmen Boots in petrol are by Monica Stålvang. Both designers are briefly presented with a photograph on the page. Notice that Adrian is wearing bell pulls as braces. I will release the English pattern after a test knit in my Ravelry Group, date to be confirmed. I am delighted to share that this sweater has made it to the blogsphere; Knitigating Circumstances by Kelly Dawn see her post: Pattern Radar August 2014.
The Lattice Back Jacket worn over a beautiful dress; is actually a large table cloth pinned together with the fringes making a stunning back drop. Meters and meters of tulle tied into a bow around the neck, adds glamor to the outfit. Adorning the front and the sleeves is a series of small cables, while the back has a large intricate cable panel. Like a vintage jacket it is very fitted, and the body pieces are knitted flat while the sleeves are knitted in the round in a gorgeous melange purple in Ask-Hifa 2 using a 3 mm/US 2.5. The English pattern will be released after the test knit, which has just started in my group on Ravelry, is completed. Next is the Lyre Bolero with its accompanying cummerbund, which also can be used as a cowl worn twice around the neck according to Kristin. The bolero is cropped and the body is knitted flat in pieces, while the sleeves are knitted in the round in the bouncy Embla-Hifa 3 using a 4 mm/US 6 needle. I made the cummerbund to add length to the bolero, which I imagined to worn with a beautiful skirt like this made of a table cloth with a black tulle petticoat beneath. The bolero is closed with magnificent jugend brooches from Siri Berrefjord. I will release the English pattern after a test knit, date to be confirmed.
Last but not least is my Icelandic Jacket worn with a table cloth as a skirt, a tulle petticoat and gorgeous green Bettina Boots by Monica Stålvang. It is knitted in Jaggerspun Zephyr Lace in Juniper with cuffs in Rowan Felted Tweed and Rowan Fine Tweed, the latter is also used in the back panel and cowl, all using a 3 mm/US 2.5 needle. The sleeves are knitted in the round while the remaining 3 panels are knitted flat. The cowl is identical to the back panel just longer. Kristin also demonstrated how to use the cowl as a belt, merely by using a shawl pin to adjust it to the waist measurement. Only one bespoke button by Siri Berrefjord made it to the photoshoot (due to slow mail service), but you can see it with the planned three on the pattern page. I plan to have the Icelandic Jacket test knit in October after the Conic Coat, then released in English.
My Lattice Back Jacket also feature on the contents page, where editor Mary-Ann Astrup writes under the heading: “Boundless Creative Enthusiasm” referring to stylist and re-designer Kristin Elise Halkjelsvik: “You can also see some of her gorgeous outfits, composed around old embroidered table cloths, bell pulls and curtains. In combination with new beautiful cable knits from Linda Marveng, the unity becomes sensational.” The magazine is available from newsagents like Narvesen and selected supermarkets or online here: Familiens lille butikk.
It was an amazing photo shoot and co-operation, which we have decided to do again. In the mean time, I am already working on the next series of designs for Made By Me with Monica Stålvang and a dress designer this time. More to follow.
Buttons by Siri Berrefjord
I have for a long time admired Siri Berrefjord’s jewelry, see Siris’ Skattkammer/Treasure Trove, and when I finally met her at a Designerkollektivet event last year, I asked if she could make buttons for my designs. The answer to my delight was positive as long as I did not need 10 identical ones since they are cast from a mold. All that Siri needed was a yarn sample, and an idea of the size I wanted the button to be. I showed her my swatches when a brilliant idea popped into my mind; would she photograph them with her buttons on? Siri is a former professional photographer of antiques and jewelry so she knows exactly how to capture colors and texture, see fredenshavn.no. Here is the unique result of the buttons made to order and the equally stunning photos she has taken. My swatches are of the Icelandic Jacket, a new design I will reveal next week, made in a combination of Jaggerspun Zephyr Lace, Rowan Felted Tweed and Rowan Fine Tweed to be published in Made by Me on 1st of September. The cuff has tucks in tweed and the cables adorn the back panel and the matching cowl. Notice the layers of color that Siri has applied to the buttons making them a perfect match to the color specks in the three different yarns. They are made in plastic inspired by traditional historic national costume silver and each one is unique.
Now, that I have been spoilt with these magnificent buttons, I am not sure I will be satisfied with a mass produced buttons ever again! Yet another addiction of mine. If you want Siri’s unique buttons for a special garment, you too can order directly from her stating what size, how many and sending her a small yarn sample. Just email: siri@fredenshavn.no