Strikkefestivalen in Fredrikstad 2019

I have been back to the lovely Fredrikstad Old Town; the oldest fortified town in Norway (founded in 1567) and in the Nordic countries, and one of the best-preserved fortress towns in Northern Europe. The Strikkefestivalen/knitting festival is in its 4th year and still going very strong, run by four Knitting Motors: Marit Larsen, Lill Bjørnstad, Mette Bakken and Rita Walter together with numerous volunteers. They offer an impressive program with workshops, talks and including events such as “Knit & Poetry”, “Psalms & Knit” and “Knitting Cinema”. Above you see the courtyard surrounded by the museum, the market hall and the knit café, all held in these magnificent historic buildings dating back to 1775.

Michael and I went down to the Fredrikstad Museum on the day before the festival to mount my exhibition. Above you see a photo Michael took of me and my corner. I am wearing Aylwen next to my blue Vela, behind it is the grey Prescott Pullover. On my other side is the natural Nemetona and behind it the green Rørbye Cardigan. I used the opportunity to check if Makeløs – Remarkable Kristin Elise Halkjelsvik if she wanted to meet us for lunch at Café Magenta and she did! Read more about the café at the bottom. Indeed, she found me several times during the festival too and brought her husband to the Indian restaurant where designer Tove Fevang, Michael and I had our dinner on Friday night.

Lunchtime on Friday, Kristin found Tove and me having lunch at the knitting café. Kristin is a culture stylist and her outfits are magnificent and combines stylish elements with bright splashes of colour here made of tulle around the neckband plus cuffs of this otherwise traditional Setesdal Inspired Kofte (read: stranded colorwork jacket with traditional borders from the Setesdal Valley). Michael captured them better than I did.

I held two workshops on Friday: Flettestrikk Masterclass/Cable Knitting Masterclass and Engelske Mønstre/English Patterns. Luckily, I met both knitters I knew from previously but also knitters I had not met earlier! Above is three of them yarn shopping at the Projo stand.

Of course I also had a chat with the other designers present: Tove Fevang, Helle Siggerud, Denise Samson, Kari Hestens and Annemor Sundbø – the Norwegian knitting legend.

Just like me, Helle Siggerud also had an exhibition in another corner of Fredrikstad Museum. Unlike me, Helle is a sewer and have designed all these lovely outfits, inspired by our national costumes. Yes, Helle also sews national costumes, see more on her webpage: Helles Syskrin.

Yarn dyer Hege Dagestad was there – see above – and so was Karen Walthinsen of Enchanted Forest Fibers, who I had not met before. Below is another yarn photo, as I know I cannot include too many of those for you to look at.

Below is a photo Michael took of Tove and me checking out the stands. I am wearing my Aife knitted in the gorgeous hand dyed Dye Dye Done, Pure Sport and it is currently being test knitted before I release the pattern in English and Norwegian on Ravelry and Love Crafts.

I took the other photos above on Saturday morning before the Market Hall became too full and before my third workshop. The festival had booked all the workshops holders into the same hotel so we all met up for breakfast on Saturday morning. That was a nice treat.

Above is the sign and the outdoor seating for my favourite coffee shop in the Old City, Café Magenta – where the captives of the fortress were held back in 1731. The owners have come to love the knitting festival. Back in 2016, they had no idea what caused the invasion (of mainly female vistitors that is) during the first knitting festival. This year they were prepared and their meny was found printed to take away, inside in the Market Hall.

After my workshop on Saturday from 3 to 6 PM, Michael and I drove home. While I was finishing up my workshop, Michael dismounted my exhibition. I had a fab time, as always! Thank you to the organisers, to all the knitters I met and all my designer friends!

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Høststrikk 2019 with Rørbye Cardigan and Nemetona

The Norwegian special magazine Høststrikk/Autumn Knits published by Familien is on sale and I am delighted to have two patterns inside it: Rørbye Cardigan and Nemetona. The magazines is filled with knitting patterns for all ages, but mainly for women as you can see from the cover. My Rørbye Cardigan modelled by Emma Ross, with hair & make up by Sissel Fylling and jewellery by Kaja Gjedebo Design, photographed by Eivind Røhne at the Vigeland Museum, is one of four designs on the back cover as well as on the editorial page.

Here is the back cover, with the Rørbye Cardigan at the top, next to a design by Golden Days by Kari Hestnes. The jacket was made for Interweave knit.wear Fall/Winter 2017 and is knitted in Dale Eco Wool using 4 mm/US 6 needles. Here is my introduction: A classy and sophisticated knitted cardigan in a contemporary style. The waterfall bottom is created by knitting a sideways cable panel. To offset the cables, the body is all in stockinette stitch, with the exception of the cuff. Each sleeve begins in a sideways knitted cable panel. Leave it open, or pin the cardigan together at the front or in the side, if you prefer to wrap it all around you.

Nemetona is featured inside the magazine at the beginning of my pages called “Fantastic Cables”. I do love the introduction: “Designer Linda Marveng is an expert on cable knitting. Here are two gorgeous designs photo grated on Emma Ross at the Vigeland Museum in Oslo.”

Nemetona is Celtic for goddess of all sacred places. Like a magical cable grove is each part of this pullover: Staghorn, Roman; and double cables are framed by Honeycomb pattern. The flowing longer back with its curved hem, creates a stylish contrast to the straight front. Nemetona is knitted in pieces in the divine The Fibre Co. Cumbria.

The Familien Høststrikk magazine is available at selected news agents and super markets. If you are in Norway you can buy a digital version for iPad, see www.klikk.no. If you live abroad you can order the Norwegian special magazine by e-mailing kari.bachke@egmont.com and then transfer payment into their bank account.

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Photoshoot at Vigeland Museum: Rørbye Cardigan

The Rørbye Cardigan looks stunning on model Emma Ross, thanks to Hair & Makeup Stylist Sissel Fylling and Photographer Eivind Røhne who captured these brilliant photos at the Vigeland Museum last November. The jewellery that match the stitch patterns in the jacket was on loan from Kaja Gjedebo Design. The cardigan was made for knit.wear Fall/Winter 2017 and knitted in the lovely Dale Eco Wool using 4 mm/US 6 needles. Hence this is the second set of photographs taken of it. The colour fitted into the grey plinths to the plaster sculptures in the Monolith Hall. You can see Em in front of the finished granite Monolith sculpture in the Vigeland Park in this blogpost: Behind the Scenes: Photoshoot at Vigeland Museum. “The Monolith (Monolitten), implying the totem to be fabricated from one (mono) solid piece of stone (lith)”, see Wikimedia link.

A classy and sophisticated knitted cardigan in a contemporary style. The waterfall bottom is created by knitting a sideways cable panel. To offset the cables, the body is all in stockinette stitch, with the exception of the cuff. Each sleeve begins in a sideways knitted cable panel. Leave it open, or pin the cardigan together at the front or in the side, if you prefer to wrap it all around you.

Em is wearing size Small, but the pattern is available in sizes XS to 2XL with a bust circumference of 87.5 to 129.5 cm/34.5 to 51″ closed. I choose to style the cardigan with some black pencil pants and sky high sculptural shoes by Camilla Skovgaard. I wanted to show you how you can pin the cardigan together in the side and also how the interfacing on the collar looks like. To pin it I used one of Kaja Gjedebo’s divine brooches.

I wanted to show you how you can pin the cardigan together in the side and also how the interfacing on the collar looks like. To pin it I used one of Kaja Gjedebo’s divine brooches.

The contract I had signed for photographing at the museum, listed a number of conditions, such as have a security clearance of 0.5 meter/5.4 yards to any of the sculptures or their plinths. We did our best to comply with all the conditions. The last but certainly not least condition stated that any eventual damages to the sculptures, the plinths or of any constructional type must be compensated by responsible Marveng-Puckett. Eivind joked that all he had to do was to forget to secure his huge flash light (read: it did however have three legs) so it would fall over and cause havoc, since he would not need to pay for that. We all laughed and I told him that he would need to pay too.

The English pattern is now available on Ravelry and on Loveknitting in addition to inside the knit.wear Fall/Winter 2017 digital magazine, while the Norwegian pattern will be printed in Familien at a later date. Thank you to my fantastic team for these fantastic photos!

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Rørbye Cardigan Again

Next out is the Rørbye Cardigan made for knit.wear Fall/Winter 2017 modelled by me and photographed by my husband in mid April at the Boat Café in Ørje. Rørbye Cardigan was submitted as Anuri: In a contemporary style with provocative visual lines – created by the sideways knitted cable panel to make a waterfall bottom – is this long cardigan. The body is all in stockinette stitch to offset the cables. Eventhe sleeve has a cable panel knitted sideways as a cuff. Anuri is Eskimo for wind, just as this long cardigan will blow around you.
The sample is knitted in Dale Garn Eco Wool made of 70% wool, 30% alpaca, 112 meters/122 yards per 50 g skein in 1233 grey green knitted using 4 mm/US 6. The cardigan shown is the second size and measures 46.5 cm/18.25″ back width. The smallest size has a back width of 44 cm/17.25″ and the largest 64.5 cm/25.5″, and there are three sizes in between. Above you see the collar worn flat with the interfacing in rib shown, while it is folded over as intended in the top photo.

The reversible cable is from Norah Gaughan’s excellent Knitted Cable Sourcebook. The back view shows 3 cables at the bottom and one at the top of the lower body. It does take a second to distinguish the single cable in the panel with the three. The cable is worked in rib and not as difficult to knit as it looks. Here you see me using a shawl pin to close the cardigan in the side.

The lower body of this cardigan is worked from side to side. The upper body is worked back and forth in one piece from the pick-up on the lower body to the underarm, then the upper fronts and back are worked separately. The sleeve cuffs are worked from side to side, then the sleeve is worked in the round to the underarm. The collar is worked back and forth in two pieces.

The knit.wear Fall/Winter 2017 is available in a digital edition and in a print edition. In Norway you can soon buy the magazine at the larger Narvesen kiosks or ask your local one to order it for you.

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Eira Pullover and Rørbye Cardigan in knit.wear Fall/Winter 2017

I am proud to present the 2 designs I have in the knit.wear Fall/Winter 2017 issue: Eira Pullover and Rørbye Cardigan. How could I decline when editor Meghan Babin wanted not only one but two of my designs for this issue? Despite our move coinciding with the deadline in April, I took the offer gladly (read: I did not ask my husband for his opinion). Of course I had some obstacles not only in the knitting of them but also during our move, but that is life. I submitted the Eira pullover as Kanik to the Winter Whites theme as follows: A visually striking pullover that is both chic and comfortable, named Kanik; Eskimo for snowflake after the intricate center cable. The stunning cable adorns the center front and back and is framed by a braid on each side. While Seed stitch fills the background in the sides to allow the cables to shine, on this straight sweater. A saddle shoulder allows the staghorn sleeve cable to continue all the way to the neck. Above is the cover with Susanna Ic’s Demetria Cowl on the cover.

knit.wear / Harper Point Photography

In the letter from the Editor, Meghan writes in “our Winter Whites story, we offer a clean slate for your exploration of cables and traditional techniques.” My Eira Pullover is knitted in the divine The Fibre Co. Cumbria made of 60% merino wool, 30% brown mash wool, 10% mohair, with 218 meters/238 yards per 100 gram skeins in the shade Scafell Pike using 4 mm/US 6 needles. The gauge is 23 stitches and 28 rows in Moss stitch measures 10 cm/4″ square.

knit.wear / Harper Point Photography

The sample is made in the smallest size with a 81 cm/32″ bust circumference and it is worn with zero ease. The largest size has a bust circumference of  123 cm/48.5″, and there are four sizes in between.The pullover is knitted flat and seamed in order to give it the best shape and support. Only the collar is worked in the round.

knit.wear / Harper Point Photography

I love the styling with the white trousers by Tina Gill and the hair & make up by Janie Rocek. These beautiful photos by Harper Point Photography do show it off so well. My other contribution is for the Cypress & Plum story. “Inspired by Dutch Master paintings of the Golden Era, you’ll find a canvas on which you can delve into rich jewel tones and exquisite fibres.” Rørbye Cardigan was submitted as Anuri: In a contemporary style with provocative visual lines – created by the sideways knitted cable panel to make a waterfall bottom – is this long cardigan. The body is all in stockinette stitch to offset the cables. Eventhe sleeve has a cable panel knitted sideways as a cuff. Anuri is Eskimo for wind, just as this long cardigan will blow around you.

knit.wear / Harper Point Photography

The reversible cable is from Norah Gaughan’s excellent Knitted Cable Sourcebook. The reason the shoulder is worn so far out in the photo above is because the interfacing is worn flat and not folded as intended. The sample is knitted in Dale Garn Eco Wool made of 70% wool, 30% alpaca, 112 meters/122 yards per 50 g skein in 1233 grey green knitted using 4 mm/US 6. The cardigan shown is the second size and measures 46.5 cm/18.25″ back width on a model with a 86.5 cm/34″ bust. The smallest size has a back width of 44 cm/17.25″ and the largest 64.5 cm/25.5″, and three sizes in between.

@ knit.wear / Harper Point Photography

The lower body of this cardigan is worked from side to side. The upper body is worked back and forth in one piece from the pick-up on the lower body to the underarm, then the upper fronts and back are worked separately. The sleeve cuffs are worked from side to side, then the sleeve is worked in the round to the underarm. The collar is worked back and forth in two pieces.

@ knit.wear / Harper Point Photography

Here is the collar with the WS showing and you can clearly see the interfacing worked in rib. I did consider making the collar without the interfacing, but decided I wanted to be able to fold it back and also have the extra warmth it provides. The obstacles I had was the length of the upper body as well as sleeves. Both were too long so they had to be adjusted during finishing. There is always a risk involved when I am trying out a new silhouette and not certain about the length of each piece.

@ knit.wear / Harper Point Photography

The back view shows 3 cables at the bottom and one at the top of the lower body. It does take a second to distinguish the single cable in the panel with the three. The cable is worked in rib and not as difficult to knit as it looks. There are a lot of wonderful designs in this issue and I am in great company! Thank you, knit.wear! The knit.wear Fall/Winter 2017 is available in a digital edition and in a print edition. In Norway you can soon buy the magazine at the larger Narvesen kiosks or ask your local one to order it for you. Photos of me wearing these designs taken at the beach in Ørje on a very cold April day is coming.

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