I am so proud to have been selected to have a design in the Classics Issue – Interweave Knits Winter 2016. My design is the Inverness Sweater – which introduces the A light in winter chapter – a classic Aran, has a becoming A-line shape. Twisted rib stitching introduces twisted long cables that are divided by ray-of-honey and moss-stitch side panels. I am delighted with the large selection of photos Harper Point Photography has taken of it, and want to show them all. Above is the cover of the magazine, now available digitally and in a few weeks time in print. My design was also chosen by editor (and a designer herself) Meghan Babin as her favorite project to my astonishment and utter delight, see the Knitting Daily newsletter here: cable-month-kick-off-interweave-knits-winter-2016.
Interweave Knits/ Harper Point Photography
I found the submission call on the Interweave website for the Classics Issue intriguing. Read their description, and you will understand why: “Though we typically ask for designs that follow several different themes, in this issue we are trying something new. For the Winter issue, we want to see traditional, iconic sweaters. That is the theme. Give us your best Arans, Fair Isle pullovers, ganseys, Nordic ski sweaters, Icelandic yokes, Bohus yokes, and more. Show us rich texture and colorwork in traditional shapes: drop shoulders, underarm gussets, unshaped bodies, steeks, picked-up sleeves, circular knitting. What subtle details can you introduce to make the looks modern without totally redesigning the archetype?”.
Interweave Knits/ Harper Point Photography
Those were my key words and set me to work. I decided on a popular a-line shape and a modified drop shoulder and a round neck with a double neck band. The twisted cable is one of many favorites and set me off. I choose a rib with the same twisted stitches, a border dividing the different patterns including the moss stitch panels in the side. A number of swatches later I was delighted with my combination of the dividing borders, twisted cables and ray of honey as the center panel. The design was born and a sketch with suggestions for sizes plus yarn, gauge plus needles as well as construction notes was submitted.
Interweave Knits/ Harper Point Photography
This pullover is worked from the bottom and up with modified drop shoulder. The body and sleeves are worked in the round up to the armhole, then flat to final bind off. There is one cable on each side of the center Ray of Honey panel on the body but only one centered cable without the Ray of Honey panel on each sleeve. The decreases are worked in each side of the body for the a-line shape. The neckband is double in a Twisted Rib and also worked in the round.
Interweave Knits/ Harper Point Photography
The previous editor, Lisa Shroyer, e-mailed me with the wonderful news that my design was accepted and suggested using Plymouth Yarn Galway Worsted. I had no objections to that at all and was keen to try out this yarn, new to me. Like me, Lisa suggested the shade natural, keeping it classic.
Interweave Knits/ Harper Point Photography
I choose to knit it using a 4 mm/US 6 to obtain a tight gauge and maximum stitch definition, even though a lot of knitters would choose a larger size with the Aran/Worsted yarn. During knitting, I must admit I wished I had opted for a larger needle but then I did love the result when it was finished. As usual I could have made the sleeves longer but then I have no standard sized arms but extra long ones, just as the model in the photographs.
Interweave Knits/ Harper Point Photography
Above is yet another photograph of the front, with a slightly different backdrop. I love the neutral backgrounds they have chosen which make the cables on the sweater stand out even more. When you see the large selection of photos they have chosen you understand how difficult it is to choose only a few out of so many excellent photographs you usually have after a photo shoot.
Interweave Knits/ Harper Point Photography
Here are the last two landscape format photos. The one above creating interesting lines as a contrast to the ones on the sweater.
Interweave Knits/ Harper Point Photography
A close up shows the neckline and the different stitch patterns clearly. I do also think this sensual look draws you in, and capture the essence of the sweater so well. Now, I am looking forward to seeing a few knitters make their own version of my Inverness Sweater from Interweave Knits Winter 2016.
I am proud to have the Norwegian pattern for the Inverness Sweater printed in the bimonthly magazine Familien. This issue is filled with 40 pages of knit for the whole family. The English pattern for the Inverness Sweater was first published and photographed for Interweave Knits Winter 2016, but it is now also available in my Ravelry Store and on Loveknitting. The Inverness Sweater was brilliantly captured by Eivind Røhne worn by the gorgeous Alexandria Eissinger/Nordic Model Agency with hair and makeup by Jens J. Wiker, jewellery by Kaja Gjedebo Design and skirt by Judith Bech Design, a sweltering summer day in June last year at Villa Malla.
My classic aran sweater has a becoming a-line shape with a twisted rib introducing the twisted long cables with its dividers, ray of honey and seed stitch side panels. Knitted in the round from the bottom and up with modified dropped shoulder and a round neck with a double twisted rib.
The a-line sweater is worked from the bottom and up. The body and sleeves are worked in the round up to the armhole, then flat to the final bind off. The decreases are worked in each side of the body to create an a-line shape. The Inverness Sweater is knitted in Plymouth Yarn, Galway Worsted (100% wool, 100 g, 210 yds/192 m). The sample is knitted in Natural 1 with a gauge of 20 stitches and 28 rounds measuring 10 cm/4″ square. The sweater is graded from size XS to 2XL, with a bust circumference of 88 to 128 cm/31.5 to 47.5″. Above you can see a close up of the lovely texture and the statement jewellery by Kaja Gjedebo Design. The magazine Familien is available in selected supermarkets and news agents in Norway. If you live abroad you can order the Norwegian special magazine by e-mailing kari.bachke@egmont.com and then transfer payment into their bank account.
