Tag Archives: National Museum – Architecture

Embrae Cardigan Pattern Released

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Today, I am at Bøler Kirke/ Church in Oslo having my next photoshoot. I am very excited and cannot wait to see my new designs come alive. But I will tell you a lot more about that later. In the meantime, here is another pattern I have released in English on Ravelry and on Loveknitting after a test knit in my group: Embrae. You can see longer versions, one version with beads and many versions in different colours on the pattern page on Ravelry. The sample knitted in the gorgeous hand dyed Anzula, Squishy was brilliantly photographed by Eivind Røhne worn by Silje Andresen/Team Models with hair and makeup by Sissel Fylling and jewellery by Kaja Gjedebo Design at the National Museum – Architecture. Here is my introduction to the pattern:  Embrae, a fitted cardigan with a lace collar, is like a flowery embrace. A lacy leaf pattern adorns the sleeves and the back of the cardigan. The lattice at the center of the lace pattern continues on each side of it and covers the collar. The collar can be worn flat or overlapping and pinned together or folded.

Sizes: XS (S, M, L, XL, 2XL)

Finished measurements:
Bust: 84 (91, 98, 106, 116, 126) cm/33 (35.75, 38.5, 41.75, 45.75, 49.5)”
Waist: 74 (81, 88, 96, 106, 116) cm/29.25 (32, 34.75, 37.75, 41.75, 45.75)”
Hip: 84 (91, 98, 106, 116, 126) cm/33 (35.75, 38.5, 41.75, 45.75, 49.5)”
Length: 54 (55, 56, 57, 58, 59) cm/21.25 (21.75, 22, 22,5, 22.75, 23,25)”
Sleeve length: 49 (50, 50, 50, 51, 51) cm/19.25 (19.75, 19.75, 19.75, 20, 20)”
Collar width: 11 cm/4.25”

Yarn: Anzula, Squishy (80% superwash merino, 10% cashmere, 10% nylon, 114 g, 352 m/385 yds). Sample is knitted in Iris.
3 (4, 4, 4, 5, 5) skeins; 1031 (1126, 1221, 1327, 1464, 1601) m/1127 (1231, 1335, 1451, 1601, 1750) yds.
http://anzula.com/anzula/

Alternative Yarns: SweetGeorgia Yarns, CashLuxe Fine (70% superwash merino, 20% cashmere, 10% nylon, 115 g, 366 m/400 yds).
http://sweetgeorgiayarns.com/shop/cashluxe-fine/
Plymouth Yarn, Reserve Fingering (70% superwash merino, 20% nylon, 10% cashmere, 100 g, 365 m/400 yds).
http://www.plymouthyarn.com/yarn/reserve-fingering-item-6…
Handmaiden Fine Yarn, Casbah Sock (81% superwash merino, 9% cashmere, 10% nylon, 115 g, 325 m/355 yds).
http://handmaiden.ca/product/casbah/

Needles: 3 mm/US 2.5 circular needle (80 cm/32” and 40 cm/16”) or straight needles.
Adjust needle size as needed to match gauge.

Notions: Stitch markers, stitch holders and yarn needle.

Gauge: 36-sts Leaf pattern measures 15 cm/6” across after blocking.
24 sts and 32 rows in Stockinette st measures 10 cm/4” square after blocking.
22 sts in Garland pattern measures 10.5 cm/4.25” across after blocking.

Notes: The cardigan is knitted flat in pieces and then seamed. There are two pattern repeats on the back and one on the sleeves. The collar is knitted at the same time as each front.

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Gaylia Pattern Released

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The test knitting of Gaylia is coming to an end and I am very pleased to release the English pattern, available on Ravelry and on Loveknitting. The Norwegian pattern was published in the special magazine Familien Kreativ in March. The pullover was modelled by the beautiful Silje Andresen/Team Models, with hair and make-up by Sissel Fylling, and perfectly captured by photographer Eivind Røhne at at the National Museum – Architecture in Oslo at the end of November. Here is my introduction to the pattern. A textural cross cable adorns this a-line sweater with vents. The cable ends in two smaller cables that continue along each side of the v-neck. A check pattern that resembles playful cables adds texture to the sleeves. Gaylia is Norse for jovial, and perfect for this everyday sweater knitted in Dale Garn Pure Eco Wool.

Sizes:
Sweater: XS (S, M, L, XL, 2XL)
Scarf: One size

Finished measurements:
Bust: 84 (90, 96, 106, 116, 126) cm/33 (35.5, 37.75, 41.75, 45.75, 49.5)”
Hip: 98 (104, 110, 120, 130, 140) cm/38.5 (41, 43.25, 47.25, 51.25, 55)”
Length: 73 (74, 75, 76, 77, 78) cm/28.75 (29.25, 29.5, 30, 30.25, 30.75)”
Sleeve length: 49 (50, 50, 51, 51, 52) cm/19.25 (19.75, 19.75, 20, 20, 20.5)”
Scarf: 20 cm/7.75” wide. 110 cm/43.25” long.

Yarn: Dale, Pure Eco Wool (70% wool, 30% alpaca, 50 g, 112 m/122 yds). Sample is knitted in Espresso 1207:
Sweater: 11 (12, 13, 14, 16, 18) skeins: 1131 (1243, 1355, 1541, 1727, 1913) m/1236 (1359, 1481, 1685, 1888, 2092) yds.
Scarf: 3 skeins; 282 m/308 yds.
http://dalegarn.no/garn/pure-eco-wool/

Alternative yarns: Lana Grossa, Cool Wool Alpaca (70% wool, 30% alpaca, 50 g, 140 m/153 yds).
https://www.lanagrossa-store.com/lana-grossa-yarns/wool-l…
Classic Elite Yarns, Arietta (80% merino wool, 20% yak, 50 g, 119 m/130 yds)
http://www.classiceliteyarns.com/product_page_detail.php?…

Needles: 4 mm/US 6 circular needles (80 cm/32”) or straight needles.
4 mm/US 6 DPNs for sleeves or use long circular needle and magic loop method.
Adjust needle size as needed to match gauge.

Notions: Removable markers, stitch holders, cable needle and yarn needle.

Gauge: 21 sts and 30 rows in st st measures 10 cm/4” square.
24-sts Cross Cable measures 8 cm/3.25” across.
21 sts and 30 rows in Check pattern measure 10 cm/4” square.

Notes: The front and back are worked back and forth while sleeves are worked in the round. Each side has a few garter stitches as a side band and the sleeve has a false seam made of garter stitch. Scarf is worked in two parts ending in garter stitches and then bound off using a 3-needle bind-off.

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Familien Kreativ 2017

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The Norwegian spesial magazine Familien Kreativ 2017 is finally released. I am proud to have my design Cavallo on the cover in the left hand side corner in addition to Aylwen, Hanasa and Gaylia inside the magazine. The garments were brilliantly photographed by Eivind Røhne worn by Silje Andresen/Team Models with hair and makeup by Sissel Fylling, jewellery by Kaja Gjedebo Design and skirt by Judith Bech Design at National Museum – Architecture in November.

The designs are introduced as follows: Nice in Cables. Intricate cables and a tuck pattern adorn these four gorgeous designs by Linda Marveng.

Cavallo: A playful horseshoe cable adorns the body of this a-line sweater with a rounded hem. The Henley neck crowns the pullover and begins as a v-neck but ends a round neck, following the shape of the cable itself. The sleeves have been given symmetrical check patterns giving the appearance of cables. All parts ends in an I-cord bind off, and have garter stitches to mark the sides. Cavallo means horse in Italian and suits the horseshoe cable.  Sizes: XS (S, M, L, XL, 2XL). Yarn: Dale Garn, Pure Eco Wool. Needles: 4 mm/US 6.

Aylwen: A reversible tuck pattern with the wrong side out, and garter stitch edging adorn this elegant jacket. It has overlapping fronts which are joined into a short loop that can be worn once or twice around the neck or tied around the waist or as you like pinned together with a shawl pin or brooch. For a more flattering look it is slightly shaped at the waist and wider at the hip than at the bust. Sizes: XS (S, M, L, XL, 2XL). Yarn: Du Store Alpakka Baby Silk. Needles: 3.5 mm/US 4.

Hanasa: Named after the Norse godess with gorgeous hair tress remiscent of this cable. This a-line sweater has a cable vent on both the body and the sleeves. A high round collar finishes off the pullover. Why not add an extra cowl to feel extra cosy in. Hanasa is knitted in a divine silk and alpaca mixture for that lovely feel and sheen. Sizes: XS (S, M, L, XL, 2XL). Yarn: Du Store Alpakka Baby Silk. Needles: 3.5 mm/US 4.

Gaylia: A textural cross cable adorns this a-line sweater with vents. The cable ends in two smaller cables that continue along each side of the v-neck. A check pattern that resembles playful cables adds texture to the sleeves. Gaylia is Norse for jovial, and perfect for this everyday sweater knitted in Dale, Pure Eco Wool. Sizes: XS (S, M, L, XL, 2XL). Yarn: Dale Garn, Pure Eco Wool. Needles: 4 mm/US 6.

The Norwegian magazine Familien Kreativ is available in selected supermarkets and news agents in Norway. If you live abroad you can order the Norwegian special magazine by e-mailing kari.bachke@egmont.com and then transfer payment into their bank account.

The English patterns will be released after test knitting in my Ravelry group. Here is the test knit schedule: www.ravelry.com/discuss/linda-marveng.

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Photoshoot at Architecture Museum: Harding Cardigan

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@Eivind Røhne

Here is the last of the ten garments photographed in late November at the National Museum – Architecture; the Harding Cardigan. The English pattern was first published in Interweave Knits Summer 2016 and will be released on Ravelry with these new brilliant photos taken by Eivind Røhne at the beginning of May. The Norwegian pattern will be published in the magazine Familien at a later date. Model Silje Andresen/Team Models looked stunning in the cardigan worn over a pair of black pencil trouser and a black top. Her hair & makeup is by Sissel Fylling and you can glimpse the Ivy hanging earrings by Kaja Gjedebo Design.

@Eivind Røhne

Here is my introduction to the cardigan with the working title of Barr Cardigan: Allover telescope lattice gives this straight long cardigan a textural feel. An open rib cable cord collar, knitted separately, adds a modern look to the cardigan. Wear it open or close it with a shawl pin. The cardigan is named after the cabled rib cord pattern’s creator; Lynne Barr. The body is knitted straight from the bottom and up in parts with extra ease for comfort, while the sleeves are knitted in the round.

@Eivind Røhne

I suggested the rustic Brooklyn Tweed Shelter and editor Meghan Babin agreed with my choice and suggested the shade Foothills. Shelter is made of 100% wool with 128 meters/140 yards on each 100 gram skein. The gauge is: 22 stitches and 27 rows = 10 cm/4″ in Telescope Lattice pattern; 26 stitches and 18 rows = 10 cm/4″ in Cabled Rib Cord pattern. The sample was knitted using 4.5 mm/US 7 needle.

@Eivind Røhne

The open cable pattern I wanted for the collar, is the Cabled Rib Cord from “Reversible Knitting: 50 Brand New Groundbreaking Patterns. The allover Telescope Lattice is fun to knit and not as time consuming as it looks. The cardigan pattern is available in 6 sizes with a bust circumference of 85 (90, 96, 106, 114, 123) cm/33.5 (35.5, 38, 41.5, 45, 48.5)”.

@Eivind Røhne

Yes, of course I had to pick a couple of photos with the divine boots you might recognise by now: Benedetta black by Monica Stålvang. Not only does it give you a better idea of the full length of the cardigan it also shows off the cloister next to the Fehn Pavilion at National Museum – Architecture even better.

@Eivind Røhne

Above is the last photo of the Harding Cardigan and from this recent photoshoot. But new designs are in the works, as always.

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Photoshoot at Architecture Museum: Cable On Scarf

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@Eivind Røhne

Cable On Scarf is one of my earlier designs I wanted to photograph again, to show off the texture in a better light. I knew my magnificent team: photographer Eivind Røhne, model Silje Andresen/Team Models, hair & makeup artist Sissel Fylling plus location manager Michael Marveng-Puckett, would fulfil my expectations at the National Museum – Architecture in late November. I decided to style the natural grey scarf knitted in the divine Hillesvåg Ullvarefabrikk Tinde Pelsull/pelt wool yarn, with a black kimono and black pencil trouser as well as long leather gloves. The Norwegian pattern was first printed in the magazine Familien in January 2015. The reviewed English pattern has a new chart and is available on Ravelry and Loveknitting.

@Eivind Røhne

The cable on scarf is reversible, made in rib instead of the usual stocking stitch, framed by double seed stitch on every edge. Distinctive Stag Horn cables give the generous scarf texture and depth. Why not use it as a decorative warm collar pinned together by a shawl pin? The sample is knitted in a natural grey shade of the beautiful Tinde Pelt Yarn by Hifa.

@Eivind Røhne

The scarf is knitted using 3.5 mm/US 4 needle with a gauge of 20 stitches and 26 rows in stocking stitch measures 10 cm/4″ square. The numerous cables make the scarf slow to knit but it also gives it a lovely textural feel. Now, there is only one design left that I have not shown you from our photoshoot in November and it is coming next.

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Photoshoot at Architecture Museum: Irina Pullover

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@Eivind Røhne

I am thrilled to show you my favourite photos from our shoot at the National Museum – Architecture. Irina Pullover is the design – returned from the magazine knit.wear in the US – worn by the gorgeous Silje Andresen/Team Models with hair & makeup by Sissel Fylling, jewellery by Kaja Gjedebo Design and skirt by Judith Bech Design, all brilliantly captured by Eivind Røhne. The complete outfit seemed to belong there in the cloister next to the Fehn Pavilion, so we had to take several full length photos. It was no surprise that I had difficulties choosing which ones to pick, but did come to a conclusion in the end with the help of experienced editor, now House of Yarn’s Marketing Director, Mary-Ann Astrup.

@Eivind Røhne

Named after the beautiful Russian ballerina Irina Baronova, a fitted pullover with elegant cables swooning across it in panels with garter stitch dividers for shaping. Timeless, knitted in the round from the bottom up to the armholes then flat to soft square neckline and shoulders. The sleeves are also knitted in the round, long to adorn the hands and set-in. A divine sky blue color, and luscious texture was made by combining Rowan Felted Tweed with Rowan Kidsilk Haze.

@Eivind Røhne

The English pattern was first published in knit.wear Spring/Summer 2016 issue and the magazine is available from Interweave Store  (digital & print), individually and also in the The Barre Collection (five barre- and ballet-inspired projects). It will be released on Ravelry and on Loveknitting at the end of March with these new photos. The Norwegian pattern will be printed in the magazine Familien, the date will be confirmed later.

@Eivind Røhne

The lovely texture is made by holding Rowan Felted Tweed (50% wool, 25% alpaca, 25% viscose, 50 gram, 175 meter/191 yards) in shade Clay 177, together Rowan Kidsilk Haze (70% mohair, 30% silk, 25 gram, 210 meter/230 yards) in Heavenly 592, with one strand of each yarn. The gauge is 18 stitches and 30 rounds in garter stitch using 1 strand of each yarn together measures 10 cm/4″ square after blocking. The sample sweater is knitted using 4 mm/US 6 needle.

@Eivind Røhne

The body is worked in the round to the underarm, then the front and back are worked separately back and forth. The sleeves are worked in the round from the bottom up, with the sleeve cap worked flat. During shaping, if there are not enough stitches to work a complete cable crossing, work the stitches of the partial cable as they appear.

@Eivind Røhne

The pullover is available in sizes XS to 2XL with a bust circumference of 77 to 122 cm/30.25 to 48″.  Silje is wearing size S: 86.5 cm/34″ with 2″ of positive ease. I tested the pullover with both light blue and black before I tried this wonderful skirt. A perfect match for the pullover, embodying the cloister backdrop.

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Photoshoot at Architecture Museum: Check Cable Cardigan

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@Eivind Røhne

I have several old designs, I would like to photograph again, since I believe the styling can be improved. The Check Cable Cardigan was one of these and I included it in our shoot at the National Museum – Architecture in late November. Instead of styling it over a red dress like the magazine Familien did in 2012, I chose a pair of black pencil trousers, tucked into Benedetta boots by Monica Stålvang. All my designs looked fabulous on model Silje Andresen/Team Models, especially with hair and makeup by Sissel Fylling and earrings by Kaja Gjedebo Design. As always, photographer Eivind Røhne managed to capture the best moments. The jacket was first published in Norwegian in Familien in December 2012, and it is now available in both English and Norwegian on Ravelry and on Love Knitting. I also had my technical editor Corrina Ferguson of Picnic Knits checking the updated pattern.

@Eivind Røhne

Curvy checks is a simple yet decorative stitch that is reversible so combined with wide collar in a rib and purl cable, my summer check cable cardigan was born. It has a generous straight fit and is designed for you to feel comfortable knitted in merino and cotton mixture for an ultimate stitch definition.

@Eivind Røhne

The jacket is knitted in Dale Garn Lerke made in 52% fine merino, 48% Egyptian cotton in 50 gram skeins with 115 meters/125 yards, using a 4 mm/US 8 needle. The gauge is 22 stitches and 30 rows in Stocking stitch measures 10 cm/4″. The yarn was kindly sponsored by Dale Garn.

@Eivind Røhne

All parts are worked back and forth in rows. The collar is knitted together with the fronts to the end and then placed on a stitch holder for a 3-needle bind-off. The belt is knitted as a hem and makes a doubled belt. The belt loops are made of I-cords. The cardigan is available in sizes XS/S (M, L, XL/2XL) with a bust circumference of 102 (116, 130, 144) cm/40.25 (45.75, 51.25, 56.75)”. I am very pleased with the new photos! Thank you so much to my team!

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Photoshoot at Architecture Museum: Embrae

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@Eivind Røhne

I am so happy how my design Embrae turned out. The colour Iris, in the stunning yarn; Anzula Squishy is perfect for the lace pattern. I decided to style it with Judith Bech’s divine silk dress. The outfit suited model Silje Andresen/Team Models even beyond my expectations. Since I was planning to ask photographer Eivind Røhne to capture this garment sitting at our photoshoot at National Museum – Architecture, I had to ask Michael if I could borrow his reindeer hide for Silje to sit on. I was granted permission to borrow it for the day. Hair and makeup stylist Sissel Fylling with assistant Nora checked the placement of the skin as well as Silje’s look. Silje is also wearing beautiful silver rings, necklace, brooch and earrings all designed by Kaja Gjedebo Design.

@Eivind Røhne

Of course, Eivind was again instructed to include the shoes in the photos. They are not new, and were first used in my Norwegian knitting book published in 2012. The shoes are designed by Camilla Skovgaard. Yes, I do love shoes, especially sculptural ones – like these.

@Eivind Røhne

Embrae, a fitted cardigan with a lace collar, is like a flowery embrace. A lacy leaf pattern adorns the sleeves and the back of the cardigan. The lattice at the center of the lace pattern continues on each side of it and covers the collar. The collar can be worn flat or overlapping and pinned together or folded.

@Eivind Røhne

The Norwegian pattern will be printed in Familien at a later date, while the English pattern will be test knitted in my Ravelry group before its release. The cardigan is knitted flat in pieces and then seamed. There are two pattern repeats on the back and one on the sleeves. The collar is knitted at the same time as each front. I have graded the pattern from size XS to size 2XL with a bust circumference of 84 to 126 cm/33 to 49.5″, and waist circumference of 74 to 116 cm/29.25 to 45.75″. Silje is wearing size S.

@Eivind Røhne

The lovely hand-dyed yarn Anzula, Squishy is made of 80% superwash merino, 10% cashmere, 10% nylon and on 114 gram skeins with 352 meters/385 yards. I ordered it online from www.jimmybeanswool.com. The sample is knitted in Iris with a gauge of 24 stitches and 32 rows in Stockinette stitch using 3mm/US 2.5 needle measures 10 cm/4″.

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Behind the Scenes: Photoshoot at Architecture Museum

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dscn0665It was a cold November day, our photoshoot took place at the National Museum – Architecture, but at least it was not raining. I had settled all formalities with the museum and they were expecting us, with an extra security guard since we were photographing outside around the Fehn Pavilion, in the “klostergang”/cloister, designed by Norwegian Architect Sverre Fehn. This time the team consisted of photographer Eivind Røhne, the hair & makeup artist Sissel Fylling with assistant Nora, model Silje Andresen/Team Models and assisting photographer Michael Marveng-Puckett. Silje retired as a full time model ten years ago, at the age of twenty seven, to my astonishment. She knew Sissel and was probably not too surprised that Sissel just had to cut her hair. So no change there, then.

mmp-xt1b5415We were photographing ten designs with two extra accessories, not all new designs: 2 designs returned from Interweave; Irina Pullover and Harding Cardigan; 2 old designs in need of new photos: Check Cable Cardigan and Cable On Scarf, in addition to 6 new designs. At the top is Hanasa a-line pullover, below is the Irina Pullover. I had, as usual, borrowed several skirts and a dress from designer Judith Bech. I am sure you recognise a few of those we used this time. In addition to jewellery from designer Kaja Gjedebo. Selecting from her home studio where she keeps it all, is ever so difficult and the list does seem to grow longer for each photoshoot…

dscn0653Eivind and I started by walking around the premises together with Michael, to look at possible backdrops, while Sissel was cutting and then styling Silje’s hair. We agreed that the “klostergangen”/cloister was the best one, and that there were possibilities at the front, the main entrance door to the museum, the terrace entrance to Grosch Bistro, as well as the back wall. The interior – with its vaults and the tiled entrance hall – is lit with LED lights and difficult to use as backdrops without using blitz plus a lot of extra work for Eivind to do afterwards. The main building is the old (and first) National Bank completed in 1830, by architect Christian Heinrich Grosch, while the Fehn Pavilion was built in 2008, together with the refurbishment of the building into the National Museum – Architecture.

mmp-xt1b5172I had brought several blankets to keep Silje warm, in addition to a Reindeer skin I planned for her to sit on while we were photographing Biondo scarf and a short jacket. Below you can see how that worked out. As for keeping her warm, I made sure we started with the coldest designs and then the warmer ones. But we all got cold and had a warm lunch at 12.30 inside at Grosch Bistro. I had spoken to the manager to let her know that we would be a bit in and out during the day, ordered fruit and drinks for us in the morning and that we would have our lunch when we needed a break.

mmp-xt1b5231After lunch we were ready for the last designs. Thanks to Silje’s experience we could speedily photograph the remaining garments in quick succession. In time before the November light turned blue and the approach of what we call the “blåtimen”/blue hour arriving after dusk around 3.30 pm. All the photos reflect the amazing day we had, and the wonderful team work! Thank you so much!

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