På Pinnen with My Design

Posted on December 14, 2016 by Linda Marveng

I am delighted to yet again have a design in the digital magazine: På Pinnen/On the Needle, a membership magazine for the Norsk Strikkeforbund/Norwegian Knitting Association. No, it is not the design on the cover. Luna Cowl is designed by Kari-Helene Rane, a Norwegian designer based in England and the creative half of the company Purl Alpaca Designs. I translated the pattern into Norwegian, even though I am sure Kari-Helene could have done it herself, but I did it since I am part of the editorial staff, working with editor Tove Fevang. Inside there is also an interview of Kari-Helene by Tove, in addition to a pair of mittens designed by Lill C. Schei and a cushion by Janne Wie. My design featured in the magazine is the Honeysuckle Shawl. Below you can see the first two pages of the pattern. I have also contributed with an article about Strik Bornholm.

If you know my designs, you might know that the Honeysuckle Shawl including the cowl and belt is worn by Alexandria Eissinger at Pholk, with hair & make up by Sissel Fylling, all brilliantly captured by photographer Eivind Røhne. The design was commissioned by former editor Mary-Ann Astrup for Made by Me but the magazine was replaced by Familien Trend in February 2015.

This is the last issue of På Pinnen that editor Tove and I worked on since the board has decided to change the format and look of the magazine, as well as introduce a monthly newsletter. It has been an enjoyable and educational experience! You can read more about the way forward for the Norsk Strikkeforbund in the magazine.

Strik Bornholm 2016

Posted on September 7, 2016 by Linda Marveng

I was delighted to be invited back to Strik Bornholm, 2 years after the first knitting festival on the divine sunshine island in the Baltic Sea. Just as last time my husband wanted to join me and take on the long drive from Oslo to Ystad, Southern Sweden – 6 hours but since we needed several breaks it took us close to 7 hours. We stayed one night at Hotel Continental from and were thrilled to find it upgraded to pure luxury. The next day, Thursday 1. September we were ready for the ferry – an Australian catamaran – from Ystad to Rønne, which takes only 1 hour and 20 minutes. Strik Bornholm was held in the small town of Allinge, approximately 20 minutes drive from the largest town Rønne at Bornholm. Above is the Woolspire stand with designer Charlotte Kaae talking to Diana Belea and Ann Vindelev from Woolspire. Ann, the Woolspire intern, learnt to knit while at Strik Bornholm, have a look at the photos in this blogpost: woolspire.com

Some of the 16 workshop holders – in charge of the 53 workshops – met up on Thursday evening just before the first of two evening knit cafés. Charlotte held a short talk and demonstration on the different cast-on methods. Yes, she does have her own YouTube channel in Danish. Above you can see me demonstrating how my Quamara jacket can be worn in 3 different ways depending on how you fold the long attached loop collar. Next to me is Mary-Ann Astrup, editor of the largest handicraft blog in Norway www.tusenideer.no and now also part of the Woolspire crew. I was so happy to be able to look at all the Brooklyn Tweed yarns and colors displayed at their stand. Of course I had to order some that will arrive in my mailbox very soon.

Strikkehjornet is the local knitting shop from Allinge which I discovered last time I visited. Owner Jette Jensen has for the first time made her own yarn, pelt wool from Bornholm, displayed at the front in three natural colors. Yes, it was one that had to follow me home. I was holding four workshop this time, all in Norwegian. Design your own sweater in part 1 and 2 as well as Japanese Patterns twice in one day. An extra Japanese Pattern workshop was added due to popular demand, while my Lace workshop was cancelled of the opposite reason. I was happy to meet several of the participants from the previous Strik Bornholm and even got to see some completed projects based on my workshops I held in 2014. Pure bliss! This time I was not teaching at Allinge Røgeri/Smokehouse on the beach but we were tempted and had to go there the first night for a portion on fish and chips.

Instead I was teaching at the old schoolhouse now called “Kærnehuset” but still marked as “Borgerskolen” on Friday and at Høiers Iscafe on the Saturday. As you can imagine the old school was perfect for a workshop while the Iscafé was a bit busy with ice-eating customers on the Saturday afternoon. Above is another photo from the large sportshall, Nordlandshallen where the sales area was offering a total of 24 shops. The yarn on offer is the locally hand dyed Fredsmindegarn. This year a number of German knitters visited the event together with a few Norwegians, a large number of Swedes and Danes. A total of 1750 visitors came by the sales hall during those three days.

Here is another photo of me and Mary-Ann, taken on the Saturday since I am wearing Oydis sweater with the cowl. I was so happy that Mary-Ann was coming and that I had the opportunity to meet the Woolspire crew myself since I now have a number of my patterns for sale in both Norwegian (on their Danish and Norwegian site) and English (on their English site).

This year the evening knit cafés and the party dinner on Saturday was held in a party tent at Storløkken Feriesenter. On Friday evening, Michael and I stayed in the same apartment hotel as last time, Klintely, with a lovely sea view as you can see from above. Unlike last time we did not have the opportunity to have breakfast with Norah Gaughan. And she was sorely missed by many of us. The star attraction this time was the Danish designer Vithard Villumsen, also known as the Prince of Knitting and as one of the judge on the Danish television series “Den Store Strikkedyst/The Great Knitting Challenge”. You will find a few episodes with English subtitles here on YouTube. He offered four different workshops, but the only one I had the opportunity to attend was an introduction to English knitting terms and that is one that I do not need. But to sum up the knitting festival: I had a great time! Thank you to all of you who I met, and to the organizers Team Bornholm!

I had some time on Thursday when we arrived and also on the Sunday to do a spot of sightseeing together with my husband. Here is one of the many lovely beaches on Bornholm, on the southern coast. But what really left a lasting impression was the Bornholm Art Museum, and it is coming next.

Familien Photoshoot: Hertha

Posted on August 19, 2015 by Linda Marveng

I just had to borrow Judith Bech’s magical skirt, Monica Stålvang’s fantastic boots and Kaja Gjedebo’s statement jewelry for gorgeous Anne Dorthe/Team Models to wear together with my Hertha Shawl and loose sleeves at the photoshoot at Henie Onstad Kunstsenter. Sissel Fylling was in charge of hair & make up (read: and much else) while photographer Eivind Røhne, who brilliantly captured it all, was assisted both by former Made by Me editor Mary-Ann Astrup and my husband. Hertha in old Norse means a powerful woman, ideal for this modern shawl with a shawl collar, that can be worn as a scarf around the neck, a shawl around the shoulders, or as a top; if worn upside down and pinned together with a shawl pin. A traditional lace pattern with shadow triangles in half stocking stitch and half garter stitch, knitted in the divine Jaggerspun Zephyr Lace held double. The Norwegian pattern will be published in the separate magazine Familien Småstrikk out in November, while the English pattern will be test knitted in my Ravelry group before its release.

Hertha is a development of my Bech (yes, named after the dress designer Judith Bech) with a wider shawl for a more formal look. It also makes it look more like a shawl and less like a scarf with a collar. I was attracted by the Mulberry color of the Jaggerspun Zephyr Lace 2/18 which becomes even more saturated held double. Not to mention the luscious fiber combination of 50% tussah silk and 50% merino. The yarn is available on large cones of 454 grams/1 pound with an incredible 4608 meters/5040 yards or in 100 g skeins with 1024 meters/1120 yards, you can also order smaller spools from Handweavers Studio in London, where I first discovered this American yarn that has become a favorite of mine. Yes, they are now my sponsors. Thank you, Jaggerspun!

The shawl and loose sleeves are knitted using both 3 mm/US 2.5 and 3.5 mm/US 4 needles for the different stitch patterns. The gauge in garter stitch is 25 stitches and 40 rows while it is 24 stitches and 40 rows in the shadow triangles pattern. The lace pattern is easy to work and it seemed natural to choose garter stitch edgings, and divide the patterns with tucks. The cuffs on the loose sleeves have 6 tucks plus the hem. Yes, they are fun to work with 2 circular needles held parallel.

The loose sleeves have elastic inserted into the top hem to keep them in place. They are knitted in the round unlike the shawl. The collar on the shawl is shaped by short rows, and ends in an i-cord bind off. The pattern comes in 3 sizes: S/M as worn by Anne Dorthe, L/XL and 2XL but can easily be adjusted in length and width according to your own preference by adding or removing pattern repeats.

Above you see the shawl worn around the body, held together by one beautiful Abelia earring by Kaja Gjedebo. It is accompanied by the Poplar necklace and the Magnolia large earrings, all in oxidized silver. All of them such a fabulous companions to Hertha in my opinion. Hertha will be published together with two other new designs in Familien Småstrikk in November: Nuala and Syndra. To be continued.

Familien Photoshoot: Mistale

Posted on July 31, 2015 by Linda Marveng

Anne Dorthe/Team Models looked absolutely stunning in my OXO cabled sweater; Mistale, with hair & make up by talented Sissel Fylling, Benedetta boots by Monica Stålvang and jewelry by Kaja Gjedebo, brilliantly captured by Eivind Røhne at Henie Onstad Kunstsenter. It was former editor of Made by Me, Mary-Ann Astrup’s idea to use the stone clad columns as a backdrop for a series of photographs. The location worked astonishingly well! Mistale – both the sweater and the cowl – is knitted in Hifa Norsk Pelsull in a gorgeous vivid lime green color using 3.5 mm/US 4 needles. The Norwegian pattern will be published in the special issue Familien Strikk out on Monday 24th August, while the English pattern will be test knitted in my group on Ravelry before its release.

The vivid lime green in the stunning pelt yarn – Norsk Pelsull – from Hifa intoxicated me. I discovered that cross cables with round cables in the middle made a gorgeous texture. By framing the cables with a rib, the sweater becomes figure hugging and is the perfect accompaniment to your favorite jeans or trousers. It ends with a squarish narrow neckband and you can choose if you want to add the matching cowl.

The Sweater, both the sleeves and the body are worked in the round to the armhole and then worked back and forth in rows. The cowl is worked in the round as a long tube, and then the ends are joined together. You can wear it hanging loose as in the top photo or twice around the neck, showing off the rib on the backside of it. The earrings with the matching geometric shape are the statement Karakoram and the ring is called Hekla both in oxidized silver designed by Kaja Gjedebo.

Mistale is available in sizes XS to 2XL with a bust circumference of 89 to 129.5 cm/35 to 51″. Its predecessor Cable Round Sweater has less positive ease on the body and more on the sleeves, Mistale has been improved thanks to the response from my test knitters. I have scheduled all the autumn and winter test knits in my Ravelry group, so come on over and join us. The yarn has been kindly sponsored by Hifa.

Behind the Scenes: Familien Strikk Photoshoot

Posted on June 3, 2015 by Linda Marveng

Would it stop raining for our scheduled photoshoot for Familien Strikk on Friday 29th May? It did, it was sunny but still cold. To plan the event I had booked photographer Eivind Røhne, hair & make up artist: Sissel Fylling and model: Anne Dorthe from Team Models. Then I convinced former Made by Me editor Mary-Ann Astrup to join us to for her essential advice. That my husband would be part of the team was obvious from the start. Next on the agenda was picking a location venue, and it is not easy, but I opted for Henie Onstad Kunstsenter because of the building itself and its location with a nature trail and marina. For styling, I borrowed from dress designer Judith Bech her magnificent fringe skirt, jewelry designer Kaja Gjedebo a selection of gorgeous jewelry and then obviously also Monica Stålvang some stunning boots. Above you can see Eivind and Dorthe in action with my husband assisting. Dorthe is wearing Quamara, a jacket with a loop closure knitted in Zenta by Permin in a mixture of wool and silk.

It was no surprise to hear that Sissel wanted to cut Dorthe’s hair, and that she was allowed. Just as last time, we could easily have formed a line wanting just that. The meeting room, Onstad, was our base for the day and the storage for all our suitcases packed with equipment and clothing. While Sissel was working away on Dorthe’s make up and hair, we discussed photo locations and order of garments. The strong sun was an issue we had to resolve at times, as well as the strong wind. As a result a couple of our prime locations such as the pier and next to the sculpture in the water with the Marina in the background had to be given up. Above, you can see how Mary-Ann is providing necessary shadow for Dorthe whose legs are covered in blankets, while she is wearing Nuala, a shawl buttoned up with a cowl knitted in Rowan Softknit Cotton.

Sissel is busy putting on nail varnish on Dorthe’s nails, just as we are ready for the first project to be photographed: Hertha shawl with loose sleeves knitted in Jaggerspun Zephyr Lace held double, worn together with Judith Bech’s fringe skirt. The stair case on the side of the building was first out as first back drop. If you look closely on the photo above, over the roof of the black tent you will see part of the sculpture of a banana. Now, using that as a backdrop would have made a very different photoshoot, we agreed!

Here we are looking at locations; 3 geniuses at work as Eivind put it, photographed by my husband. The marina is just in the background but also in the sun, unfortunately. But we did find another suitable location instead. We photographed 9 new designs for Familien, and a secret project. Sissel made sure we had a plan allowing only 30 minutes for each garment so that we would have time for a delicious lunch at Bølgen & Moi as well as finish before we needed to vacate the meeting room at 16.30. We made it, thanks to brilliant co-operation. A marvelous team work, thank you all!

Familien Photoshoot: Atika

Posted on April 4, 2015 by Linda Marveng

Magic, is the best description of seeing gorgeous Alexandria Eissinger at Pholk wearing Judith Bech’s divine felted wool dress with my design Atika on top. Alexandria’s hair and make up was by Sissel Fylling, while the stunning jewelry is by Kaja Gjedebo and the shoes not visible but equally perfect are by Monica Stålvang. The magic moment was captured by brilliant photographer Eivind Røhne at Hvalstrand Bad in Asker last October. The bar seemed the ideal backdrop for this party outfit, according to former editor Mary-Ann Astrup who suggested the glas of wine as an accompaniment. Atika, consisting of a cowl with loose sleeves, is knitted in the luscious Du Store Alpakka, Dreamline Soul a lace weight alpaca mixture held together with the speckled Pickles, Merino Tweed, a thin fingering weight wool using a 4 mm/US 6. The pattern was released as part of my Nordic Vintage series in Familien Trend.

Here the cowl is twisted around the body, to make a halterneck top. You can also here easily see the loose sleeves which have elastic band inserted at the top so they will stay in place. The cowl is knitted sideways and in the round. You can adjust the length by removing or adding pattern repeats of 10 sts. If you want to wear it twice around your neck, add 2 pattern repeats. The loose sleeves are knitted in the round to the end.

Above is a photo that was not published in the Familien Trend magazine. It is one of the many extra photos I desperately wanted from Eivind Røhne. Here is my introduction to the pattern: Atika: A cowl to warm your shoulders or your neck. Or why not wear it as top with matching loose sleeves gracing a stunning dress like this designed by Judith Bech. Both the cowl and the loose sleeves are knitted in the round using a beautiful reversible stitch pattern called Hearts of Oak with both texture and a drapy edge.

This last photo was chosen because of its sensuality, and has not been published earlier either. I plan to organize a test knit of Atika before I release it in English. The test knit will take place in my Ravelry group some time after the Honeysuckle Shawl and Saga which are the next two patterns to be test knitted.

New Design: Bech

Posted on February 28, 2015 by Linda Marveng

I was smitten by Judith Bech’s halterneck dress, even though the first one I saw was a shop sample made in cotton, at the Made by Me planning meeting last July. Former editor Mary-Ann Astrup suggested grey silk to match my lace swatch and Judith obliged, with a stunning result. My swatch was made of a solid grey in a beautiful pure combed wool Huldra Kamgarn from Hifa combined with a tonal grey in a luscious alpaca mixture Dreamline Soul, from Du Store Alpakka knitted on a 4 mm/US 6. The name for the design had to be Bech after the dress. A shawl to cover the bare back together with loose sleeves to warm the arms, and a belt that could also be worn around your neck as a piece of knitted jewelry, tied or pinned together with a brooch was my design idea. But would the dress not look fabulous with a shawl collar too? Of course it would, hence the shawl must be given a collar.

The collar can be folded down when you wear the shawl around your shoulders or if you wear it close around your neck as a scarf. I decided to knit the collar in garter stitch as a contrast to the lace stitch with its parts of stockinette stitch, and to finish the collar with an i-cord bind off. As a divider between the stitch patterns I made a tuck and I prefer to make it using two circular knitting needles held parallel on the first row or round and then use the second needle as a stitch holder until the tuck is complete instead of picking up stitches on the wrong side afterwards.

The loose sleeves begin with five tucks that adorn the hands before you knit a purl band to add some texture before the lace pattern begins. On the inside of the sleeves is stockinette stitch so that you can easily increase to the full width. I did not want to end the loose sleeves with a rib and decided that a hem where I could insert a thin round elastic would be the best solution. The belt is all about tucks and related to the loose sleeves. I was so delighted that Grete Jenssen, aka ma9 on Ravelry, could assist and knit the belt since I had too many other parts to knit.

Above the shawl is worn with the collar hanging down. The hem is curved by the lace pattern and gives a dramatic wavy edge. As you can see in the photo above, I have pinned it quite loosely with a shawl pin.

The view from the back shows the shaping of the collar and the i-cord bind off. By wearing the shawl low on the shoulders the loose sleeves look attached to the shawl, making it appear as a bolero from a distance and not as several loose parts. You can also see how I just pulled the ties into the belt at the top. If you preferred you could easily add hooks instead of ties on the belt.

The shawl can also be worn as a top, wrapped around the body and pinned in place with the collar hanging down making a lovely curve. Then the belt can worn as a necklace, tied together. This is not my idea but given to me by redesign stylist Makeløs/Remarkable Kristin Elise Halkjelsvik who suggested it for the first belt I made in this style to the Lyre Bolero. The improvements I made on the Bech belt is that I designed it with even more tuck and made the last tuck which is the tie strings even longer.

Last view, is of the back with the shawl worn as a top with the collar down and the belt as a necklace. All these photos were as usual taken by my husband, while Eivind Røhne has taken brilliant professional ones of the gorgeous model Alexandria Eissinger from Pholk, see my blogpost: sneak-peak-of-made-by-me-designs and more photos will come. The Norwegian pattern was published on Monday as part of the series Nordic Vintage in Familien Trend, the magazine that takes over from Made by Me, and can be found in selected supermarkets and newsagents all over Norway. The English pattern will be released on Ravelry after it has been test knitted in my group.

Behind the Scenes: Made by Me Photoshoot

Posted on January 24, 2015 by Linda Marveng

The time has finally come to begin to reveal more of the fantastic photoshoot we had at Hvalstrand Bad last October, since the Norwegian Made by Me magazine is out on Monday the 2nd of February. The idea of collaborating further with shoe designer Monica Stålvang, whose shoes are like eye candy to me, and dress designer Judith Bech, whose beautiful dresses I love, came to me last June. Monica needed no persuasion, and Judith (whom I had only meet once) said a resounding yes to my utter delight, just as editor Mary-Ann Astrup did. Judith insisted we pick hair and make-up stylist Sissel Fylling, just as Mary-Ann suggested photographer Eivind Røhne, and we eagerly obliged. We needed a model with a European shoe size 37/UK 4/US 6, so that the sample collection would fit, and I was thrilled to find Alexandria Eissinger at Pholk, never mind that she was in Copenhagen, and not Oslo! Two days beforehand, Monica and I had a quick review of knitted garments, shoes and dresses in her shop but gave up choosing shoes until we saw it on Alexandria. Monica, on the mobile in the photo above, also suggested borrowing silver jewelry from Kaja Gjedebo as an option to the pieces we had from Siri Berrefjord, whom as usual has made brilliant bespoke buttons.

Here is the table with the magnificent shoes, jewelry as well as essential tools like iron, broom and sponge, all kept handy. In the back ground the rail with dresses and knitted garments. Monica thankfully brought the whole collection and assisted in choosing both shoes and jewelry for each of the 10 outfits. Sissel and Mary-Ann were also asked for opinions on the selection. Only 1 of the dresses was rejected since the color clashed with the color of the knitted jacket, and the black dress was used twice. We believed even Judith would have agreed, but unfortunately she could not be there since the birth of her first grandchild was imminent.

While Eivind, Mary-Ann and my husband – the photo assistant – looked at possible photo angles, Sissel prepared Alexandria’s hair styling and make up, Monica taped shoe soles and I ironed dresses. Above, Sissel in a well know posture, checking the make up and hair. I actually have Sissel popping in and out of nearly all my photos, taken in between when I was not assisting Alexandria in picking dresses, or standing behind Eivind checking his view or straightening out folds. It was me that insisted on covering all angles: front, back and side as well as different ways of wearing the garments until our time starting running out on the last garment since we had to leave no later than 4 pm in order for the manager to close up. So as much as I would like to have more photos of each garment, reality kicked in, and I knew there was a limit. The photo shoot was exhausting, but also so much fun and utter brilliant!

Made By Me Magazine 2/2014

Posted on September 3, 2014 by Linda Marveng

Our Jugend Love series is released. This has been a magnificent co-operation between Makeløs/Remarkable Re-design stylist Kristin Elise Halkjelsvik and myself together with shoe designer Monica Stålvang and jewelry designer Siri Berrefjord for the Norwegian crafts magazine Made By Me. Editor Mary-Ann Astrup skillfully selected the rest of the team essential for the photo shoot at the Bjørnulfgården in Fredrikstad: Brilliant Photographer Eivind Røhne, stunning Model Pia Cecilie/Team Models and talented Make-up & Hair Stylist Janne Skarpeid Hermansen. In addition Kristin had asked her beautiful daughter Elise and handsome friend Adrian Bjørk to model some of her re-design pieces. Kristin’s preference of the Jugend period, especially its elaborate hand-made textiles, was the starting point, and fitted well with the intricate stitch patterns I favor. Truly remarkable is the way she drapes an embroidered table cloth into a skirt or dress or poncho, and accessorize it with contrasting fabrics preferably in bright clear colors. I had two designs I had already started that fitted well into this series: Icelandic Jacket and Cable Round Sweater, in addition I created two new ones: Lattice Back Jacket and Lyre Bolero. The article introduction actually begins four pages earlier with an interview of Kristin covering four pages, and then in these pages; four of her re-designed outfits.

Curtains, bell pulls, or a series of table clothes like these to the left; where one is made for the piano keys and the other for the piano itself. The latter one is skilfully used as a skirt. We occupied the stair case all day – thankfully it was not too busy – and were fortunate enough to borrow the keeper’s office as a changing and storage room to fill with Kristin’s suitcases and bags.

My Cable Round Sweater has interlocking cables framed by a rib in the side. The ribbing makes the straight sweater pull in and appear fitted. With a crew neck and a double stockinette band, I felt it need a long cowl you can wear twice around your neck. It is knitted in Norsk Pelsull/Norwegian Pelt wool by Hifa in a divine melange light denim color using a 3.5 mm/US 4. Styled with a masculine white shirt and trousers with a studded jugend motif. As a contrast an orange chiffon scarf, and stunning cuff links by Siri Berrefjord were added to the outfit. The to-die-for Carmen Boots in petrol are by Monica Stålvang. Both designers are briefly presented with a photograph on the page. Notice that Adrian is wearing bell pulls as braces. I will release the English pattern after a test knit in my Ravelry Group, date to be confirmed. I am delighted to share that this sweater has made it to the blogsphere; Knitigating Circumstances by Kelly Dawn see her post: Pattern Radar August 2014.

The Lattice Back Jacket worn over a beautiful dress; is actually a large table cloth pinned together with the fringes making a stunning back drop. Meters and meters of tulle tied into a bow around the neck, adds glamor to the outfit. Adorning the front and the sleeves is a series of small cables, while the back has a large intricate cable panel. Like a vintage jacket it is very fitted, and the body pieces are knitted flat while the sleeves are knitted in the round in a gorgeous melange purple in Ask-Hifa 2 using a 3 mm/US 2.5. The English pattern will be released after the test knit, which has just started in my group on Ravelry, is completed. Next is the Lyre Bolero with its accompanying cummerbund, which also can be used as a cowl worn twice around the neck according to Kristin. The bolero is cropped and the body is knitted flat in pieces, while the sleeves are knitted in the round in the bouncy Embla-Hifa 3 using a 4 mm/US 6 needle. I made the cummerbund to add length to the bolero, which I imagined to worn with a beautiful skirt like this made of a table cloth with a black tulle petticoat beneath. The bolero is closed with magnificent jugend brooches from Siri Berrefjord. I will release the English pattern after a test knit, date to be confirmed.

Last but not least is my Icelandic Jacket worn with a table cloth as a skirt, a tulle petticoat and gorgeous green Bettina Boots by Monica Stålvang. It is knitted in Jaggerspun Zephyr Lace in Juniper with cuffs in Rowan Felted Tweed and Rowan Fine Tweed, the latter is also used in the back panel and cowl, all using a 3 mm/US 2.5 needle. The sleeves are knitted in the round while the remaining 3 panels are knitted flat. The cowl is identical to the back panel just longer. Kristin also demonstrated how to use the cowl as a belt, merely by using a shawl pin to adjust it to the waist measurement. Only one bespoke button by Siri Berrefjord made it to the photoshoot (due to slow mail service), but you can see it with the planned three on the pattern page. I plan to have the Icelandic Jacket test knit in October after the Conic Coat, then released in English.

My Lattice Back Jacket also feature on the contents page, where editor Mary-Ann Astrup writes under the heading: “Boundless Creative Enthusiasm” referring to stylist and re-designer Kristin Elise Halkjelsvik: “You can also see some of her gorgeous outfits, composed around old embroidered table cloths, bell pulls and curtains. In combination with new beautiful cable knits from Linda Marveng, the unity becomes sensational.” The magazine is available from newsagents like Narvesen and selected supermarkets or online here: Familiens lille butikk.

It was an amazing photo shoot and co-operation, which we have decided to do again. In the mean time, I am already working on the next series of designs for Made By Me with Monica Stålvang and a dress designer this time. More to follow.

Linda Marveng

Knit wear designer and author

Tag Archives: Mary-Ann Astrup