Strikkehelgen/Knitting Weekend in Stavanger

DSCN0359Yes, I have had yet another superb weekend in Stavanger, in south west Norway. I have spent most of the time teaching two workshops; Japanese Patterns and Lace Knitting at the Stavanger Bibliotek/library – the very heart of the city. I flew in on Friday afternoon and was met by my knitting friend and host Anja Præsttun Smith – yes, her husband is English too – at the airport. After a quick sushi dinner we ran to take part in the Stasjonsstrikk/Station Knit event at the library, where seven of us taught a knitting technique to seven moving groups of four knitters. I explained and taught tucks, while Anja taught the magic loop method, designer Charlotte Kaae taught Intarsia and Tone Cecilie Nystrøm taught I-cord bind off – wearing my design the Lyre Bolero – just to mention a few. The 10 minutes at each station went quickly and left us with sweaty hands and hot knitting needles. Afterwards there were talks and I was keen to meet as well as to hear Kari-Helene Rane talk about her design background and co-ownership of Purl Alpaca Designs in the UK, where she lives. Above you see her explaining about the alpaca hairs. Next on the program was Read & Knit with author Eskil Aasmul, then the knit café where a new hat was made for the real estate developer Olav Thon well known for his orange knitted hat. Here is a link to the full program: strikkehelgstavanger.

DSCN0360You can see Anja knitting, third from the right, and be impressed by her speed if watch the brief video interview with her and Gunnhild Marie Hagen, who taught the entrelac method of knitting. See their grinning faces – so characteristic of them both – below, and watch the video here: aftenbladet.no.

@ Anders Minge/Stavanger Aftenblad

@ Anders Minge/Stavanger Aftenblad

Saturday night there was a knitting party at the Røde Sjøhus/Red Seahouse. I was so happy to be seated next to the Danish designers: Charlotte Kaae, Lene Holme Samsøe, (wearing a traditional kofte), Bente Geil and the Swedish designer Anita Grahn (wearing a pink shawl). Bente has her own yarn company, Geilsk, and know a lot about our desperate need for more yarn, she revealed and gave us new ideas for how to bring it into our already well stocked yarn stash: Leave it in the car for a day, then it becomes old yarn and can easily be moved into the house. You can see her talking below. We had tapas but chatted, laughed, and knitted more than we ate. A band played while we knitted – some where even smart enough to bring their headlamps so that they could see properly! The winners of the lottery was drawn, and they were all very happy knitters indeed.

DSCN0363My lace knitting workshop, the day after, was held in the Glasshuset/Glasshouse which was more like a glass cage, since there were only 4 signed on and we could just squeeze in. The Strikk & Drikk/Knit & Drink organizer Monica Haga selected us as one the television crew from Tv Vest could film, so below you can see the top of my head in the front.

Tv Vest

@ Tv Vest

Even if you do not understand Norwegian the video from Tv Vest gives you a good impression of the event itself: tvvest.no/eldorado-for-strikkere. If you know my designs well, you might have spotted that Bodhild Peerstøe (in white) is wearing the Jacket in Cross from my book. Instead of using the original Valley Yarns Tencel she choose a thin crochet cotton yarn and sewed on a button at the end of the tie to close it at the back instead of tying it at the front. See the photo I took of her below. I was thrilled to see it and how well it suited Bodhild! Thank you!

DSCN0366With little time not knitting nor teaching, I had a magnificent time in Stavanger just as I did last year! Thank you to all the organizers and to Anja for letting me stay with her and her lovely family again!

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Lyre Bolero Pattern Released

Lyre Bolero COVERThe Lyre Bolero was part of the Jugend Love series I designed for Made by Me, and Kristin Elise Halkjelsvik of Makeløs/Remarkable styled it with a hand embroider table cloth as a skirt, it was stunningly worn by Pia Cecilie/Team Models with beautiful hair & make up by Janne Skarpeid Hermansen and shoes by Monica Stålvang, all brilliantly captured by photographer Eivind Røhne. The bolero inspired test knitters to make it longer with cables or ribbing as a hem or attaching the belt and use it as a wide hem. See some of the different version on the pattern page on Ravelry where it is now available for sale in English. Here is my introduction to the pattern:

Delicate lyres made by lace and cables stitches used in panels surrounded by stocking stitch makes this bolero perfect to use on top of a wide dress or skirt on a cold day. Lyre Bolero is fitted and begins just above the waist with increases to the bust. Worked in parts to add stabilizing seams, but with long sleeves worked in the round. A stunning cummerbund made of tucks adds length and elegance.

Sizes: XS (S, M, L, XL, 2XL)

Finished Measurements:                                                                                                         Bust: 84 (91, 98, 106, 116, 126) cm/34 (35.75, 38.5, 41.75, 45.75, 49.5)”                                 Waist: 65 (72, 79, 87, 93, 113) cm/25.5 (28.25, 31, 34.25, 36.5, 44.5)”                                   Length: 37 (38, 40, 42, 44, 46) cm/14.5 (15, 15.75, 16.5, 17.25, 18)”
Sleeve length: 49 (50, 50, 51, 51, 52) cm/19.25 (19.75, 19.75, 20, 20, 20.50)”     Cummerbund: Tuck lengths: 69 (76, 83, 91, 97, 118) cm/27.25 (30, 32.75, 35.75, 38.25, 46.5)”                                                                                                                                                         Tie length: 25 cm/9.75″                                                                                                                 Height: 9 cm/3.5″ 

Yarn: Hifa, Embla – Hifa 3 (100% wool, 100 g, 210 m/229 yds). Sample is knitted in Dark Blue Purple 6078. http://www.ull.no                                                                                      Bolero: 3.5 (3.5, 4, 4.5, 5, 5.5) skeins; 672 (735, 798, 872, 966, 1060) m/734 (803, 873, 954, 1056, 1159) yds                                                                                                       Cummerbund: 1.5 (1.5, 1.5, 1.5, 2, 2) skeins; 231 (252, 273, 305, 315, 389) m/252 (276, 299, 333, 343, 425) yds

Yarn alternative: Cascade, 220 (100% Peruvian Highland Wool, 100 g, 201 m/220 yds). http://www.cascadeyarns.com                                                                                                    Berroco, Ultra Alpaca (50% Wool, 50% Alpaca, 100 g, 197 m/215 yds) http://www.berroco.com/yarns/berroco-ultra-alpaca                                                      Madeline Tosh Pashmina Worsted (75% Merino, 15% Silk, 10% Cashmere, 100 g, 192 m/210 yds. http://madelinetosh.com/store/index.php/yarns/psh-worsted.html                    Or another worsted/10 ply yarn.

Needles: 2 sets of 4 mm/US 6 circular needle (80 cm/32″) for sweater and cummerbund. 4 mm/US 6 DPNs or circular needle for magic loop method.

Notions: Cable needle. 6 stich markers: 2 for sides, 4 for pattern. 6 stitch holders. Yarn needle.

Gauge: 21 sts and 25 rows in Lyre Pattern measures 10 cm/4″ square.                                    19 sts and 25 rows in st st measures 10 cm/4″ square.                                                            Adjust needle size as needed to match gauge.

Notes: The bolero is worked flat in pieces, while the sleeves are worked in the round. Discontinue the Lyre Pattern and continue in st st when dec. The cummerbund can easily be adjusted to your waist measurement by adding or detracting stitches to the numbers given; the tucks are made to meet but not overlap. The ties are added on the width of the last hem.

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Made By Me Magazine 2/2014

DSC_2035Our Jugend Love series is released. This has been a magnificent co-operation between Makeløs/Remarkable Re-design stylist Kristin Elise Halkjelsvik and myself together with shoe designer Monica Stålvang and jewelry designer Siri Berrefjord for the Norwegian crafts magazine Made By Me. Editor Mary-Ann Astrup skillfully selected the rest of the team essential for the photo shoot at the Bjørnulfgården in Fredrikstad: Brilliant Photographer Eivind Røhne, stunning Model Pia Cecilie/Team Models and talented Make-up & Hair Stylist Janne Skarpeid Hermansen. In addition Kristin had asked her beautiful daughter Elise and handsome friend Adrian Bjørk to model some of her re-design pieces. Kristin’s preference of the Jugend period, especially its elaborate hand-made textiles, was the starting point, and fitted well with the intricate stitch patterns I favor. Truly remarkable is the way she drapes an embroidered table cloth into a skirt or dress or poncho, and accessorize it with contrasting fabrics preferably in bright clear colors. I had two designs I had already started that fitted well into this series: Icelandic Jacket and Cable Round Sweater, in addition I created two new ones: Lattice Back Jacket and Lyre Bolero. The article introduction actually begins four pages earlier with an interview of Kristin covering four pages, and then in these pages; four of her re-designed outfits.

DSC_2037Curtains, bell pulls, or a series of table clothes like these to the left; where one is made for the piano keys and the other for the piano itself. The latter one is skilfully used as a skirt. We occupied the stair case all day – thankfully it was not too busy – and were fortunate enough to borrow the keeper’s office as a changing and storage room to fill with Kristin’s suitcases and bags.

DSC_2038My Cable Round Sweater has interlocking cables framed by a rib in the side. The ribbing makes the straight sweater pull in and appear fitted. With a crew neck and a double stockinette band, I felt it need a long cowl you can wear twice around your neck. It is knitted in Norsk Pelsull/Norwegian Pelt wool by Hifa in a divine melange light denim color using a 3.5 mm/US 4. Styled with a masculine white shirt and trousers with a studded jugend motif. As a contrast an orange chiffon scarf, and stunning cuff links by Siri Berrefjord were added to the outfit. The to-die-for Carmen Boots in petrol are by Monica Stålvang. Both designers are briefly presented with a photograph on the page. Notice that Adrian is wearing bell pulls as braces. I will release the English pattern after a test knit in my Ravelry Group, date to be confirmed. I am delighted to share that this sweater has made it to the blogsphere; Knitigating Circumstances by Kelly Dawn see her post: Pattern Radar August 2014.

DSC_2039The Lattice Back Jacket worn over a beautiful dress; is actually a large table cloth pinned together with the fringes making a stunning back drop. Meters and meters of tulle tied into a bow around the neck, adds glamor to the outfit. Adorning the front and the sleeves is a series of small cables, while the back has a large intricate cable panel. Like a vintage jacket it is very fitted, and the body pieces are knitted flat while the sleeves are knitted in the round in a gorgeous melange purple in Ask-Hifa 2 using a 3 mm/US 2.5. The English pattern will be released after the test knit, which has just started in my group on Ravelry, is completed. Next is the Lyre Bolero with its accompanying cummerbund, which also can be used as a cowl worn twice around the neck according to Kristin. The bolero is cropped and the body is knitted flat in pieces, while the sleeves are knitted in the round in the bouncy Embla-Hifa 3 using a 4 mm/US 6 needle. I made the cummerbund to add length to the bolero, which I imagined to worn with a beautiful skirt like this made of a table cloth with a black tulle petticoat beneath. The bolero is closed with magnificent jugend brooches from Siri Berrefjord. I will release the English pattern after a test knit, date to be confirmed.

DSC_2040

Last but not least is my Icelandic Jacket worn with a table cloth as a skirt, a tulle petticoat and gorgeous green Bettina Boots by Monica Stålvang. It is knitted in Jaggerspun Zephyr Lace in Juniper with cuffs in Rowan Felted Tweed and Rowan Fine Tweed, the latter is also used in the back panel and cowl, all using a 3 mm/US 2.5 needle. The sleeves are knitted in the round while the remaining 3 panels are knitted flat. The cowl is identical to the back panel just longer. Kristin also demonstrated how to use the cowl as a belt, merely by using a shawl pin to adjust it to the waist measurement. Only one bespoke button by Siri Berrefjord made it to the photoshoot (due to slow mail service), but you can see it with the planned three on the pattern page. I plan to have the Icelandic Jacket test knit in October after the Conic Coat, then released in English.

DSC_2034My Lattice Back Jacket also feature on the contents page, where editor Mary-Ann Astrup writes under the heading:  “Boundless Creative Enthusiasm” referring to stylist and re-designer Kristin Elise Halkjelsvik: “You can also see some of her gorgeous outfits, composed around old embroidered table cloths, bell pulls and curtains. In combination with new beautiful cable knits from Linda Marveng, the unity becomes sensational.” The magazine is available from newsagents like Narvesen and selected supermarkets or online here: Familiens lille butikk.

It was an amazing photo shoot and co-operation, which we have decided to do again. In the mean time, I am already working on the next series of designs for Made By Me with Monica Stålvang and a dress designer this time. More to follow.

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