Tag Archives: knit.wear Spring/Summer 2017

Photoshoot at Bøler Church: Bowery Tunic

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Several months after the Bowery Tunic came back from its trip to the US and the Interweave offices in Colorado, it was time to photograph it in my chosen style. Bowery Tunic was made for knit.wear Spring/Summer 2017 in the divine Madeline Tosh DK in the hand-dyed colourway of Tern. Model Emma Ross with her flaming red hair – perfected by hair & makeup stylist Sissel Fylling – made it look stunning. I decided to style it with black pencil pants, high heeled shoes by Camilla Skovgaard and Kaja Gjedebo’s aptly named “Amazing Mamas Earrings“. Photographer Eivind Røhne knew exactly where he wanted Emma to stand in the entrance at Bøler Church, so that he could capture the best moments.

A cable panel with electronic vibes is the focus point for this a-line pullover with a longer back ending in a vent in the sides. The collar, just like the bottom edge, is in garter stitch and crowns the garment with its i-cord bind off. The Madeline Tosh DK yarn is made of 100% merino wool with 206 meters/225 yards on each 120 gram skein and comes in an amazing 124 hand-dyed colourways.

The sample is knitted in size M with 105.5 cm/41.5″ bust circumference and modelled with 19 cm/7.5″ of positive ease on Em. The tunic is graded into 6 sizes with a bust circumference from 85 to 136 cm/33.5 to 53.5″. The back is one cable pattern repeat longer than the front, 11 cm/4.25″. It is knitted by yours truly using 4 mm/US 6 with a gauge of 20 stitches and 30 rows in stocking stitch measuring 10 cm/4″ square.

The intricate cables are fun to knit in a mixture of rib and garter stitch that moves across both the front and the back of the tunic. I found their volume and texture too much for the sleeves and opted for a garter stitch panel on the center of the sleeve since I do love texture. As you might know I also get easily bored working just in stocking stitch.

I did not intend for the back to be in fade, but considering how popular the trend of fading is – in knitting, that is – I am happy with it. This particular fade is actually a result of not alternating skeins, as you should with hand-dyed yarn. Anyway, I think I will have a go at fade on purpose very soon.

The English pattern is in knit.wear Spring/Summer 2017  available in both a digital and a print edition and it will be added to my Ravelry store at the end of March. You can also buy the German version of the magazine Strickmode. The Norwegian pattern will be published in the special magazine called Familien Strikk out on Monday 12th March.

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Strick Mode – Bowery Tunic in German

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The American magazine knit.wear Spring/Summer 2017 has been translated and is published in German as strick mode issue 0217. I am excited to hear this news since it means that my design Bowery Tunic is now available in German as well.

Above you can see the Bowery Tunic presented in German at the strick mode website. Here is the American version: “The body of this pullover is worked back and forth in pieces and seamed. The sleeves are worked in the round, with the sleeve cap worked flat. You’ll love working the gorgeous cable motifs on the front panel, and the asymmetrical hem gives unexpected flair to this pullover.”

The tunic is knitted in madelinetosh, Tosh DK, a hand-dyed merino wool with crisp stitch definition, in a divine medium grey called Tern. The yarn comes in 100 gram skeins with 205 meters/225 yards and knits with a gauge of 20 stitches and 30 rows in stocking stitch to 10 cm/4″ square.

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Bowery Tunic Again

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The time has come to show you the photos – well, a selection of the best ones, really – that my husband took of me wearing the Bowery Tunic just before I sent it off to Interweave in July. The pattern was released in the latest issue of  knit.wear Spring/Summer 2017, which is available both in a digital and a print edition. We photographed the tunic close to the beach at Ormøya, in walking distance to our old house at Bekkelaget in Oslo. It was not a sweltering July day, so I had no problems wearing boots and the tunic knitted in hand-dyed merino wool – madelinetosh, Tosh DK to be specific. The yarn comes in 100 gram skeins with 205 meters/225 yards and knits with a gauge of 20 stitches and 30 rows in stocking stitch to 10 cm/4″ square using a 4 mm/US 6 needle. The shade chosen by editor Meghan Babin is a stunning medium grey called Tern.

I wanted to make sure that the different length on the back and the front plus vent was easy to see: A cable panel with electronic vibes, not unlike Jean Michel Jarre renown music – hence the Jarre working title – is the focus point for this a-line pullover with a longer back ending in a vent in the sides. The collar, just like the bottom edge, is in garter stitch and crowns the garment ending in an i-cord bind off.

I am wearing the sample, made in the third size with a bust circumference of 105.5 cm/41.5″, with 15.5 cm/6″ of positive ease. The tunic is graded into 6 sizes with a bust circumference from 85 to 136 cm/33.5 to 53.5″. The back is one cable pattern repeat longer than the front, 11 cm/4.25″. Here is a presentation of the Leather & Lace  Story in the knit.wear Spring/Summer 2017 issue.

We also wanted to have a go at photographing it sitting down so here is one of those photos. I did look for a high stone that could work, but could not find any in the correct position nor size.

Last but not least, here is a detail of the back and the sleeve. The sleeve has a center garter stitch panel since the cable was too dominant to add to the sleeve. I also wanted more texture than what plain stocking stitch can provide, but this can easily be omitted if you prefer to work it plain. Now that we have moved to Ørje, we are on the look out for a new place to photograph, but is bound to be close to Rødenessjøen.

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Bowery Tunic in knit.wear Spring/Summer 2017

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I am thrilled to show you my latest design the Bowery Tunic published in the knit.wear Spring/Summer 2017 issue in the company of other designers such as: Pam Allen and  Carol Feller. On the cover is Mary Anne Benedetto’s stunning Park Slope Top. My working title for the design was Jarre: A cable panel with electronic vibes, not unlike Jean-Michel Jarre renown music, is the focus point for this a-line pullover with a longer back ending in a vent in the sides. The collar, just like the bottom edge, is in garter stitch and crowns the garment ending in an i-cord bind off.

Interweave / Harper Point Photography

The tunic is knitted in madelinetosh, Tosh DK, a hand-dyed merino wool with crisp stitch definition, in a divine medium grey called Tern. The yarn comes in 100 gram skeins with 205 meters/225 yards and knits with a gauge of 20 stitches and 30 rows in stocking stitch to 10 cm/4″ square.

Interweave / Harper Point Photography

The sample is knitted in size 105.5 cm/41.5″ (third size) bust circumference and modelled with 18.5 cm/7.25″ of positive ease on the model. The tunic is graded into 6 sizes with a bust circumference from 85 to 136 cm/33.5 to 53.5″. The back is one cable pattern repeat longer than the front, 11 cm/4.25″.

Interweave / Harper Point Photography

The intricate cables are fun to knit in a mixture of rib and garter stitch that moves across both the front and the back of the tunic. I found their volume and texture too much for the sleeves and opted for a garter stitch panel on the center of the sleeve since I do love texture. As you might know I also get easily bored working just in stocking stitch.

Interweave / Harper Point Photography

The gorgeous photos are taken by Harper Point Photography, while the photo styling is by Tina Gill and Hair & Makeup is by Janie Rocek. Thank you to editor Meghan Babin and the Interweave team for accepting yet another of my designs!

Interweave / Harper Point Photography

knit.wear Spring/Summer 2017 is available in both a digital and a print edition. This large issue also includes 4 of the designs from the Wool Studio volume 1 digital magazine, including the popular Hyannis Port Pullover by Bristol Ivy.

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