Shawl Sleeves Pattern Released

Posted on August 16, 2014 by Linda Marveng

I am delighted to release my Shawl Sleeves pattern in English. The Norwegian pattern will be published as one in a series, in the special issue of Familiens Strikkebok out on the 25th August. The finished result is more abstract than I had in mind, but still fun to drape around your body or merely use one as a generous scarf. You can easily make it longer by adding pattern repeats, just keep in mind that you will need more yarn. I made my own tweed by holding one strand of Rowan Fine Tweed together with one strand of Ask – Hifa 2. Here it is; brilliantly worn by dancer Francesca Golfetto, beautifully styled by Line Sekkingstad and photographed by Kim Müller. Here is my introduction to the pattern: A sleeve that ends in a shawl, worked in reversible cables with two very different sides and lined by checks, made to drape and pin together as you wish. The cables are worked half in rib, half in reverse stockinette stitch, and provides a soft contrast to the curvy checks. Knit in the round to the armhole, then flat on the shawl to the hem at the end. This is a conceptual accessory with a modern shape.

Sizes: S/M (L/XL, 2XL)

Finished measurements Sleevelength: 52 (52, 54) cm/20.5 (20.5, 21.25)” + Shawl length: 80 (84, 88) cm/31.5 (33, 34.75)” Sleeve width bottom: 21 (24, 27) cm/8.25 (9.5, 10.75)” Sleeve width top: 32 (34, 36) cm/12.5 (13.5, 14.25)” Shawl width: 36 cm/14.25″

Yarn: Rowan Fine Tweed in Leyburn 383: 12 (13, 14) skeins (100% wool, 25 g, 90 m/98 yds); 1080 (1170, 1260) m/1181 (1279, 1378) yds. Rowan Fine Tweed

Hillesvåg, Ask – Hifa 2 in Melange Corn Yellow 6502: 3.5 (4, 4.5) skeins (100% wool, 100 g, 315 m/344 yds); 1080 (1170, 1260) m/1181 (1279, 1378) yds. Ask Melert

Note: Yarns are held together throughout.

Alternative yarn: Brooklyn Tweed Shelter (100% wool, 50 g, 128 m/140 yds). Shelter

Needles: 2 sets of 4 mm/US 6 circular needles (100 cm/40″) for hems and sleeve part. 4 mm/US 6 straight needles for shawl part. Adjust needles to match gauge.

Notions: stitch markers, cable needle and yarn needle.

Gauge: 18 sts and 26 rows in st st and Check pattern using a strand of each yarn and 4 mm/US 6 measures 10 cm/4 square (steamed and stretched). Rib and purl cable across 32 sts measures 11 cm/4.25 wide.

Notes: The sleeves are worked in the round from the bottom with a hem to the armhole bind-off. Then you cast on for a shawl edge and increase a few stitches to reach full shawl width. The only sewing required is attaching the beginning of the shawl edge to the armhole. You can easily adjust the length of the shawl if you prefer.

Scarftex Pattern Released

Posted on August 13, 2014 by Linda Marveng

I am delighted to release one of my last series of design, the Scarftex in English in my Ravelry Store. The Norwegian pattern will be published together with 5 other designs, all brilliantly photographed by Kim Müller, gorgeously modeled by dancer Francesca Golfetto and perfectly styled by Line Sekkingstad, in Familiens Strikkebok out on 25th August. Here is my Scarftex introduction and details: To make cables really pop I love working them in double yarns. Usually I use two strands of the same yarn but this time I chose to hold a pure wool, Rowan Fine Tweed, together with an alpaca mixture, Rowan Lima, to add bounce to the cables. This is a chunky jewelry scarf just like the type of statement jewelry I prefer. The stitch pattern I choose is a combination of reversible cables, from Lily Chin, to make a scarf with a lot of texture; a Scarftex!

Size: One Size

Finished measurements: 21 cm/8.25″ wide 140 cm/55″ long

Yarn: Rowan, Lima (8% merino, 84% baby alpaca, 8% nylon, 50 g, 110 m/120 yds) in Lima sh 888: 5 balls; 530 m/580 yds. Rowan Rowan, Fine Tweed (100% ull, 25 g, 90 m/98 yds) in Bedale sh 361: 6 balls; 530 m/580 yds. Rowan Note: Both yarns are held together throughout. Or another dense Worsted/Aran (10 ply) yarn with or without a Fingering (4 ply) yarn.

Needles: 5.5 mm/US 9 straight needles. Adjust needle size as needed to match gauge.

Notions: Cable needle, 2 stitch markers, yarn needle.

Gauge: 20 sts and 30 rows in garter st measures 10 cm/4″ square.

Notes: The scarf and each cable is not as difficult to work as it looks since all stitches are worked as they appear either in garter stitch or 1 by 1 rib on all on rows even during crossings.

Lace Ridge Top Pattern Released

Posted on August 6, 2014 by Linda Marveng

My next pattern released in English after a completed test knit in my Ravelry group is the Lace Ridge Top pattern which includes the cable cowl. The Norwegian pattern was published in the separate issue Familiens Håndarbeid in March. I made sure it was part of my photoshoot last autumn. Brilliantly photographed by Kim Müller, worn by the stunning looking dancer Francesca Golfetto. Here is the link to the pattern in my Ravelry store: Lace Ridge Top; A casual, stretchy long sleeveless top in an open lace ridge pattern, with a boat neck and a high twisted rib over the hips. The top is easy to knit in the round. It is worked in a divine mercerized cotton from Hifa, called Perle/Pearl which is held double to emphasize the structure of the lace pattern. The cable cowl accentuates the design and gives the top a more dressy look.

Sizes: Top: S (M, L, XL, XXL) Cowl: One Size

Finished Measurements: Bust: 110 (117, 123, 129, 134) cm/43.25 (46, 48.5, 50.75, 52.75)” Hip: 81 (86, 91, 95, 100) cm/32 (33.75, 35.75, 37.5, 39.25)” with 5 cm/2″ additional ease. Length: 80 (80, 82, 82, 84) cm/31.5 (31.5, 32.25, 32.25, 33)” Cowl: Circumference: 30 cm/11.75″ length: 116 cm/45.5″

Yarn: Hifa, Perle in heather sh 18306 (100% Egyptian mercerized cotton, 670 m/732yds, 200 g cone), see ull.no. Top: 2 (3, 4, 4, 5) cones: 1308 (1911, 2246, 2581, 2916) m/1430 (2090, 2456, 2822, 3189) yds. Cowl: 2 cones: 1280 m/1400 yds

Note: Yarn is held double throughout.

Yarn alternative: Anzula, Squishy (80% superwash merino, 10% cashmere, 10% nylon, 352 m/385 yds, 115 g), see anzula.com. Or another fingering/4 ply yarn to be held double throughout. Or another DK/8 ply yarn held single.

Needles: 4 mm/US 6 circular needle (80 cm/32″) for top. 4 mm/US 6 circular needle (40 cm/16″) for cowl. Adjust needle to match gauge.

Notions: 4 stitch markers, cable needle for cowl and yarn needle.

Gauge: 14 sts and 20 rows in Lace Ridge Pattern using 4 mm/US 6 needles and double yarn measures 10 cm/4″ square. 17 sts and 29 rnds in Twisted Rib using 4 mm/US 6 needles and double yarn measures 10cm/4″ square.

Notes: The body is knitted in the round up to the armholes and then flat to shoulders holding yarn doubled. The Lace Ridge Pattern creates a ladder at the join. There is no neckband nor armholebands. The rib will expand with wear if knitted in cotton, so do not choose a larger size based on your hip measurement. You might want to consider inserting an elastic, or knitting with a thin elastic to make the rib stay where you place it. The cowl has a temporary cast on so that the ends can be easily be grafted together. The cable on the cowl is very wide so working it without a cable needle is not recommended.

Lacy Rib Shawl Pattern Released

Posted on August 2, 2014 by Linda Marveng

It has taken awhile, I know, but I am working on releasing all the remaining book patterns in English as individual downloadable patterns in my Ravelry Store. Next, is the popular Lacy Rib Shawl: A slubby yarn, gives this lacy rib shawl with cowl and wrist warmers an exciting uneven texture. The now discontinued Colina from Thomas Kvist Yarns is a mixture of cotton and linen. A reversible lace pattern by Lynne Barr, was perfect for this shawl with a cowl as a collar and wrist warmers in a matching rib. Despite being discontinued, the yarn is still available from Mango Moon Yarns online or it can be replaced by Rowan Yarns, Summer Tweed a silk and cotton mixture. The set is stunningly photographed on beautiful dancer Francesca Golfetto by Kim Müller. The pattern is available in my Ravelry Store.

Size: One Size

Finished measurements: Shawl: 61 cm/24″ wide and 150 cm/59″ long.

Cowl: 88 cm/34.75″ circumference and 31 cm/12.25″ high.

Wrist warmers: 24 cm/9.5″ circumference and 30 cm/12″ long.

Yarn: Thomas Kvist Yarns, Colina (70% cotton, 30% linen, 100 g/4 oz, 160 m/174 yds). Sample is knitted in shade 10 Flax. The yarn is unfortunately discontinued but available online from Mango Moon Yarns, or it can be replaced by Rowan Yarns, Summer Tweed (70% silk, 30% cotton, 50 g/2 oz, 120 m/131 yds).

Shawl: 5 skeins; 785 m/858 yds

Cowl: 2 skeins; 295 m/323 yds

Wrist warmers: 1 skein; 140 m/153 yds

Yarn alternative: Shibui Knits, Heichi (100% silk, 50 g/2 oz, 96 m/105 yds).

Notions: 8 bone buttons (20 mm/0.78″) from Perlehuset, 5 stitch markers and yarn needle.

Needles: 4 mm/US 6 circular needle (80 cm/32″) and 4 mm/US 6 DPNs for wrist warmers. Adjust needle to match gauge.

Gauge: 17 sts and 24 rows in pattern and st st measures 10 cm/4″ square.

Notes: The shrug is knitted flat as a rectangular shawl. Buttons are attached at each end, with holes in the lace pattern used as buttonholes so that it can be buttoned into a shrug. The cowl and the wrist warmers are knitted in the round. All can easily be adjusted by adding or removing pattern repeats as desired.

Oriel Ballerina Pattern Released

Posted on July 30, 2014 by Linda Marveng

I am having a pattern summer; not only am I releasing a number of patterns in English I am also working on a collection of new ones. The next one in the queue for releasing is my Oriel Ballerina, first published in Norwegian in the magazine Made By Me in their Spring issue in February. Brilliantly photographed by Kim Müller and beautifully worn by dancer Francesca Golfetto. Thanks to my test knitters who have helped me improve the pattern! The English pattern is available to download from my Ravelry Store: The delicate teal colour filled my mind with visions of ballerinas in tulle petticoats. Perfect for a ballerina wrap with oriel lace sleeves, and a garter stitch belt to tie one or two times around your waist. With all the focus on the sleeves the body is knitted in stockinette stitch in the divine Zephyr Lace; a mixture of merino and tussah silk.

Sizes: S (M, L, XL)

Finished measurements: Bust 90 (94, 99, 104) cm/35.5 (37, 39, 41)” incl overlap 8 cm/3.25″ Waist 78 (82, 87, 93) cm/30.75 (32.25, 34.25, 36.5)” Length 48 (48, 50, 52) cm/19 (19, 19.75, 20.5)” Sleeve length 46cm/18″

Yarn: Jagger Spun Zephyr Wool-Silk 2/18 in Teal, (50% merino, 50% tussah silk, 4609 m/5040 yds, 453 g/1lb cone): 1323 (1831, 2340, 2849) m/ 1447 (2002, 2559, 3116) yds. Zephyr Wool Silk.

Alternative yarns: Drops, Lace (70% alpaca, 30% silk, 800 m/ 874 yds, 100 g) Lace. DyeforWool, Baby Alpaca/Silk Lace Yarn (70% alpaca, 30% silk, 800 m/ 874 yds, 100 g) Etsy. Or another Lace/2 ply yarn.

Needles: 3 mm/US 2.5 (80 cm/32″) circular needle. Adjust needle size to match gauge.

Notions: Scrap yarn for running markers, stitch holders and yarn needle.

Gauge: 28 sts and 38 rows in st st measures 10 cm/4″ square. 28 sts and 36 rows in Oriel Lace measures 10 cm/4″ square, steamed and stretched. 24 sts and 52 rows in garter st measures 10 cm/4″ square.

Note: The sleeves are knitted in Oriel Lace while the back and fronts are knitted in garter st for the belt and stockinette stitch for the body.

Familien Strikkebok Photoshoot: Shawl Sleeves

Posted on June 28, 2014 by Linda Marveng

Last but certainly not least in this series of patterns to be printed in the separate issue Strikkebok by Familien in the end of August is the Shawl Sleeves. I knew the color of melange corn yellow in Ask by Hifa, combined with Leyburn – a yellow ochre – in Rowan Fine Tweed would suit dancer Francesca Golfetto brilliantly, since I had seen her perform in an evening gown of the same color, and attract knitters. If you wonder how they work here is my introduction: A sleeve that ends in a shawl, worked in reversible cables with two very different sides and lined by checks, made to drape and pin together as you wish. The cables are worked half in rib, half in reverse stockinette stitch, and provides a soft contrast to the curvy checks. Knit in the round to the armhole, then flat on the shawl to the hem at the end. This is a conceptual accessory with a modern shape. Wear one around your neck and the other one on your arm, or both as sleeves and drape as you please. You can also easily adjust the length of the shawl. Stunningly photographed by Kim Müller and gorgeously styled by Line Sekkingstad. The English pattern will be published in my Ravelry Store.

I have made the Shawl Sleeves pattern in sizes: S/M (L/XL, 2XL), with differences in sleeve width, length and shawl length. Check the length by draping and pinning towels – yes, a common approach for me – before you buy your yarn so that you are able to adjust the length of sleeve and shawl.

Using 4 mm/US 6, the sleeves are worked in the round from the bottom with a hem to the armhole bind-off. Then you cast on for a shawl edge and increase a few stitches to reach full shawl width. The only sewing required is attaching the beginning of the shawl edge to the armhole.

I am very grateful to Airin Hansen who knitted these shawl sleeves for me. I believe they would look magnificent in a much finer yarn with a much longer shawl part too, but I feel in love with the color and yarn combination I had discovered.

And of course: a photo with the Benedetta boots by Monica Stålvang, who made this outfit so marvelous in my opinion.

Familiens Strikkebok Photoshoot: Zest Shawl and Cowls

Posted on June 21, 2014 by Linda Marveng

I had Francesca’s dark colors in mind when I chose the yarn colors and I knew the dark lime color as well as the cable structure of the Rowan Softknit Cotton yarn would look fabulous on her. I was not mistaken. The shawl is rectangular so that it can easily be buttoned into a shrug with 8 two toned colored mother of pearl buttons from Perlehuset – spot on color – hence making it look like a bolero. As a decorative collar why not add a cowl or two. I decided to make a smaller one in addition for those extra cool evenings when layering is best. The shawl and large cowl are knitted, using 4.5 mm/US 7, by test knitter Airin Hansen, who I could not have done without, since I was busy knitting the coats. The Norwegian pattern will be published in the separate issue of Familien, called Familiens Strikkebok out in late August while the English pattern will be published in my Ravelry Store. Dancer Francesca Golfetto was brilliantly photographed by Kim Müller and had her make up and hair beautifully styled by Line Sekkingstad. The gorgeous boots, perfectly named Benedetta-Boots, are by Monica Stålvang.

The shawl and cowls are made in a two row lace pattern with garter stitch edges in the cotton which is soft to knit with, and rather quick with due to its cable structure. I chose to knit both cowls flat and sew them up instead of changing the stitch pattern.

The stitch pattern is one of those that looks great on the wrong side too, even though it is flatter in structure than on the right side. You can easily adjust the width and the length of the shawl and the cowls. I discovered that I needed to bind off with a few extra yarn overs on the small cowl to make the bind off as elastic as the cast on.

I have named the set “Zest” for its color and the vigor I believes it gives. There are two more designs in this series, one I have not shown you previously, and the Shawl sleeves.

Familiens Strikkebok Photoshoot: Scarftex

Posted on June 18, 2014 by Linda Marveng

I have completed my Scarftex, a scarf knitted in Rowan Fine Tweed together with Rowan Lima using 5.5 mm/US 9 to make the reversible cables pop. I imagined this scarf worn as a statement jewelry on its own or as a collar for another garment. The cables pattern is by Lily Chin and I have used it to make a scarf with a lot of texture; a Scarftex. Brilliantly photographed by Kim Müller, beautifully worn by dancer Francesca Golfetto and styled by Line Sekkingstad. The Norwegian pattern will be published in Familiens Strikkebok out in late August, while the English pattern will be published in my Ravelry Store.

Rowan Lima is made of 8% merino, 84% baby alpaca, 8% nylon and comes in 50 g skeins with 110 m/120 yds. I was attracted to the sand shade, called Lima, which worked marvelous together with the lighter shade of Bedale in Rowan Fine Tweed a pure wool with 90 m/98 yds on a 25 g skein. After testing with different needle sizes I chose to stay with the recommended needle size 5.5 mm/US 9 recommended for the Lima yarn to add extra bounce to the cables. The cable crossings are not as difficult to work as they look since all the stitches are knitted as they appear: either in garter stitch or in 1 by 1 rib. That is what makes a stitch pattern brilliant in my mind; that it looks so uncomprehensible but it is not that difficult to knit!

Familiens Strikkebok Photoshoot: Conic Coat

Posted on June 11, 2014 by Linda Marveng

The triangles and blocks stitch pattern by Lynne Barr, creates shadows and a dense texture perfect for a long a-line coat with a soft and generous shawl collar, a seeded rib pattern, and a clever tuck. I have achieved my goal of designing a coat with architectonic elements you want to knit and wear. At least I do hope so. The Conic Coat first planned for Brooklyn Tweed has been knitted in Embla – Hifa 3, in a stunning purple beige color using 4 mm/US 6 and will be published in Norwegian in the separate magazine Familiens Strikkebok out in late August. Here is the coat finished, not that many hours before the photoshoot at Aker Brygge actually. My chosen photographer is Kim Müller, model is beautiful dancer Francesca Golfetto and make up & hair stylist is Line Sekkingstad, they all made my knitting projects look so gorgeous! This is how dreams come true.

The coat is worked flat in pieces and then sewn together. Stitches are picked up for the collar and a tuck is worked before you begin with the Seeded Rib pattern. The shawl part of the collar is worked with short rows and ends with an I-cord bind off. The a-line decreases are worked in stocking stitch, while you discontinue the Folded Triangles pattern when you shape neck, armhole and sleevecap.

Initially I imagined it in a blue tweed, but since my design did not make it into the Brooklyn Tweed selected few, and I spotted Monica Stålvang’s stunning brown shoes, I knew that the coat had to match those. Hence I wanted a photo of Francesca sitting showing off the shoes too!

I have made the coat in sizes S to 2XL, with a finished bust measurement excluding collar of 92 cm to 126 cm/36.25 to 49.5″. Francesca is a size XS, Norwegian clothes size 34/UK 6/US 2 but wearing size S. I will show you photos of me wearing it too since I am a size S, Norwegian clothes size 36-38/UK 8-10/US 4-6 but they will not be as marvelous, obviously. I plan a test knit of the English pattern in my Ravelry group in August.

Behind the Scenes: Photo Shoot

Posted on May 31, 2014 by Linda Marveng

I had a marvelous photo shoot on Thursday with photographer Kim Müller, dancer Francesca Golfetto, stylist Line Sekkingstad and my husband as photo assistant. The shoot was organized before I started knitting due to the tight deadline for delivery to the Norwegian magazine Familien and their special issue Strikkeboka/Knitting book due out in late August. I was fortunate to find one test knitter, Airin Hansen, and my neighbor Karin Placht to assist me in knitting samples in time for the photo shoot. There is no way I would have managed on my own otherwise. Knitting two coats (Carla and Conic) and a scarf (Scarftex) in addition to finishing another jacket (for a different magazine), as well as designing another 5 items, was more work than I ever could have imagined in a month and a half. So I had to start knitting long into the night as well, since I was working 7 days a week already. Seeing the garments stunningly worn by Francesca, with the magic touch on hair & make up by Line, fabulous shoes and boots by Monica Stålvang and beautifully captured by Kim, made it all worthwhile! Not to forget that my husband found a several remarkable spots at Tjuvholmen, the end tip of Aker Brygge/Wharf in Oslo. It was a beautiful day with strong sunshine so we had to look for backgrounds in the shadow and found numerous next to the Astrup Fearnly Museum. We broke up for a decent lunch at Olivia (read: Bølgen & Moi was closed sadly) before we continued dressing and directing Francesca around in a very different manner than she is used to as a dancer. I felt so fortunate and cannot wait to see Kim’s selection of photos! Next week I am taking part in another photo shoot, what a treat!

Linda Marveng

Knit wear designer and author

Tag Archives: Kim Müller