Tag Archives: Kaja Gjedebo

Rebine Pattern Released

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I have seen some wonderful test knitted version of my Rebine skirt design! You can see a number of them on the pattern page on Ravelry. The test knit is coming to an end and I am happy to release both the English and the Norwegian pattern in my Ravelry store. Soon it will also be available on Love Crafts. Above you see it worn by the gorgeous Olivia Lindtein, with make-up & hair styling by Erica Poppe and jewellery by Kaja Gjedebo Design, photographed by Eivind Røhne in Mortensrud Church back in November last year. Yarn kits with either English or Norwegian pattern are available directly from Hillesvåg Ullvarefabrikk.

Rebine, an old Norwegian name, is a pencil skirt with an all over elegant cable pattern ending in a high waist. The skirt is shaped for the hip and the waist. Belt loops, inserted in each side seam, hold the skirt in place. Rebine is knitted in Tinde pelt wool by Hillesvåg Ullvarefabrikk.

Sizes: XS (S, M, L, XL, 2XL, 3XL)
Shown in size Small
Skill level: Experienced

Finished measurements:
Bottom: 80 (84, 88, 92, 96, 100, 104) cm/31.5 (33, 34.75, 36.25, 37.75, 39.25, 41)“
Hip: 86 (92, 102, 112, 122, 128, 132) cm/33.75 (36.25, 40.25, 44, 48, 50.5, 52)”
Waist: 76 (80, 84, 88, 92, 98, 110) cm/30 (31.5, 33, 34.75, 36.25, 38.5, 43.25)“
Length to waist: 56 (56, 57, 57, 58, 58, 58) cm/22 (22, 22.5, 22.5, 22.75, 22.75, 22.75)”
Length from waist and up: 10 cm/4”
Full length: 66 (66, 67, 67, 68, 68, 68) cm/26 (26, 26.25, 26.25, 26.75, 26.75, 26.75)“
Intended ease: – 4 cm/1.5” to + 6 cm/2.25”. Sample shown is 92 cm/36.25” hip and worn with + 11 cm/4.25” ease on model who stands 167 cm/5’6” tall.

Yarn: Hillesvåg Ullvarefabrikk, Tinde Pelsull (100% pelt wool, 260 m/284 yds, 100 g). The sample is knitted in Lys Marine 2125: 3 (3, 4, 4, 4, 5, 5) skeins; 585 (690, 793, 897,1027, 1131, 1235) m/640 (755, 867, 981, 1123, 1237, 1351) yds.
https://www.ull.no/produktkategori/garn/ullgarn/norsk-pel…

Alternative Yarns: Berroco, Ultra Alpaca Light (50% alpaca, 50% wool, 50 g, 133 m/144 yds). http://www.berroco.com/yarns/berroco-ultra-alpaca-light
Jamieson’s, Double Knitting (100% wool, 25 g, 75 m/82 yds).
http://www.jamiesonsofshetland.co.uk/spindrift-and-double…
Rowan, Tweed (100% wool, 50 g, 118 m/129 yds).
http://www.knitrowan.com/yarns/rowan-tweed
Malabrigo, Arroyo, (100% superwash merino, 100 g, 306 m/335 yds).
http://www.malabrigoyarn.com/subyarn.php?id=29
Or another DK/8 ply yarn.

Needles: 3.5 mm/US 4 straight needle.
Adjust needle size as needed to match gauge.

Notions: Stitch markers (removable), cable needle, stitch holders and yarn needle.

Gauge: 21 sts and 30 rows in st st, after blocking measures 10 cm/4” square.
24 sts and 30 rows in Cable rib, after blocking measures 10 cm/4” square.

Notes: The skirt is worked in pieces from the bottom and up. Make two belt straps to insert in the side seam. If you want to adjust the length of the skirt, remove up to 8 cm/3.25” or add an extra length before shaping the hip.

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Vela Pattern Released

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The test knit of Vela has come to an end with some stunning projects. As usual my test knitters did an excellent job of improving and correcting the pattern. The English pattern is now available on Ravelry and Lovecrafts, while the Norwegian pattern will be printed in Familien issue 17. Above you see model Emma Ross wearing Vela, with make-up & hair by Sissel Fylling and jewellery by Kaja Gjedebo Design. She was brilliantly captured by photographer Eivind Røhne at the Oslofjord Museum at Vollen in Asker, outside of Oslo, in May.

Sideways pullover in an eyelet pattern with a center join to enable it to hang straight like a sail or Vela – Italian for sail. Oversized body with narrow sleeves to minimize the volume. Vela ends in a round neck with ribbing. Dress it up with a cowl, that can be worn once or twice around your neck. Perfect for summer, knitted in a lovely cotton mix yarn called Hempathy from Elsebeth Lavold with a crisp stitch definition.

Sizes: XS/S (M/L, XL/2XL)
Shown in size Extra Small/Small
Skill level: Intermediate

Finished measurements:
Bust: 120 (132, 144) cm/47.25 (52, 56.75)“
Length: 57 (59, 61) cm/22.75 (23.5, 24.5)”
Sleeve length: 46 (44, 42) cm/18 (17.25, 16.5)“
Cowl: 117 cm/46” long, 31 cm/12.25” wide
Intended ease: + 28-38 cm/11-15”
Sample shown is 120 cm/47.25” with + 34 cm/13.5” ease on model.

Yarn: Elsebeth Lavold, Hempathy (41% cotton, 34% hemp, 25% modal, 50 g, 140 m/153 yds). Sample is knitted in Kingfisher Blue 61:
Pullover: 13 (16, 19) balls; 1806 (2226, 2646) m/1975 (2434, 2893) yds.
Cowl: 6 balls; 818 m/895 yds
Note: Yarn is held double throughout.
Yarn is available from Loveknitting in the UK and distributed by House of Hobbies in Sweden and Norway.
https://www.loveknitting.com/elsebeth-lavold-hempathy
https://www.houseofhobbies.se
https://knittingfever.com/elsebeth-lavold/yarn/E-HEMP

Needles: 5 mm/US 8 circular needle (80 cm/32” and 40 cm/16”).
5 mm/US 8 straight needle.
Adjust needle size as needed to match gauge.

Notions: Stitch markers (removable), stitch holders, and yarn needle.

Gauge: 18 sts and 20 rows with 2 strands held together in st st using 5 mm/US 8 needle measures 10 cm/4” square.
17 sts and 22 rows in Eyelet pattern repeat measures 10 cm/4” square.
15 sts in rib measures 10 cm/4” across.

Notes: Pullover is knitted sideways, so work a larger size if you want a longer version. Adjust sleeve length to fit you. Each body part is knitted in two pieces and bound off using 3 needles for a center join. A circular needle is used to accommodate the large stitch number.

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Patent Poncho in Familien 04/19

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For the second time around, the Patent Poncho has been featured in the Norwegian bi-weekly magazine Familien, I am pleased to say. The first time was in the special issue Familien Strikkebok that came out in August in 2013, then with photos taken by their in-house photographer Esten Borgos. These new photos were taken at Ingierstrand Bad, just outside of Oslo in May in 2017 by Eivind Røhne. Alexandria Eissinger, with hair & makeup by Jens J. Wiker and jewellery by Kaja Gjedebo Design, looks stunning in it. Check out the selfie posture, in this blogpost: Behind the Scenes Photoshoot at Ingierstrand Bad.

Inspired by all the Fisherman’s rib patterns in fashion, I have designed a poncho in an oversized sweater style with longs splits in the side. The poncho is knitted in parts to create a contrast between the unstructured cable and the linear rib, called patent in Norwegian. The large splits on the sides make the poncho less voluminous. The sleeves are knitted long, to keep you warm on cold days. The poncho is knitted in a beautiful Camel Brown Hillesvåg Ullvarefabrikk, Ask, a pure wool with plenty of bounce, using a 3 mm/US 2.5 knitting needles.

The poncho is one size with a 150 cm/59”  bust circumference. The side and back view are also shown next to the pattern on the following two pages. Both the English and the Norwegian pattern is available from both Ravelry and from Loveknitting.

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Kathe Cardigan in Familien 11/2018

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I am thrilled that Kathe Cardigan has been published in the latest issue of the Norwegian magazine Familien issue number 11/2018 and has been given a bit of space on the cover. The cardigan was made for Interweave Knits Fall 2016 and it is knitted in the divine SweetGeorgia Yarns Superwash Sport in the hand dyed shade Tumbled Stone using a 3 mm/US 2.5 needle. That is an incredibly soft pure merino with 300 meters/328 yards per 100 gram skein. Model Alexandria Eissinger, with hair & make up by Jens J. Wiker and jewellery by Kaja Gjedebo Design, was brilliantly captured by photographer Eivind Røhne. Alex is wearing size M with a 93 cm/36.5″ bust circumference, but it is available in sizes XS to 2XL with measurements from 79 to 120.5 cm/31 to 47.5″. Here is my introduction to the pattern: Kathe is a straight cardigan with a scarf collar enhanced with an elegant textural all-over lace. The reversible fern pattern adorns the body and sleeves while the collar is divided from it by a tuck and knitted in moss stitch. You can wear the collar hanging flat – overlapping – and pinned together or folded.

It is a time consuming knit, but the finishing off is rewarding, in my opinion. You will find the English pattern on Ravelry and on Loveknitting, while the Norwegian pattern is printed in Familien. The magazine is available to buy at selected news agents and super markets in Norway. If you live abroad you can order the Norwegian magazine by e-mailing kari.bachke@egmont.com and then transfer payment into their bank account.

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Photoshoot at Bøler Church: Bowery Tunic

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Several months after the Bowery Tunic came back from its trip to the US and the Interweave offices in Colorado, it was time to photograph it in my chosen style. Bowery Tunic was made for knit.wear Spring/Summer 2017 in the divine Madeline Tosh DK in the hand-dyed colourway of Tern. Model Emma Ross with her flaming red hair – perfected by hair & makeup stylist Sissel Fylling – made it look stunning. I decided to style it with black pencil pants, high heeled shoes by Camilla Skovgaard and Kaja Gjedebo’s aptly named “Amazing Mamas Earrings“. Photographer Eivind Røhne knew exactly where he wanted Emma to stand in the entrance at Bøler Church, so that he could capture the best moments.

A cable panel with electronic vibes is the focus point for this a-line pullover with a longer back ending in a vent in the sides. The collar, just like the bottom edge, is in garter stitch and crowns the garment with its i-cord bind off. The Madeline Tosh DK yarn is made of 100% merino wool with 206 meters/225 yards on each 120 gram skein and comes in an amazing 124 hand-dyed colourways.

The sample is knitted in size M with 105.5 cm/41.5″ bust circumference and modelled with 19 cm/7.5″ of positive ease on Em. The tunic is graded into 6 sizes with a bust circumference from 85 to 136 cm/33.5 to 53.5″. The back is one cable pattern repeat longer than the front, 11 cm/4.25″. It is knitted by yours truly using 4 mm/US 6 with a gauge of 20 stitches and 30 rows in stocking stitch measuring 10 cm/4″ square.

The intricate cables are fun to knit in a mixture of rib and garter stitch that moves across both the front and the back of the tunic. I found their volume and texture too much for the sleeves and opted for a garter stitch panel on the center of the sleeve since I do love texture. As you might know I also get easily bored working just in stocking stitch.

I did not intend for the back to be in fade, but considering how popular the trend of fading is – in knitting, that is – I am happy with it. This particular fade is actually a result of not alternating skeins, as you should with hand-dyed yarn. Anyway, I think I will have a go at fade on purpose very soon.

The English pattern is in knit.wear Spring/Summer 2017  available in both a digital and a print edition and it will be added to my Ravelry store at the end of March. You can also buy the German version of the magazine Strickmode. The Norwegian pattern will be published in the special magazine called Familien Strikk out on Monday 12th March.

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Photoshoot at Bøler Church: Ena

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The next set of photos from our shoot is of Ena, knitted in The Fibre Company’s Acadia, beautifully worn by Emma Ross leaning towards the rusty cor-ten wall panel with Bøler Kirke/Church carved into it. Photographer Eivind Røhne who captured these brilliant shoots made sure to position Em so that the two letters “Bø” as in “Boo!” was visible at all times. Yes, we do have a lot of fun! Hair & makeup stylist Sissel Fylling made sure that Em’s hair was not covering up the collar. On Em’s finger is one of Kaja Gjedebo Design’s statement rings in gold-plated silver.

Ena is Celtic for fiery. As you need to be passionate about cables to make this jacket. The woven cables lean towards the left and the right hence the spine has been accentuated with a twisted stitch at the center back and along front opening. Ribbing in the sides make the jacket appear casually fitted. The collar in rib can be worn open or closed and folded over. Ena is knitted in the rustic Acadia with silk noil from The Fibre Company.

The bespoke buttons are made by Siri Berrefjord in a brown orange colour she matched to my knitted swatch, ideal for this dressy jacket I styled with a pair of wide silk trousers in navy. The handmade buttons are moulded in plastic after old traditional national costume/bunad silver. You can look forward to seeing her stunning photos later. Siri is also a photographer so even the yarn and stitch definition can then be studied in detail!

The cable I chose is from Norah Gaughan’s brilliant Knitted Cable Sourcebook, so no surprise there, as I have found a lot of inspiration in it. The Acadia yarn, made of 60% merino wool, 20% alpaca, 20% silk with 133 meters/145 yards on each 50 gram skein and it is a luxury to both knit and to wear. I used a 4 mm/US 6 needle with a 21 stitches and 30 rows  in Stocking stitch measuring 10 cm/4″ square gauge. The jacket is made in pieces and seamed. The collar is picked up and knitted before the buttonband. The last buttonhole is on collar before fold over.

Em is wearing size S with a bust circumference of 92 cm/36.25″, worn with 6 cm/2.25″ positive ease. The cardigan is graded in sizes XS to 2XL with a bust circumference of 84 to 124 cm/33 to 48.75″. The English pattern will be test knitted in my Ravelry group, beginning on March 12th, before it is released at the end of April.

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Behind the Scenes: Photoshoot at Ingierstrand Bad

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On Monday I had a photoshoot at Ingierstrand Bad, just outside of Oslo, with an amazing crew. The weather was perfect; warm and sunny. The restaurant, open for private parties during the weekdays and for the public at the weekends, is a popular spot for weddings due to its location next to one of the most popular beaches with a diving tower in Oslo. In fact jewellery designer Kaja Gjedebo, who came to join us, had her wedding party here 11 years ago and this was the first time she was back. You can find a video she made at Instagram. While Jens J. Wiker worked on gorgeous model Alexandria Eissinger‘s hair & make up, photographer Eivind Røhne, second photographer/roadie/technical manager Michael Marveng-Puckett looked at possible back drops. As always it was a day filled with laughter and breath taking results. Eivind always gives everything, above you see how him delivering on his promise to make Alex taller. Jens, next to him is checking his mobile.

Here you see Kaja and Eivind sharing Instagram tips. It was marvellous to have the whole place to ourselves. On the to do list was taking photographs of a total of 10 designs where 5 are new designs; 4 for yarn kits for Hillesvåg Ullvarefabrikk and 1 secret design; 3 designs returned from Interweave Knits and knit.wear in the US and 2 designs only photographed by the Norwegian magazine Familien previously. Judith Bech had as usual sent me a selection of dresses and skirts to choose from. One day I hope she will be able to fly from Northern Norway to join us. I find her dresses magical, hence I am spellbound and ask for more than I need so that I can see how they look together with the knitted garments. Just as with my ideas, some work better in my head than in real life. I ended up using only 2 of those.

Eivind and I are talking strategy, while Alex with Jens’ assistance is ready for action. We speak partly in Norwegian and partly in English all day, even though Alex speaks Danish and Michael Norwegian, they both prefer English. But Alex knows me very well and know that I want front, back and side photographed. Eivind is living in the hope that I will not demand full length photos of all designs, but I rarely give in. Alex is ready for photography of the back of Kathe Cardigan, made for Interweave Knits Fall 2016.

Alex heard a double set of camera clicks as Michael joined Eivind and photographed as well. Thankfully, neither Eivind nor Alex had any issues with that and knew that the Eivind was indeed the photographer of the day. Even Alex joined in and took a selfie, here she is, captured by Michael. Above she is wearing Aki, a new pullover designed for Hillesvåg and below wearing an old design Patent Poncho. Despite the heat, Alex managed to look incredibly cool and only suffered for a brief time when I added 3 cowls on top of each other. Yes, that would only be useful on a very cold day and not on a hot day, with women in bikinis nearby. Kaja wished that she had brought her swimwear.

Unlike me, Alex is always in control of her face when she is being photographed and do enjoy pulling some faces. I have reached the age where I tend to do so unwillingly so much of the time. That is why the back of my head as well as the side feature so much in the photos Michael take of me.

Take a look at the photo above and you understand the tone we have during the day as well as the fun! It took a few second before I saw her face! Alex is wearing Wa, a shawl vest as well as Kaja’s Abelia earring with pearls and Abelia necklace. I saw a number of Eivind’s photos during the day and know it will as usual be extremely difficult to choose photos from the hundreds of magical moments he has captured. Yet, I cannot wait to see them all!

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Behind the Scenes: Photoshoot at Architecture Museum

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dscn0665It was a cold November day, our photoshoot took place at the National Museum – Architecture, but at least it was not raining. I had settled all formalities with the museum and they were expecting us, with an extra security guard since we were photographing outside around the Fehn Pavilion, in the “klostergang”/cloister, designed by Norwegian Architect Sverre Fehn. This time the team consisted of photographer Eivind Røhne, the hair & makeup artist Sissel Fylling with assistant Nora, model Silje Andresen/Team Models and assisting photographer Michael Marveng-Puckett. Silje retired as a full time model ten years ago, at the age of twenty seven, to my astonishment. She knew Sissel and was probably not too surprised that Sissel just had to cut her hair. So no change there, then.

mmp-xt1b5415We were photographing ten designs with two extra accessories, not all new designs: 2 designs returned from Interweave; Irina Pullover and Harding Cardigan; 2 old designs in need of new photos: Check Cable Cardigan and Cable On Scarf, in addition to 6 new designs. At the top is Hanasa a-line pullover, below is the Irina Pullover. I had, as usual, borrowed several skirts and a dress from designer Judith Bech. I am sure you recognise a few of those we used this time. In addition to jewellery from designer Kaja Gjedebo. Selecting from her home studio where she keeps it all, is ever so difficult and the list does seem to grow longer for each photoshoot…

dscn0653Eivind and I started by walking around the premises together with Michael, to look at possible backdrops, while Sissel was cutting and then styling Silje’s hair. We agreed that the “klostergangen”/cloister was the best one, and that there were possibilities at the front, the main entrance door to the museum, the terrace entrance to Grosch Bistro, as well as the back wall. The interior – with its vaults and the tiled entrance hall – is lit with LED lights and difficult to use as backdrops without using blitz plus a lot of extra work for Eivind to do afterwards. The main building is the old (and first) National Bank completed in 1830, by architect Christian Heinrich Grosch, while the Fehn Pavilion was built in 2008, together with the refurbishment of the building into the National Museum – Architecture.

mmp-xt1b5172I had brought several blankets to keep Silje warm, in addition to a Reindeer skin I planned for her to sit on while we were photographing Biondo scarf and a short jacket. Below you can see how that worked out. As for keeping her warm, I made sure we started with the coldest designs and then the warmer ones. But we all got cold and had a warm lunch at 12.30 inside at Grosch Bistro. I had spoken to the manager to let her know that we would be a bit in and out during the day, ordered fruit and drinks for us in the morning and that we would have our lunch when we needed a break.

mmp-xt1b5231After lunch we were ready for the last designs. Thanks to Silje’s experience we could speedily photograph the remaining garments in quick succession. In time before the November light turned blue and the approach of what we call the “blåtimen”/blue hour arriving after dusk around 3.30 pm. All the photos reflect the amazing day we had, and the wonderful team work! Thank you so much!

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Photoshoot at Villa Malla: Elfa

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20160601 LM Villa Malla 689I am pleased to present the magnificent professional photos of the third design for yarn kits for Hillesvåg Ullvarefabrikk. Elfa is an a-line long jacket with central cables along all parts. Tucks divide the different patterns giving a slight flair and a softer touch to the jacket. A large shawl collar crowns the garment, hence the given name Elfa – after the Norse king and warrior. The body is worked in pieces while the sleeves are worked in the round to the underarm. It is knitted in the in the lustrous pelt yarn with a mohair feel, Sølje from Hifa. Gorgeous Alexandria Eissinger – with hair and make up by Jens J. Wiker, jewelry by Kaja Gjedebo Design and boots by Monica Stålvang Shoes – shows it off so elegantly at the upper terrace of Villa Malla by the Oslo fjord brilliantly captured by Eivind Røhne. It was a sweltering day that made the fjord look more like the Mediterranean Sea. The yarn kits with the Norwegian pattern will be launched at Oslo Design Fair from 1. to 4. September. The English pattern will be test knitted in my Ravelry group in April next year before its release.

20160601 LM Villa Malla 720Elfa is knitted using 3 mm/US 4 needles with a gauge of 24 stitches and 34 rows in stocking stitch measures 10 cm/4″ square. The body is worked flat in pieces, unlike the long sleeves which are worked in the round to the armhole. The hem and the tuck are worked with 2 sets of circular needles held together. To make the bottom band and tuck to flare less choose needle size 2.5 mm/US 1.5. The number of stitches picked up for collar has been adjusted from the sample to avoid the flare.

20160601 LM Villa Malla 711The bottom band on all parts begins with a provisional cast on, which will be pulled out and replaced by an I-cord bind off at the end. The collar also ends in an I-cord bind off. The cables are the same ones chosen for the Idunn pullover. Framed by stocking stitch in the sides and divided by a tuck to the garter stitch collar and bottom band, instead of a rib, the jacket has a more feminine look to it.

20160601 LM Villa Malla 715Alexandria is wearing size S and is a clothes size European 34/UK 6/US 2. Elfa is graded from size XS to 2XL with a bust circumference of  84 to 126 cm/41 to 49.75″. The yarn kits will be available from selected yarn stores and online here: Eksklusiv Gjestedesign. The last design for Hillesvåg Ullvarefabrikk in this collection is the most popular of them all the Andor Poncho.

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Imra Pattern Released

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Imra COVERThe long vest, Imra, has been released after a test knit in my group on Ravelry. As always I am curious to see what changes the test knitters do. This time it was a question of length and closure; one chose to make a short version and another added a buttonhole at the top. You can see some of the results on the pattern page. The Norwegian pattern was first published in Familien Strikk last August, and the magazine is still available to order in print or digitally, see klikk.no. Above you see the Vest modeled by the gorgeous Anne Dorthe/Team Models with hair & make up by Sissel Fylling, fantastic jewelry by Kaja Gjedebo and brilliantly captured by Eivind Røhne at Henie Onstad Kunstsenter. Here is my intro to the pattern: Poetic cables framed by reverse stockinette stripes and double seed stitch, was my idea for this straight long vest. I named this piece after the Arabic Poet, Imra. A small round neck has the same I-cord treatment as the armhole, front, and bottom edges. Match with a pair of loose sleeves that can also be worn around the waist or one as a neck tie. To achieve popping cables two yarns were combined to make a rich colored tweed yarn. I used the bouncy Hifa Ask and Rowan Fine Tweed.

Sizes: XS (S, M, L, XL, 2XL)

Finished measurements:                                                                                                          Bust: 84 (91, 98, 106, 116, 126) cm/33 (35.75, 38.5, 41.75, 45.75, 49.5)”                            Length: 81.5 (81.5, 81.5, 84, 84, 84) cm/32 (32, 32, 33, 33, 33)”                                           Loose sleeve: Length: 49.5 cm/19.5″

Yarn: Hifa, Ask (100% wool, 100 g, 315 m/345 yds). Sample is knitted in Corn Yellow 6502. http://www.ull.no/garn/ullgarn/ask-melert                                                               Vest: 3 (3.5, 3.5, 4, 4, 4.5) skeins; 882 (954, 1025, 1120, 1216, 1323) m/965 (1043, 1121, 1225, 1330, 1447) yds.                                                                                                                  Loose Sleeves: 1 (1, 1.5, 1.5, 1.5, 1.5) skeins; 279 (313, 329, 362, 395, 428) m/305 (342, 360, 396, 432, 468) yds.                                                                                                                  Rowan, Fine Tweed (100% wool, 25 g, 90 m/98 yds). Sample is knitted in Leyburn 383. http://www.knitrowan.com/yarns/rowan-fine-tweed                                                          Vest: 10 (11, 12, 13, 14, 15) skeins; 882 (954, 1025, 1120, 1216, 1323) m/965 (1043, 1121, 1225, 1330, 1447) yds.                                                                                                                  Loose Sleeves: 4 (4, 4, 5, 5, 5) skeins; 279 (313, 329, 362, 395, 428) m/305 (342, 360, 396, 432, 468) yds.                                                                                                                        Note: Yarns are held together throughout.

Alternative yarn for Hifa, Ask: Cascade 220 Sport (100% wool, 50 g, 150 m/164 yds). http://www.cascadeyarns.com/cascade-220Sport.asp                                                   Madeline Tosh, Pashmina (75% superwash merino, 15% silk, 10% cashmere, 100 g, 329 m/360 yds). http://madelinetosh.com/pashmina/                                                  Alternative yarn for both: Brooklyn Tweed, Shelter (100% wool, 50 g, 128 m/140 yds). http://www.brooklyntweed.com/shop/shelter/                                                                Berroco, Blackstone Tweed (65% wool, 25% mohair, 10% angora, 50 g, 119 m/130 yds) http://www.berroco.com/yarns/blackstone-tweed                                                                     BC Garn, Loch Lomond (100% wool, 50 g, 155 m/169 yds)                http://garn.dk/en/wool/loch-lomond/

Needles: 4 mm/US 6 circular needle (80 cm/32″ and 40 cm/16″). 4 mm/US 6 DNPs for I-cord cast-on. Adjust needle size as neede to match gauge.

Notions: 1 m/1 yard thin round elastic for loose sleeves, cable needle, stitch markers, stitch holders, and yarn needle.

Gauge: 18 sts and 28 rows in st st and Double Seed st measures 10 cm/4″ square, blocked. 1 cable measures 8 cm/3.25″ across, blocked. 1 cable repeat measures 21.5 cm/7.5″ blocked. 28 rows in Cable measures 10 cm/4″ blocked.

Notes: The vest is worked in rows in one piece to the armhole where it is separated. Each front has a 3-sts I-cord edge that is worked at the same time as the vest. Both the narrow neckline and the armhole band has an I-cord bind off but the armhole band is worked in the round with a Double Seed stitch band. If you prefer a smaller armhole band continue working decreases. To achieve a looser bottom band, use a provisional cast-on method, and then make an I-cord bind off instead.

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