Inverness Sweater in Familien

I am proud to have the Norwegian pattern for the Inverness Sweater printed in the bimonthly magazine Familien. This issue is filled with 40 pages of knit for the whole family. The English pattern for the Inverness Sweater was first published and photographed for Interweave Knits Winter 2016, but it is now also available in my Ravelry Store and on Loveknitting. The Inverness Sweater was brilliantly captured by Eivind Røhne worn by the gorgeous Alexandria Eissinger/Nordic Model Agency with hair and makeup by Jens J. Wiker, jewellery by Kaja Gjedebo Design and skirt by Judith Bech Design, a sweltering summer day in June last year at Villa Malla.

My classic aran sweater has a becoming a-line shape with a twisted rib introducing the twisted long cables with its dividers, ray of honey and seed stitch side panels. Knitted in the round from the bottom and up with modified dropped shoulder and a round neck with a double twisted rib.

The a-line sweater is worked from the bottom and up. The body and sleeves are worked in the round up to the armhole, then flat to the final bind off. The decreases are worked in each side of the body to create an a-line shape. The Inverness Sweater is knitted in Plymouth Yarn, Galway Worsted (100% wool, 100 g, 210 yds/192 m). The sample is knitted in Natural 1 with a gauge of 20 stitches and 28 rounds measuring 10 cm/4″ square. The sweater is graded from size XS to 2XL, with a bust circumference of 88 to 128 cm/31.5 to 47.5″. Above you can see a close up of the lovely texture and the statement jewellery by Kaja Gjedebo Design. The magazine Familien is available in selected supermarkets and news agents in Norway. If you live abroad you can order the Norwegian special magazine by e-mailing kari.bachke@egmont.com and then transfer payment into their bank account.

Share

Photoshoot at Villa Malla: Inverness Sweater

20160601-lm-villa-malla-055I am pleased to finally show you the magnificent photos Eivind Røhne took of gorgeous model Alexandria Eissinger, with hair & make up by Jens J. Wiker and jewellery by Kaja Gjedebo Design, wearing the Inverness Sweater over a tulle petticoat by Judith Bech Design at Villa Malla in early June. The pattern was first published in Interweave Knits Winter 2016, last October, and the rights have now reverted to me. The English pattern will be published on Ravelry and on Loveknitting shortly, while the Norwegian pattern will be published in the magazine Familien at a later date.

20160601-lm-villa-malla-077

I decided to style the sweater with the Judith Bech’s tulle petticoat for the added drama it gives, and thought the beach was the perfect neutral back drop. I love the result and working with this amazing team. The image above is the one that stuck in my mind. We had a wonderful day, chasing the bright sun.

20160601-lm-villa-malla-086Here is my introduction to the pattern: My classic aran sweater has a becoming a-line shape with a twisted rib introducing the twisted long cables with its dividers, ray of honey and seed stitch side panels. Knitted in the round from the bottom and up with modified dropped shoulder and a round neck with a double twisted rib.

20160601-lm-villa-malla-065The sample is knitted in Plymouth Yarn Galway Worsted with 192 meters/210 yards on each 100 g skein and using a 4 mm/US 6 needle. The gauge is 20 stitches and 28 rounds in stockinette stitch. The a-line sweater is worked from the bottom and up. The body and sleeves are worked in the round up to the armhole, then flat to the final bind off.

I was so delighted to be selected to be part of the Classics issue with my Inverness Sweater, you can read more about here: www.marveng-puckett.com/wordpress/. I do hope you like both sets of photos as much as I do!

Share

Behind the Scenes: Photoshoot at Villa Malla

XT1B1541On Wednesday we had a wonderful photoshoot at Villa Malla, approximately 50 minutes south of Oslo. Yes, it was a sweltering day, reaching 30 degrees celsius in the afternoon. So not ideal for photographing woolly knitwear. But professional model Alexandria Eissinger/Nordic Model Agency flew in from Copenhagen, via train from Malmø, and admitted she preferred this to photographing swimwear in the Scandinavian climate. Photographer Eivind Røhne picked her up at Oslo S train station, while make up and hair artist Jens Johan Wiker caught a lift with my husband and myself. Jens came highly recommended by Sissel Fylling who had a full calendar. He has won Hair Stylist of the year, 3 years in a row now, so no wonder I had to promise to ask Sissel again next time.

DSCN0404We were made very welcome at Villa Malla and asked if we wanted to use the Gallery for the day. It was perfect for us and meant we did not have to camp out in the restaurant itself with all our suitcases with knitwear collection, shoes, make up & hair products and photographic equipment. So while Jens was doing Alexandria’s hair and make up base for the day we went to look for possible backdrops. There are many at Villa Malla, and we knew we had to focus on a few selected ones. Finally I was able to have a few beach photos. This has been the plan previously but the weather has not allowed for it. I had borrowed several dresses and two skirts from marvelous designer Judith Bech, but when I tried it on at home I realized that only the skirts fitted together with the knitwear. Above is one of the two pullovers I had to photograph again for my own usage; Inverness Sweater was first published in English in Interweave Knits Winter 2016.

XT1B1531Here we are testing the view of the Oslo fjord from the terrace. You could be forgiven for thinking it was somewhere by the Mediterranean Sea. It was a backdrop I wanted to use, but Eivind suggested a clever move towards the staircase instead. See the photo below and Eivind’s arm. We did spend some time waiting for the sailboat to come into view just as we waited for the sun to re-appear from behind the clouds. With several reflectors to hand and an extra above Eivind’s camera we made the hard sunlight work. Eivind nailed it, and stopped at nothing as usual; working dangerously close to the end of the pier, balancing on rocks and lying under the tables on the terrace just to mention a few…

XT1B1639Above is Michael’s photo of Alexandria wearing Kori, a fitted cable jacket, knitted by Airin Hansen, aka Teodor on Ravelry. It came out slightly bigger than I had planned, but that is because I choose the wrong chart for the cables – the one with the wider cables instead of the narrower ones. Oh, well it did make the cables totally rule over the jacket. More details on the design will come. If you recognize the jewelry, you are right. Again, I borrowed a box filled with amazing jewelry by Kaja Gjedebo Design.

DSCN0422This is before Eivind crawled under the table to take the next round of photographs, and one where Michael is holding the only reflector. For once Jens was sitting down too, because most of the time he tended to pop in and out of the photos fixing Alexandria’s hair or make up. Both Alexandria and Jens offered to work without a lunch break, but that does not work for me. So we had lunch on the terrace below in the shadow. Villa Malla’s buffet lunch is delicious and worth craving – as I did. For desert we all had to have some ice-cream, as we tried to cool down. A total of 11 garments were photographed, of those 2 have previously been photographed by Interweave Knits and 9 are new designs. 5 of those new designs including Kori and Shalana (above) will be published in Norwegian in Familien Strikk while the remaining 4 are for yarn kits for Hillesvåg Ullvarefabrikk. All the English patterns will be test knitted in my Ravelry group before they are released. I so look forward to showing you more photos but first I need to finish off the last patterns, and select photos from Eivind. It is not an easy task, I can promise you that.

Share

Interweave Knits Winter 2016 with my Inverness Sweater

FC_KNW16I am so proud to have been selected to have a design in the Classics Issue – Interweave Knits Winter 2016. My design is the Inverness Sweater – which introduces the A light in winter chapter – a classic Aran, has a becoming A-line shape. Twisted rib stitching introduces twisted long cables that are divided by ray-of-honey and moss-stitch side panels. I am delighted with the large selection of photos Harper Point Photography has taken of it, and want to show them all. Above is the cover of the magazine, now available digitally and in a few weeks time in print. My design was also chosen by editor (and a designer herself) Meghan Babin as her favorite project to my astonishment and utter delight, see the Knitting Daily newsletter here: cable-month-kick-off-interweave-knits-winter-2016.

Marveng Inverness 4

Interweave Knits/ Harper Point Photography

I found the submission call on the Interweave website for the Classics Issue intriguing. Read their description, and you will understand why: “Though we typically ask for designs that follow several different themes, in this issue we are trying something new. For the Winter issue, we want to see traditional, iconic sweaters. That is the theme. Give us your best Arans, Fair Isle pullovers, ganseys, Nordic ski sweaters, Icelandic yokes, Bohus yokes, and more. Show us rich texture and colorwork in traditional shapes: drop shoulders, underarm gussets, unshaped bodies, steeks, picked-up sleeves, circular knitting. What subtle details can you introduce to make the looks modern without totally redesigning the archetype?”.

Interweave Knits/ Harper Point Photography

Interweave Knits/ Harper Point Photography

Those were my key words and set me to work. I decided on a popular a-line shape and a modified drop shoulder and a round neck with a double neck band. The twisted cable is one of many favorites and set me off. I choose a rib with the same twisted stitches, a border dividing the different patterns including the moss stitch panels in the side. A number of swatches later I was delighted with my combination of the dividing borders, twisted cables and ray of honey as the center panel. The design was born and a sketch with suggestions for sizes plus yarn, gauge plus needles as well as construction notes was submitted.

Interweave Knits/ Harper Point Photography

Interweave Knits/ Harper Point Photography

This pullover is worked from the bottom and up with modified drop shoulder. The body and sleeves are worked in the round up to the armhole, then flat to final bind off. There is one cable on each side of the center Ray of Honey panel on the body but only one centered cable without the Ray of Honey panel on each sleeve. The decreases are worked in each side of the body for the a-line shape. The neckband is double in a Twisted Rib and also worked in the round.

Interweave Knits/ Harper Point Photography

Interweave Knits/ Harper Point Photography

The previous editor, Lisa Shroyer, e-mailed me with the wonderful news that my design was accepted and suggested using Plymouth Yarn Galway Worsted. I had no objections to that at all and was keen to try out this yarn, new to me. Like me, Lisa suggested the shade natural, keeping it classic.

Interweave Knits/ Harper Point Photography

Interweave Knits/ Harper Point Photography

I choose to knit it using a 4 mm/US 6 to obtain a tight gauge and maximum stitch definition, even though a lot of knitters would choose a larger size with the Aran/Worsted yarn. During knitting, I must admit I wished I had opted for a larger needle but then I did love the result when it was finished. As usual I could have made the sleeves longer but then I have no standard sized arms but extra long ones, just as the model in the photographs.

Interweave Knits/ Harper Point Photography

Interweave Knits/ Harper Point Photography

Above is yet another photograph of the front, with a slightly different backdrop. I love the neutral backgrounds they have chosen which make the cables on the sweater stand out even more. When you see the large selection of photos they have chosen you understand how difficult it is to choose only a few out of so many excellent photographs you usually have after a photo shoot.

Interweave Knits/ Harper Point Photography

Interweave Knits/ Harper Point Photography

Here are the last two landscape format photos. The one above creating interesting lines as a contrast to the ones on the sweater.

Interweave Knits/ Harper Point Photography

Interweave Knits/ Harper Point Photography

A close up shows the neckline and the different stitch patterns clearly. I do also think this sensual look draws you in, and capture the essence of the sweater so well. Now, I am looking forward to seeing a few knitters make their own version of my Inverness Sweater from Interweave Knits Winter 2016.

Share