Behind the Scenes: Photoshoot at Oslofjord Museum

Monday morning was cold with grey skies when model Emma Ross, Michael and I set off from our house in Ørje, driving to Vollen, Asker for the photoshoot at the Oslofjord Museum. We were early but photographer Eivind Røhne had already arrived and so had the second model I had booked for the day, multi talented Kaja Kvernbakken. Kaja is also a designer herself in addition to a novelist, translator and former book editor at Cappelen Damm. This time I had thirteen garments plus accessories to photograph hence I thought a second model would be essential. Some of these designs are secret so you will not see these photos until late this autumn. Fortunately, Kaja was available to model that day. Below you see me talking to Kaja, as I am planning the jewellery borrowed from Kaja Gjedebo Design. I am wearing my Brewster Cardigan first published in knit.wear Wool Studio Vol. I.

Our base was the lecture hall at the Oslofjord Museum, where we had plenty of space. I began by hanging all the garments to photograph including the clothes to wear beneath, then unpacking the shoes, assisted by both Em and Kaja before makeup & hair artist Sissel Fylling arrived. When that was done, Eivind and I walk around in the area and found five different backdrops. Above is the last one we picked. In the meantime, Sissel arrived and we updated her on our plan as well as on the colours of my designs. We decided that both models should have their hair up due to the many collars and cowls, plus extra makeup around the eyes. Below you see her styling Em’s hair.

We began photographing the series of new designs for Hillesvåg Ullvarefabrikkull, next to a small black wooden building, one of the museum buildings. The colour of the building matched the designs perfectly. I wanted one photo of the models together since I have a jacket and a pullover with same cable, so that was the first shoots that Eivind did. Below you see us finishing off that first series, just before we moved to the second location, the corten wall outside along the museum.

After photographing half of the second series, we decided to break for lunch. It was noon and we all had an early start. Just as at the Vigeland Museum, I had ordered catering from Eckers at Frogner in Oslo. The food and smoothies had arrived even before we did so our contact person Anita had taken those in for us. I have taken even less photos than I usually do, since my hands were full (read: with knitted accessories, belts and shoes). Michael was assisting Eivind with the reflector at times, hence he did not photograph all the designs.

I wanted to show this photo of Eivind in action, photographing Kaja. He was alternating between his two cameras and had both hanging from his camera belt when they were not in use. At this point we were just in front of Anita’s office window. Luckily, she was in a meeting and not sitting at her desk while we were outside. Kaja has a large shoe size but managed to squeeze into my red shoes, below worn together with the O-Chem Tunic published in Interweave Knits Winter 2019. The design was returned to me from the US a few months back, hence needs new photos before I can release it after one year. Sissel is fantastic on hair & makeup styling and does her magic all the time. As a former model she is also very quick to spot and correct any flaws. I imagined her giving Kaja a spell – not that she needed it – but take a look at Sissel’s hand movements!

Designer and author Tove Fevang, who lives near by, popped down to say hello so we had a quick chat before we continued to our last backdrop and photographed the last designs, all in much shorter time than I had anticipated!

Michael made a behind the scenes video which will be available for all my patrons on Patreon only, after he has edited it. While Eivind used his drone to make a video, and below you can see him instructing Em. The drone video will also only be available for all my patrons. So if you are interested in learning more about my life as a designer and want to support me, choose your level based on the rewards here: www.patreon.com/lindamarveng.

We had a fun day and it was a magnificent photoshoot! Thanks to my brilliant team! I look forward to showing you the new designs – I still need to finish off those patterns – as well as selecting from Eivind’s photos!

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Wool Studio Book

I was so pleasantly surprised to discover my Wool Studio design – Brewster Cardigan – in a printed book, called Wool Studio: The knit.wear Capsule Collection by Meghan Babin, published by Interweave Press, on Instagram. I was tagged and instantly recognised the design and was thrilled to see images from the printed book. Two days later it was delivered to me, sent by Interweave Press. Meghan Babin is the editor of the digital look-book series Wool Studio and now the printed book, as well as two other magazines: knit.wear and Interweave Knits. The hardcover book contains 21 designs and is photographed by Harper Point Photography. Wool Studio …”is a capsule-collection series for the modern woman featuring sophisticated, simple, and luxurious knitwear” writes Meghan in the introduction. On the cover is the beautiful Pismo Beach Pullover by Amanda Scheuzger.

“The knitwear design in this collection is nothing short of stellar. We have been overwhelmed by the skill, thoughtfulness, and care that each designer poured into her work. It has been a thrill to work on these collections with Bristol Ivy, Emma Welford, Mary Anne Benedetto, Linda Marveng, Amy Gunderson, Sarah Solomon, Véronik Avery, Norah Gaughan, Kate Gagnon Osborn, Lana Jois, Amanda Bell, Andrea Babb, Susana IC, Kephren Pritchett, Grace Akhrem, and Amanda Scheuzeger. Wool Studio would not be what it is without each of their contributions”. Meghan continues in the introduction. I am so thrilled by the designer company I am in and the release of this printed book, in addition to the digital version of Wool Studio. Above you can see the designers’ pages, with a stunning photo of the Monterey Tee by Kate Gagnon Osborn.

My Brewster Cardigan is on page 63, and introduced as follows: “Alluring cables and a draped loop cowl create the unusual but captivating silhouette of the Brewster Cardigan. The generous loop cowl can double as pockets, or the extension can be omitted entirely! Either way, the stunning cables and comfortable fit will make this cardigan a favorite for years to come”.

The cardigan is knitted in Valley Yarns Northfield made of 70% merino wool, 20% baby alpaca, 10% silk, with 113 meters/124 yards per each 50 gram ball, using a 4 mm/US 6 needle and a gauge of 22 stitches and 30 rows in stocking stitch per 10 cm/4″ square. The finished size has a 89 (96.5, 101.5, 112, 120.5, 136) cm/35 (38, 40, 44, 47.5, 53.5)” bust circumference. The cardigan shown measures 101.5 cm/40″ and is modelled with 15 cm/6″ of positive ease. For more details see the pattern page here: Brewster Cardigan.

So for the first time, I have a pattern in a US printed book. Thank you Interweave Press and editor Meghan Babin for making this possible! You can find the book in selected yarn and books stores, as well as online here: Interweave Store and Amazon (where you can look inside).

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Familien Strikk March 2018

I am delighted to have two designs in the latest special magazine called Familien Strikk, a Norwegian magazine. The magazine has an incredible 124 designs for women, men, children, babies and the house. Both my designs have been published earlier, Brewster Cardigan in the webzine Wool Studio 2016, by the editors of knit.wear and Bowery Tunic in knit.wear Spring/Summer 2017 issue.

Here is my first page, introducing the Brewster Cardigan with photos taken by Eivind Røhne of the gorgeous model Emma Ross with hair & makeup by Sissel Fylling and jewellery by Kaja Gjedebo Design. Brewster Cardigan is knitted in the soft Valley Yarns, Northfield using a 4 mm/US 6 needle and is available in sizes XS to 2XL. The English pattern is available in the Wool Studio 2016 webzine but also as a single download from my Ravelry store.

Here is the second page with the Bowery Tunic. Both garments where photographed at Bøler Church in Oslo. The Bowery Tunic is knitted in the divine hand dyed Madeline Tosh DK using 4 mm/US 6 needles and available in sizes XS to 2XL. The English pattern is available in the knit.wear Spring/Summer 2017 issue and will be available in my Ravelry store soon. The Familien Strikk magazine is available at selected news agents and super markets. If you are in Norway you can also order it by SMS just write “Strikk18” in addition to your name & address to 2205 or buy a digital version for iPad, see www.klikk.no. If you live abroad you can order the Norwegian special magazine by e-mailing kari.bachke@egmont.com and then transfer payment into their bank account.

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Photoshoot at Bøler Church: Brewster Cardigan

The time has come to show you the marvellous photos we took at the photoshoot at Bøler Kirke/Church in Oslo last October. The first series of photos out are of the Brewster Cardigan. We started photographing outside in the courtyard next to the chapel due to the  funeral in the main church hall, so we would be out of sight as agreed with the parish priest Dag Auli who unlocked all doors and gave us close to unlimited access to the church.  The next backdrop we choose was the entrance to the church hall with its high ceilings, half concrete walls and large windows, by HBA Architects. Above is the gorgeous Emma Ross, with hair & makeup by Sissel Fylling and jewellery by Kaja Gjedebo Design, wearing Brewster Cardigan captured by Eivind Røhne. It is one of my favourite shots from the photoshoot.

I chose to style the cardigan with black pencil trousers and those magnificent sculptural high heels by Danish designer Camilla Skovgaard. The Brewster Cardigan was initially made for Wool Studio 2016 an off-spring of the knit.wear magazine and published in December 2016. The pattern rights reverted to me in December 2017, hence I needed to take new photos for the release of the pattern in my Ravelry Store.

Reversible sand cables, adorn the generous loop cowl as well as the center of the back and the sleeves of this straight cardigan. The draped loop cowl creates the unusual captivating silhouette. A fake garter stitch seam adds a bit of structure to this cardigan. The loop cowl can be worn loose, folded once behind the neck or twice in front or three times around the neck in a ballerina style.

The cardigan is knitted in Valley Yarns Northfield (70% Merino, 20% Baby Alpaca, 10% Silk, 50 gram, 113 meters/124 yards). Sample is knitted in Haze 14. Cardigan shown measures 96.5 cm/40″; modeled with 15.5 cm/6″ of positive ease. It is available in sizes XS to 2XL with a bust circumference of 89 to 136 cm/35 to 53.5″.

Brewster Cardigan is knitted by me using 4 mm/US 6 needles with a gauge of 22 stitches and 30 rows in stocking stitch measuring 10 cm/4″ square.

Above you see the cowl worn three times around the neck, pulling the cardigan together into a ballerina wrap style. The body is worked back and forth in one piece to the armholes and then the fronts and back are worked separately. The sleeves are worked in the round, with the sleeve cap worked flat. The loop cowl is worked in two parts, with 3 pattern repeats, and is joined with a 3-needle bind off at one end and a mattress stitch seam at the other after it has been attached around the opening with extra length hanging loose.

Emma’s wonderful hair adds a splash of colour to these grey tone photos. The English pattern is available on Ravelry and on Loveknitting while the Norwegian pattern will be published in the special issue Familien Strikk magazine out in March. Thank you to my team including Sissel’s assistant Nora and my husband – always working in the background – for making these wonderful photos!

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Brewster Cardigan Again

I wanted to show you how the Brewster Cardigan, published in Wool Studio 2016, looks on me and the different ways you can wear the loop. My husband photographed me wearing it at Ormøya by the Bunnefjord just before I sent it off to Interweave, back in July. The English pattern is available in the digital pattern collection; Wool Studio 2016 by the knit.wear editors. Above I am wearing the loop hanging around my neck once.

Here in this picture, the loop is crossed at the front. The Brewster Cardigan is knitted in Valley Yarns Northfield using a 4 mm/US 6 with a gauge of 22 stitches and 30 rows measuring 10 cm/4″ square. The lush yarn is a mixture made of 70% merino wool, 20% baby alpaca, 10% silk with 113 meters/124 yards on each 50 gram ball, and has a divine stitch definition.

The third way of wearing it is with the loop crossed and twice around the neck, so that it pulls in the whole cardigan. The cardigan is worked back and forth in one piece to the armholes, and then the fronts and back are worked separately. The sleeves are worked in the round, with the sleeve cap worked flat. The loop collar is made in two pieces and joined using a three-needle bind off.  There are no cables on the fronts, since the wide loop collar is made of the several cable repeats with garter edges and attached along each front with the extra loop hanging loose.

This side view shows the faux side seam and the garter stitch edging, as well as the cable panel on the sleeve. Here is the introduction to the cardigan from the webzine: “Alluring cables and a draped loop cowl create the unusual but captivating silhouette of the Brewster Cardigan. The generous loop cowl can double as pockets, or the extension can be omitted entirely! Either way, the stunning cables and comfortable fit will make this cardigan a favorite for years to come.”

The sand cables cover most of the back. They give a lovely texture to the back just as the loop does to the front. I am wearing the sample which is the third of six sizes and it measures 101.5 cm/40″ around the bust and is modelled with 10 cm/4″ of positive ease on me. Recommended ease is around 5 cm/2″.  The smallest size measures 89 cm/35″ and the largest measures 136 cm/53.5″. If you have not had a look at Wool Studio 2016, I recommend you do. It is: “a capsule collection for the modern knitter. Wool Studio is a digital lookbook featuring clean, accessible knitwear designs for every woman”.

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Wool Studio 2016 with My Design

Interweave Knits and knit.wear editor Meghan Babin sent me an invitation to submit to their new special collection for knit.wear, called Wool Studio 2016, back in March. I was delighted to have this extra opportunity to submit. The result: “Wool Studio is a digital lookbook featuring clean, accessible knitwear designs for every woman.” We are 9 contributing designers, and it is an impressive list: Norah Gaughan, Bristol Ivy, Kate Gagnon Osborn, Sarah SalamonAmanda Scheuzger, Mary Anne Benedetto, Amanda Bell, Emma Welford and myself. On the stunning cover is Truro Pullover by Amanda Scheuzger. My submission was accepted and here it is, beautifully captured by Harper Point Photography; the Brewster Cardigan.

Interweave / Harper Point Photography

Here is the introduction to the cardigan from the webzine: “Alluring cables and a draped loop cowl create the unusual but captivating silhouette of the Brewster Cardigan. The generous loop cowl can double as pockets, or the extension can be omitted entirely! Either way, the stunning cables and comfortable fit will make this cardigan a favorite for years to come.”

Interweave / Harper Point Photography

The Brewster Cardigan is knitted in Valley Yarns Northfield using a 4 mm/US 6 with a gauge of 22 stitches and 30 rows measuring 10 cm/4″ square. The lush yarn is a mixture made of 70% merino wool, 20% baby alpaca, 10% silk with 113 meters/124 yards on each 50 gram ball, and has a divine stitch definition.

Interweave / Harper Point Photography

The cardigan is worked back and forth in one piece to the armholes, and then the fronts and back are worked separately. The sleeves are worked in the round, with the sleeve cap worked flat. The loop collar is made in two pieces and joined using a three-needle bind off.  There are no cables on the fronts, since the wide loop collar is made of the several cable repeats with garter edges and attached along each front with the extra loop hanging loose. In these photos you see the loop collar hanging around the neck once, but it is also possible to hang it twice hence pull the cardigan together or cross the loop at the front for a different look. I will show you these options in the photos my husband took of me in a later blogpost.

Interweave / Harper Point Photography

The sample shown is the third of six sizes and it measures 101.5 cm/40″ around the bust and is modelled with 6″ of positive ease. The smallest size measures 89 cm/35″ and the largest measures 136 cm/53.5″. If you do not like the loop collar you could easily just make it long enough to fit along the opening. Do take a look at the clean and crisp collection that Wool Studio 2016 is.  I am so proud to be part of it! Thank you Interweave!

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