Strikkehelgen in Stavanger 2018

Last weekend I was back in Stavanger for the Knitting Weekend, organised by Strikk og Drikk/Knit and Drink! The autumn weather could not have been any better, crisp with hardly a cloud on the sky. Just as last year I had asked if I could stay with my friend Mary-Ann Astrup so that we could catch up. Her house in the city centre is also better than any of the hotels, in my opinion. Two of my four workshops were overbooked, but I was given the best conference room at the Clarion Hotel Stavanger, the Board Room on the 14th floor with a magnificent view, and comfortable leather chairs. During the weekend I met knitters I knew but also new knitters.

One of my test knitters Tone Cecilie, who was teaching Cable Knitting for Beginners, while I was teaching Cable Knitting Masterclass, had her workshop in between my Finishing and Masterclass. In the dark photo above you see her clearing the table, and you get an idea of the view we had with the table seating 20 people.

Here is a view from one of the many windows towards the harbour.

Here is the next in the series.

I am sure you want to see more from the Knitting Weekend, so here is the small knitting café area, next to the Market Hall at the basement of the hotel. On Saturday, between my workshops I held a one hour knitting clinic. I answered questions on my own designs but also on general knitting issues, like how to count the number of decreases you have made.

Inside the Market Hall there were another knitting café area and on the stage, there are some of Sidsel Høivik’s designs exhibited. I briefly spoke to Sidsel and also to Nancy Marchant on Friday evening, after my first workshop before I headed back to Mary-Ann’s house.

I was intrigued to see these hand-dyed yarn with a tweed effect from Spøtegarn and check out the cutest assistant ever, below. After the second workshop and the knitting clinic I had two hours before the next workshop, so I had time for a quick look as well as lunch.

There were so many temptations and so much lovely yarn on offer. I only bought and issue of the Laine magazine and was very pleased with myself. As usual there was a knitting party on Saturday night, but I knew I would need charging after my hectic day and in preparation for my last workshop followed by a talk.

My first workshop was on Friday night, on Tucks. I covered how I make them with two circular needles held together and how you can make different variations (see my video – and start at around 7 minutes, 45 seconds in on YouTube). Here is Gry Knudsen wearing her Yellow Gold Pullover. It is in three colours, because she did not have enough of one for the whole pullover in her stash. I love this trendy stripy version of it. The program for the knitting weekend was filled to the brim and on offer were these activities: Beer tasting for knitters, trip to Sandnes Garn (yarn producer), late night knitting, knitting bingo, living audio book – knit & listen and knitting cinema. Here is a link to the program: strikkogdrikk.org/strikkehelg-2018/program. It was impossible as a knitter to get bored here! I had a fabulous time in Stavanger.

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Postcard from Røros

Visiting Røros felt like travelling back in time to a different century and yet, people were living in nearly all of these old wooden houses dating back to the 17th century. Røros mining town was founded in 1644, built entirely of wood (one of the oldest towns of wooden buildings in Europe) and that makes it unique. Due to its authentic wooden buildings and unique character of an early mining town, Røros was added to the UNESCO World Heritage List in 1980.  There are about 2000 wooden houses in Røros today, most of them are still habitable but have been through rigorous refurbishment. Røros is known for its old copper mines; exploited for nearly 333 years until 1977. The slag heaps are distinct landmarks just as the church.

There are only two main streets and both are parallel to each other. Michael is standing in front of the Røros Museum taking this photo of me.

All the wooden buildings are either one or two floors high. All the signage for the shops were in old fashioned style and in a size that fitted the building. Among the shops on the main streets there are very few chains present. I only spotted one, and that was Jernia, a hardware store. There are only about 5 000 people who live in Røros today, but the number of tourists are over whelming at times.

Michael has taken most of these photos, but here is one I have taken of Michael walking down towards the museum with the slag heaps at the back of the photo.

The Røros Museum is to the right. We were on our way up to the slag heap.

Røros is also know for its cultural calendar, and several people we spoke to had fond memories of the play that take place on top of the slag heap at sunset during the summer, With the darkness comes a star light sky adding magic to the scene.

I was fascinated by this charming building with its signage. While walking around in Røros it dawned on me that several children television series made for the Norwegian television was set here and not at a made up stage set.

These are some of the oldest houses that are not in use today. While there were people living in the yellow house and across the street. Flying in to Røros we also noticed a mixture of houses, farms and a large number of cottages on the outskirts of the mining town.

Here is the entrance to one of the many coffee shops. Each one seemed to offer its own style and menu.

Each side street seemed to offer an equally charming view.

Røros Church does look small from a distance, but it does have 3 floors and not only a tall bell tower with a 50 meter tall spire. The church called ‘Bergstadens Ziir’ meaning ‘Mining Town Adornment’, is paid for by the Røros copper work. The church is actually the 5th largest church in Norway since it had 1600 seats when it was inaugurated. The church was built in the period 1780-1784 and restored in 2008-2010. It is made in stonework but has a wooden roof and interior. You do pay a small fee to enter, but I enjoyed walking around there and not only seeing the inside during a Christmas Carol concert on television. Take a look inside with a 360 degrees view of the Røros Church and see Røros from the air here: YouTube.

Røros has harsh winters, with a lot of snow. Even as a child I was fascinated by the photos of the houses surround by heavy white snow. We did not have time to explore all the hiking possibilities in the area, but could see some of the tracks from the hotel. We were advised to visit next time during the winter to see even more spectacular views. It was a trip to remember. Røros is worth a visit!

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Strikkeweekend at Røros

Røros, is one of the places in Norway, I have wanted to visit for quite a long time, so I was very excited when Marit Larsen founder of Explore Travel asked if I would be interested in holding workshops and talks at a Knitting Weekend with the Norwegian magazine ‘Hjemmet’ at Røros in October. Indeed, I was. Røros is is one of the oldest towns of wooden buildings in Europe, founded in 1644. Due to its authentic wooden buildings and unique character of an early mining town, Røros was added to the UNESCO World Heritage List in 1980. Of course, Michael wanted to come too and that was ideal since he could my technical support, in addition to photographer and roadie. I wanted to travel the quickest route and that was by plane; a very small Dash-8-100 with only 39 seats operated by Widerøe; a wind-up plane according to Michael. It did feel like flying in slow motion and the propeller located at each wing was ever so noisy. The airport is in walking distance to the city center, but Marit did pick us up from the arrival hall, where there were no baggage belts at all.

My first talk on Friday evening was a presentation of my knitting career to all 110 attendees at Bergstadens Hotel. The top photo is the cosy reception area, which turned into a knitting café during our stay. Those that could not find a seat, conveniently choose the bar next door. Michael and I went for a quick walk after dinner, but on our return, I checked out what the women had on their needles, while I was wearing my Ena. There were a few of my designs around, I was ever so pleased to see!

After my talk, I answered questions while the knitters could take a closer look on a selection of my designs, I had brought. For the occassion I had prepared two new talks and got to test; ‘Digital Knitting’ on Saturday evening and the last ‘The Knitting Clinic’ on Sunday afternoon. Some knitters had traveled far, from the north; Bodø and from the south; Tjøme. Most had arrived by the knitting train; one scheduled from Oslo and one from Trondheim, while the remaining ones had driven.

The breakfast was fantastic, not only where there locally made food but everything you could desire. Above is just one of several buffets. Included in our stay was a full board, so we ate extremely well while we were there.

My program was holding two workshops on Saturday and one on Sunday. The first one was cable knitting for beginners, the second one a cable knitting masterclass and the last one was a perfect fit workshop. Yes, I am wearing my Embrae. These two photos are from my final workshop and taken by Vigdis Winge, the handcraft editor at Hjemmet. You can see her sipping coffee in the second photo from the top. Vigdis organised a quiz during the first dinner on Friday night and each person at the winning table, received a generous selection of magazines.

I am demonstrating my favourite way of joining seams; using a crochet hook and slip stitches. There were a couple of spaces available on my first workshop, but the other two were fully booked. The spaces on the Knitting Weekend were all taken, and there was a waiting list. Back at Røros airport, we discovered that the security gate was a combined check in desk as well. When all the 39 passengers where there, some had to stand next to the self-help ice cream counter with a honesty box on top. The flight was an adventure in itself. I met so many nice knitters and had a fabulous weekend! Both Michael and I took a lot of photos, so I will make a second post with photos from Røros.

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Vaga Knitted by Nivine

I know you have seen several versions of Vaga already, but it was such a thrill to see so many gorgeous versions appear on Ravelry during the test knitting, so I have to show you a few more. Meet Nivine, who lives in Georgia in the US. She made size Medium in one of her favourite colours – described as sunset on her profil page – Pollen in the gorgeous hand dyed Hedgehog Fibres Merino DK using 4.5 mm/US 7 needles. Nivine added another repeat to the pattern on the body to make it a bit longer. I love the colour and fit on her. This is what she writes on her project page: “Love, love this so well written pattern and the fit is perfect!”.

This is the stunning front of Nivine’s Vaga. Thank you so much for test knitting for me!

Here is my introduction to Vaga: Named after the Celtic Goddess of the River Wye is this pullover with cables that runs over the body and sleeves. A saddle shoulder allows the swing cable to continue to the neck with its twisted rib ending. The pullover is slightly shaped for the waist and knitted in the gorgeous The Fibre Co. Cumbria Worsted.

The English pattern is available on Ravelry and Loveknitting, while the Norwegian pattern has been published in the special magazine called “Høststrikk” published by Familien, on sale now.

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Vaga Knitted by Barbara and Dagmar

Meet Barbara and her mother Dagmar, both have test knitted Vaga for me. Both choose finer yarns and added one or two repeats of the center Herringbone cable. Barbara knitted hers in Artesano Definition in the shade Denim (a discontinued yarn), while her mother worked hers in a thinner version of the original yarn used in the sample: The Fibre Co. Cumbria Fingering in Buttermere. Both worked size 2XL due to their finer gauge. Yes, you are right, Barbara has been on my blog previously, wearing her Melva, photographed at Edinburgh Yarn Festival. In fact, Barbara has test knitted many of my designs. I have been fortunate to meet both Barbara and Dagmar in Vienna, during the Vienna Wool & Design Festival back in April 2017. Barbara, unlike most other knitters, was born with only one hand. So both her knitting technique and her knitting skills are impressive. Her former Ravelry name, before she began to share the account with her mother, was “one-hand-wonder” and indeed she is! Now, you can find them both as Klemens1.

I love these happy photos taken of Barbara and Dagmar! Both sweaters are gorgeous in their colour choice and fit! Thank you so much for test knitting for me!

Here is my introduction to Vaga: Named after the Celtic Goddess of the River Wye is this pullover with cables that runs over the body and sleeves. A saddle shoulder allows the swing cable to continue to the neck with its twisted rib ending. The pullover is slightly shaped for the waist and knitted in the gorgeous The Fibre Co. Cumbria Worsted.

The English pattern is available on Ravelry and Loveknitting, while the Norwegian pattern has been published in the special magazine called “Høststrikk” published by Familien, on sale now.

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Cablewing Accessories in Hjemmet 41/2018

I am thrilled to let you know that I have my Cablewing Accessories pattern in the Norwegian weekly magazine: “Hjemmet”. They have a special extra magazine with small knits; hats, mittens, socks and scarfs, see the cover above. The editor for handicrafts contacted me and wondered if I had a pattern that would fit in, and I certainly did even though it is not a new pattern. The timing is perfect as I will meet the editor Vigdis next weekend at the “Strikkehelg”/Knitting Weekend at Røros, organised by Explore Travel for the magazine, see below. Alexandria Eissinger is wearing my Cablewing Accessories with makeup & hair by Jens J. Wiker and jewellery by Kaja Gjedebo Design, all brilliantly captured by Eivind Røhne at Ingierstrand Bad.

Cablewings surrounded by lace gives these accessories a flowery expression. They coordinate with the Cablewing Sweater; for a wonderfully regal look pair the wrap with the sweater. It is warm, practical but also decorative. All accessories are knitted in a pure wool with bounce, Embla from Hifa. I chose an irresistible purple-pink shade, well suited for the stitch pattern, for the cowl and the wristwarmers. The English pattern is available at Ravelry and at Loveknitting.

 The Knitting Weekend is fully booked with 104 women from all over Norway. I am holding talks & workshops and look forward to visiting Røros for the first time. If you have not heard about Røros I can tell you that it is one of the oldest towns of wooden buildings in Europe, founded in 1644. Due to its authentic wooden buildings and unique character of an early mining town, Røros was added to the UNESCO World Heritage List in 1980.

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Vaga Pattern Published

Finally, I have released the English pattern of Vaga. The test knit is completed and there are so many stunning versions of it to look at on the pattern page. My test knitters have done an excellent job improving and correcting the pattern. Barbara Khouri did the final technical edit of the pattern and made the schematic for me. Vaga was modelled by the gorgeous Emma Ross with hair & make up by Sissel Fylling in addition to jewellery by Kaja Gjedebo Design, and brilliantly captured by photographer Eivind Røhne at Villa Malla, late in May. The English pattern is available at Ravelry and Loveknitting, while the Norwegian pattern is printed in the special magazine Familien Høststrikk, on sale now.

Named after the Celtic Goddess of the River Wye is this pullover with cables that runs over the body and sleeves. A saddle shoulder allows the swing cable to continue to the neck with its twisted rib ending. The pullover is slightly shaped for the waist and knitted in the gorgeous The Fibre Co. Cumbria.

Sizes: XS (S, M, L, XL, 2XL)

Finished Measurements:
Bust: 84 (92, 100, 106, 116, 126) cm/33 (36.25, 39.25, 41.75, 45.75, 49.5)“
Waist: 78 (86, 94, 100, 110, 120) cm/30.75 (33.75, 37, 39.25, 43.25, 47.25)”
Hip: 84 (92, 100, 106, 116, 126) cm/33 (36.25, 39.25, 41.75, 45.75, 49.5)“
Length: 61 (62, 63, 64, 65, 66) cm/24 (24.5, 24.75, 25.25, 25.5, 26)”
Sleeve length: 49 (50, 50, 51, 51, 52) cm/19.25 (19.75, 19.75, 20, 20, 20.50)“

Yarn: The Fibre Company, Cumbria Worsted (60% merino wool, 30% brown masham wool, 10% mohair, 100 g, 218 m/238 yds). Sample is knitted in Yew Tree:
5 (6, 6, 7, 7, 8) skeins: 1002 (1112, 1221, 1310, 1450, 1592) m/1096 (1216, 1335, 1433, 1586, 1741) yds.
https://www.thefibreco.com/product/cumbria/

Needles: 4 mm/US 6 straight needles.
4 mm/US 6 circular needle (40 cm/16”) for neckband.
Adjust needle size as needed to match gauge.

Notions: Stitch markers, stitch holders, cable needle and yarn needle.

Gauge: 20 sts and 28 rows in st st measures 10 cm/4” square.
20 sts and 28 rows in Seed st measures 10 cm/4” square.
32-sts Herringbone cable measures 14 cm/5.5” wide.
10-sts Right/Left cable swing measures 4 cm/1.5” wide.

Notes: The pullover is worked back and forth in separate pieces and seamed. The neck band is worked in the round, folded and seamed to the wrong side.

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Sirona Knitted by Siret

I was so thrilled when Siret, aka kollane on Ravelry, chose to use Hillesvåg Ullvarefabrikk, Tinde in the gorgeous Blue Turquoise shade for her test knit version of my Sirona. Siret wanted to test the yarn since it is one that I use a lot in my designs. However, the Sirona sample was made in The Fibre Co. Cumbria, another brilliant yarn and favourite of mine. Siret made size large, so it would be a bit oversized and her daughter (a size small) would accept modelling in it. As you can see it suits her so well! The only modification she made was unintentially making it longer as Siret measured from the beginning of the pattern instead of the cast-on edge. These photos of her daughter are taken with an iPhone, close to her home in Estonia, on an island called Saaremaa. Thank you so much, Siret for test knitting and for taking these beautiful photos!

The pullover is worked back and forth in pieces and seamed. The neckband is worked in the round. Stitches are picked up and knitted from the first round of the neckband for the I-cord bind off decoration.

Sirona is Celtic for Star Goddess, the name for this fitted pullover with an intricate central cable surrounded with smaller cables and double seed stitch. The round neckline needed a crown and was given an I-cord bind off decoration. Sirona is knitted in pieces in the divine The Fibre Co. Cumbria. The pattern is available in sizes XS to 2XL with a bust/hip circumference of 86 to 126 cm/33.75 to 49.5″ and a waist circumference of 76 to 116 cm/30 to 41.75″. The English pattern is available on Ravelry and on Loveknitting, while the Norwegian pattern has been published in the special magazine Familien Høststrikk, on sale now.

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Sirona Pattern Published

I am thrilled to let you know that I have released the English version of my pattern Sirona after a completed test knit. I would like to thank my amazing test knitter for correcting and improving the pattern. You can see a number of their wonderful versions on Ravelry. Barbara Khouri made the schematic and tech edited the pattern for me. I am very grateful to designer Norah Gaughan – whom I met at Strik Bornholm in 2014 – for her assistance in finding a new technical editor. Now, we share the same technical editor, I am proud to say. In the photo above is the gorgeous Emma Ross with hair & makeup by Sissel Fylling and jewellery by Kaja Gjedebo Design, all captured by photographer Eivind Røhne at Villa Malla in late May. The English pattern is available at Ravelry and Loveknitting, while the Norwegian pattern is printed in the special magazine Familien Høststrikk, on sale now.

Sirona is Celtic for Star Goddess, the name for this fitted pullover with an intricate central cable surrounded with smaller cables and double seed stitch. The round neckline needed a crown and was given an I-cord bind off decoration. Sirona is knitted in pieces in the divine The Fibre Co. Cumbria.

Sizes: XS (S, M, L, XL, 2XL)

Finished Measurements:
Bust/hip: 86 (92, 100, 106, 116, 126) cm/33.75 (36.25, 39.25, 41.75, 45.75, 49.5)“
Waist: 76 (82, 90, 96, 106, 116) cm/30 (32.25, 35.5, 37.75, 41.75)”
Length: 61 (62, 63, 64, 65, 66) cm/24 (24.5, 24.75, 25.25, 25.5, 26)“
Sleeve length: 49 (50, 50, 51, 51, 52) cm/19.25 (19.75, 19.75, 20, 20, 20.50)”

Yarn: The Fibre Company, Cumbria Worsted (60% Merino Wool, 30% Brown Masham Wool, 10% Mohair, 100 g, 218 m/238 yds). Sample is knitted in St. Bees Beach:
5 (6, 6, 7, 7, 8) skeins: 1026 (1112, 1226, 1312, 1454, 1596) m/1122 (1216, 1341, 1435, 1590, 1745) yds.
https://www.thefibreco.com/product/cumbria/

Needles: 3.5 mm/US 4 straight needles for rib.
3.5 mm/US 4 circular needle (40 cm/16”) for neckband.
4 mm/US 6 straight needles.
Adjust needle size as needed to match gauge.

Notions: Stitch markers, stitch holders, cable needle and yarn needle.

Gauge: 20 sts and 28 rows in st st using 4 mm/US 6 measures 10 cm/4” square.
20 sts and 28 rows in Double seed st using 4 mm/US 6 measures 10 cm/4” square.
28-sts cable using 4 mm/US 6 measures 11 cm/4.25” wide.
8-sts cable using 4 mm/US 6 measures 3.5 cm/1.5” wide.
4-sts Right/Left small cable using 4 mm/US 6 measures 2 cm/0.75” wide.

Notes: The pullover is worked back and forth in pieces and seamed. The neckband is worked in the round. Stitches are picked up and knitted from the first round of the neckband for the I-cord bind off decoration.

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