Interweave’s magazine knit.wear Spring/Summer-2016 is now released digitally and I have design in this for the first time! The magazine is a re-premiere issue, as it has taken back its old name, instead of using knit.purl. I am delighted to have my design submission accepted in this fashion forward magazine. The theme I choose was initially called Film Noir Ballet but has been changed to Odile & Odette in the magazine. Editor Meghan Babin described it as follows: “1940’s drama and intrigue. Pulp fiction ingenues. Urban spaces. Body-conscious silhouettes and singular design elements. The set-in sleeve and tailored waist give way to low-backs and floaty fabrics, styled with tights and ballet flats and the unexpected leather jacket. Explode one element of a vintage sweater and go over the top—an outrageous intarsia flower on a cream mohair pullover; a plunging back; an exaggerated puffed sleeve cap, a profusion of bobbles. Subversive, beautiful, refined.” My submission with the working title Baranova Pullover was given its first name Irina Pullover. I am thrilled that the series, including my pullover, was photographed on a ballerina by Harper Point Photography.

knit.wear / Harper Point Photography

Named after the beautiful Russian ballerina Irina Baronova, is this fitted pullover with elegant cables swooning across it in panels with garter stitch dividers for shaping. Timeless, knitted in the round from the bottom up to the armholes then flat to soft square neckline and shoulders. The sleeves are also knitted in the round, long to adorn the hands and set-in. A divine sky blue color, and luscious texture was made by combining Rowan Felted Tweed with Rowan Fine Lace.

knit.wear / Harper Point Photography

Meghan suggested using Rowan Kidsilk Haze instead of Rowan Fine Lace and choose an ever more delicate color combination than I did. In Kidsilk Haze she choose a light blue called Heavenly which is held together with Rowan Felted Tweed in a whitish tweed with light blue flecks. They make the cables even more visible and make then pop. Using 1 strand of each yarn, I choose to use a 4 mm/US 6 size needle and got a gauge of 18 stitches and 30 rounds in garter stitch measuring 10 cm/4″ square. You might recognize the cables I choose, as they are the same I used for the accessories; cowl, wrist warmers and clutch called Talila. I discovered after designing Talila that I was not finished with those yet.

knit.wear / Harper Point Photography

I decided to use garter stitch as the background and make the cables into panels so that I could shape in between them. The sleeves were given a narrower panel than the one on the body. This body of this pullover is worked in the round to the underarm, then the front and back are worked separately back and forth. The sleeves are worked in the round from the bottom up, with the sleeve cap worked flat. Decreases and increases are worked on each side of the body to create a fitted shape. I have graded the pattern in sizes XS to 2XL.

knit.wear / Harper Point Photography

Here is a detail of the square neckline that is knitted double, folded and sewn in place at the wrong side. I am delighted to be in the design company of my tech editor Corrina Fergusson, Carol Feller and Sarah Wilson who has designed the amazing huge Anna Cowl on the cover, just to mention a few. The digital version of the magazine is available to download from the Interweavestore.com and while the print version can be ordered here: knitwear-springsummer-2016. The pattern will be available in Norwegian after the rights return to me in a year, and new photographs will be taken. It will be a challenge to make them as brilliant as these.